Chapter 18:

“Defiant Pulse”

Sing to Me


The control room of Studio B3 felt like a hermetically sealed box of pressure. The air was thick with tension, not from conflict, but from sheer, draining exhaustion. Airi sat hunched over the massive mixing console, surrounded by empty coffee cups and scattered sheet music, her head resting heavily on her arms.

It was Tuesday evening. Airi had spent Monday catching up on the disastrous fallout of her tardiness—a frosty, passive-aggressive exchange with Mr. Sako and a subsequent three-hour meeting on "time management protocols." The chaos had left her with zero capacity for sleep and, consequently, zero capacity for inspiration.

Ren was in the isolation booth, trying to lay down some placeholder vocals for a new composition, but the session was stalling. Every line Airi offered felt stale, recycled, and utterly devoid of the "defiance" Ren demanded.

"Airi," Ren’s voice filtered through the speakers, smooth and measured, but laced with frustration. "The third verse lyric... 'The silence in the room is just the prelude to the storm.' We used 'prelude to the storm' three tracks ago. It’s too polished. It's safe."

Airi lifted her head, scrubbing a hand over her face. "I know. My brain is only operating on corporate platitudes right now. I spent six hours today calculating quarterly variance projections. I literally have no raw emotion left to give, Ren. The well is dry."

She leaned forward, pointing a tired finger at the console. "I need an hour. I need to walk out, see the sky, breathe in something that doesn't smell like synthetic foam and ozone, or I’m going to start writing songs about the importance of accurate filing systems."

Ren sighed audibly, the sound amplified through the studio speakers. "An hour is a deadline we don't have, Airi. We're fighting the clock. We need to complete the core structure of 'Defiant Pulse' tonight."

Suddenly, the speakers went silent. A moment later, the door to the control room opened, and Ren emerged from the booth. He walked over to Airi, his expression one of serious concern. He didn't sit down; he simply stood beside her, radiating a contained, intense energy.

"Okay," Ren said, placing both hands on the cool metal of the console. "No more work."

Airi looked up at him, bewildered. "What? Ren, we have to finish this. Junpei will have a heart attack."

"Junpei can deal with a delayed deadline. He cannot deal with a burned-out composer," Ren stated firmly. He leaned closer, and his voice dropped to a conspiratorial whisper. "You’ve forgotten the fundamental rule of composition: all work and no play makes Airi a very dull songwriter."

Before Airi could object, Ren walked over to the bank of audio racks, pulling out a small, antiquated machine that looked completely out of place next to the digital equipment: an old, beat-up cassette player and recorder, the kind found in vintage karaoke bars.

"What is that?" Airi asked, confused.

"This," Ren announced, holding up the dusty machine, "is my secret weapon against creative drought. It’s a cheap, terrible machine, but it’s how I learned to sing. It knows no judgment."

Ren plugged it into the console, overriding the high-end digital system. He then went into the booth, grabbed the heavy vocal mic, and brought it back out, positioning it casually near Airi's stool. He looked at her, his lips curving into a smile that was both teasing and deeply kind.

"You said you missed the chaotic fun of karaoke, where the sound isn't perfect, but the energy is real. Consider this an emergency session," Ren said. He pulled a CD from his jacket—a cheap, unauthorized compilation of 80s pop hits—and slid it into the cassette machine.

A blast of ridiculously synthesized, brassy music flooded the control room—a karaoke backing track of a famously dramatic 80s power ballad.

Ren cleared his throat dramatically, adopting a comical pose, one hand clutching the microphone like a torch. He didn't sing the actual lyrics; instead, he improvised, weaving in all the annoying corporate platitudes Airi had been struggling with.

He launched into a ridiculous, soaring ballad about office supplies, his magnificent idol voice completely committed to the absurdity:

"Oh, quarterly variance, you tear my heart out! My dedication to the Archiving Protocol is so true! My projected budget is a storm I must weather! Oh, Mr. Sako, I give my five-year plan for you!"

He hit the high note on "weather" with a magnificent, sustained vibrato, then swept into a ridiculous, mic-swinging dance move that was dangerously close to knocking over a mixing speaker.

Airi, who had been sitting rigid with exhaustion, completely broke. She threw her head back and burst into genuine, unrestrained laughter. It wasn’t the polite, corporate chuckle she used on Mr. Tanaka; it was deep, cleansing laughter that made her stomach ache.

Ren continued the impromptu ballad, incorporating improvised dance moves that were intentionally clumsy, a complete rejection of his highly polished image. He finished with a flourish, bowing dramatically to Airi.

"Well, Komatsu-san," Ren panted, putting the mic down. "Did the quarterly variance projections feel less threatening? Did the soul-crushing despair abate?"

Airi wiped a tear of laughter from her eye. "It was the most ridiculous, idiotic thing I have ever seen. And yes. Thank you."

The creative block had vanished, broken by the sheer, welcome absurdity. The genuine connection—the shared, private knowledge of his true nature—had done what hours of silence and coffee could not.

"Good," Ren said, his own breathing easing. "Now, we write the song. Don't write about the storm; write about the feeling right now—the feeling of laughing at the thing that tries to chain you."

Airi nodded, grabbing her pen. She felt the spark return, fueled by his energy. She wrote the first line immediately: The budget is broken, but the sound is still clear.

They worked for another two hours, the new lyrics for "Defiant Pulse" flowing with unexpected speed. They finished the core structure, the song now infused with a raw energy that was far from polished.

~

Two weeks later, the chaos had reached a fever pitch. The album had dropped and was an undeniable, international success. Airi's songs were everywhere—blaring from street screens, reviewed breathlessly in music blogs, and trending online. She still sat in her cubicle, the secret composer for the biggest album of the year, drowning in spreadsheets.

She was eating her quick, late dinner in her apartment, trying to memorize the new compliance manual, when her phone chimed. It was Ren. Not an official email, but a private text message.

REN: Final launch party. Tonight. Much bigger than Ginza. All press, all artists, all the chaos. It’s mandatory. And it's exhausting. But it’s a victory for "Defiant Pulse" and "Dual Resonance."

Airi typed a quick congratulatory message.

AIRI: Congratulations. You deserve it. Go dazzle the world.

REN (Texting back instantly): I'm going to look polished and talk about 'Artistic Vision' with nervous politicians. But I'd rather talk about quarter variance projections with you.

REN: Come with me, Airi. Forget the suit. Forget the manager. Just say yes.

A surge of warmth, exhaustion, and thrill coursed through Airi. She glanced at the compliance manual, then at the chipped paint on her kitchen wall.

AIRI: Yes.

REN (A single word, capital letters): GOOD.

Airi put her phone down, her heart racing. She had a mandatory meeting with Mr. Sako first thing in the morning. She had no time, no sleep, and no business going to a press event. But she had just said yes to the chaos, to the music, and to Ren. The five-year plan could wait.

Vreynus
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