I like writing about mooches!
Wanna chat? Hit me up on MyAnimeList :) Or find me on the Honeyfeed Discord
Currently writing "Reincarnated as a Background Character".
I am Sakura Hino, a 24-year-old novelist from Kyoto, Japan, who embraces a unique blend of cultures. My passion for literature led me to Kyoto University, where I discovered my love for exploring the full spectrum of human emotions and desires. This inspiration drives me to create captivating stories that delve into not only sexuality and intimacy but also the darker aspects of human behavior, such as violence and anger, as well as the lighter aspects like love and kindness.
My novels are unapologetically bold, intended for mature audiences who appreciate the beauty and complexity of human emotions and desires. I strive to erase the stigma against discussing taboo subjects by encouraging healthy and open expression, fostering a more accepting and inclusive conversation around the many facets of human nature.
Hello, I'm a writer trying my best to get better at what I like to do. Critiques and constructive criticisms are appreciated as they help me grow as both a writer and a person. I hope to enjoy my stay here. Have a pleasant day.
https://discord.gg/rem2WasE
Your average author hoping to get reviews on his work. Please follow back and stay tune for more chapters! Any feedback is great feedback! Underground author just out here creating, and trying to get works out.
FYI: Don't show fake love, or interest to my writings. Get lost.
Instagram: @hellenestorian
YouTube: Hellenstorian
🎨 Digital Artist at Trippssy Studio
🌟 Bringing Imagination to Life
🎭 2D & 3D Art | Animation | Vtuber Models | Comic's
📷 Creator of Captivating Characters
Paid Artist
Contact me on Discord tripsydraws
I tattoo.
Needles, skin, ink—the usual triad of violence and permanence. I stab people for money and they thank me afterwards.
I read. I write.
The reading is impeccable; the writing is… debatable. Whether it’s good or not depends entirely on your definition of “good”—and more importantly, on whether you’re the sort of person who lowers the bar preemptively or raises it just to watch me trip. I recommend the former. It’s kinder to both of us.
What I do is take simple tales—bare-bones, almost insultingly straightforward—and dress them up in so many words, so many detours, so many unnecessary qualifications and parentheticals (this one included), that they start to look complicated. Important, even.
It’s a cheap trick, really. Like putting a fancy frame on a stick-figure drawing and calling it art. But if the viewer buys the frame, who am I to complain?