JB

JB

registered at: Oct 10, 2023
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    Nov 11, 2023

    I appreciate everyone who took the time to read the story. This is my first story, right before "Sunflower Seeds". I thought really deeply about the messages in my first story, so I wanted to make a warning just like my second story. There are many layers and similarities I made with the real world and very much poetic storytelling, so I wanted to make sure I explained what I meant about what I said. Once again, due to the short writing period, I couldn't provide much explanation during the process. And to avoid confusion about the characters or the main course of the story, I've listed some points here.

    First of all, putting every trope or any ideal that I could have with the story aside, I wanted to portray and tell a character's story that was completely unrelated to the real world or real conditions. I came up with a woman that would be viewed as an "Angel", basing my main reason to portray death, which was "Thanatos" in this story, and desire to live, which was portrayed as "Eros", and came up with a bigger ideal of life that would portray a bigger message.

    I didn't want to directly come up with something that would be the exact same as "Into The Night" and portray a couple's story. Or somebody for the will to die I would say. I wanted to pick a human being, that would follow along the line of unnatural and explore life and death after many qualities of life.

    I especially put the details of her elegance, her long red hair, and emerald green eyes to portray an angelic-like being, but still would be the same as a human being with her fear and her will to survive upon the seas. I wanted to balance the ideal of people portraying that very person as an "Angel", and as a "Devil", because of how she walked all over the sea. I wanted to give a better understanding of her complex reality from the perspective of the town folks and the passing pirates or sea thieves, so that her presence would be better understood by the different types of challenges she would face. I wanted to portray her in a humanistic manner, as we, the viewers, view the story from her perspective and journey, and from a bigger perspective that sees through her emotions. The idea of her foot touching the sea and "Expanding", was a metaphoric way to tell how her "steps", which were her "will to live and the effort to survive", was the only way for her to "survive" and walk over the sea. She was confined by her past life and couldn't move "further", so the sea pushed her forward to accept death and its grasp, so she would "expand" as she walked and keep on living to see "Eros". She had to step forward so she wouldn't "sink to death" and have a proper purpose of living that forcefully pushed her to see more, and "Expand".

    She was in balance with the struggle to keep living, and slowly walking towards death itself, which she deeply feared, but still humbly accepted because "death was under her feet", as she would portray at the very end of the story.

    I especially picked sea animals to accompany her, showing that as she would walk over the sea, and ran away from her past to her unknown future, because she was destined to, that she would understand the things that she experienced, and the beauty lying under her feet was no reason to be stuck at the moment and be chained to the present. The very reason her to keep going, was actually pushing her to be not confined to any beauties of life, and simply and humbly appreciate them as they go by. Birds flying over her heard, also a bigger reminder that they were much freer than her, showing they could travel to any point they wanted because they weren't confined to the very moment or place they were living. They had to "travel", to keep "living." That is why I called the episode "Expanding Sea", as it would include many values of life that actually teaches her to "Expand" and "Accept".

    She saw wars, and people going mad over reasons to keep "living", so they would force "death" upon others. They were all "stuck" in every moment they were living.

    So that is why she became dull. That is why over time she started to feel no emotion. No cold on her bare feet. No pain in her back and the past she ran away from. No sight that terrified her. So her eyes became "dull" in the middle of the story. This was a metaphoric way to show how death was at every corner of life and the world itself, so her walking on the sea, expanding as rejecting death itself to have hope just for another second, was actually a way to prove to her that death was closer to her at any moment she stopped accepting death. It was a way to explain that many accepted, or just neglected Thanatos, the living death itself for many other reasons. And not every single one of them could "see" how Eros was included inside them. It was a way to show how actually not accepting Thanatos would even bring itself closer to others, just because they were so obsessed with life itself.

    She knew she had to accept it, not only to see Eros, but to accept Thanatos. That is why I implied, "Eros is under the shadow of Thanatos".

    For the final parts of the story, I wanted to beautifully and poetically connect everything she felt to the people's view. About how they see her as an "Angel", yet some see her as a "Devil". Portraying how time affects her presence in life and that no matter how she lives, she is going to be "stuck" with other people's ideals and time perceptions. I wanted to show how she had to keep expanding, to keep on moving above the sea like an angel so that she wouldn't be crushed by the reality of others. I wanted her to understand and give up the pure fear-filled emotions she had, so she could understand nature and death itself, so she wouldn't be connected to any fear of others.

    That is why at the very end, she says she blames no one. She says she had to do them to keep on living. That death was under her feet. And death always had its grasp on her. Now she would be humbly accepting death and life itself with her entire presence, and no more felt any type of emotion that would stir her away from the actual reality of that, that many feared to even look at.

    But now she was staring at it. More precisely, she understood she always had been staring at Thanatos, on every step she took.

    And at the very end, to end its very niche and precise, I made her bow in front of death, the very thing she feared at first, but at last humbly accepted to see "Eros" itself.

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    The Angel Who Walked On The Sea
    Chapter:1

    Nov 10, 2023

    I appreciate everyone who took the time to read the story. Due to the short writing period, I couldn't provide much explanation during the process. I believe I haven't fully conveyed the necessary character analyses within the book. To avoid confusion about the characters or the main course of the story, I've listed some points here. These are crucial to me as they relate to the main foundations of the story and the points that YOASOBI aims to imply.

    Firstly, I chose not to reveal the names of our main characters or what the main male character looks like to create a certain effect of mystery, aligning with Mayo Hoshino's writing style.

    I built the story from beginning to end in a way that the melancholic feeling of the characters is clear by the end, creating a backdrop for the picture formed in the finale. Points such as the main male character's feelings towards the female character and her sense of running away from him are essential. This creates a cycle of their efforts and feelings, from finding solace in making music together to the female character's rising anxiety leading to a cycle of loudness and silence. She only wants him to listen and hear her "voice" - her silent plea. She hopes he'll stop trying to distort her "silence," thinking he'll finally understand it, but in reality, he ends up destroying it in the end. The dilemma between the two characters and the climax, where the girl forgives the guy, is crucial to understanding their dynamic.

    One person believes that pursuing someone will solve their problems, while the other only experiences fear and holds misconceptions about the effort, lacking understanding. This dynamic is evident in the climax when the girl forgives the guy. It signifies her realization that her silence, not his loudness, was the true barrier. Instead of punishing him, she forgives him. This act stems from her recognition that, despite her abusive family background, he has his own struggles, shaping his unique "voice" that initially resonated with her but now intimidates her. Initially, her optimism and energy stemmed from the belief that her voice could effect change.

    In a poetic twist, her salvation, crafted after being estranged from her family due to illness, becomes her metaphorical grim reaper. Music, through which she expresses her voice, is her solace. The male character's silence captivates her because she sees it as a contrast to her journey of creating a better voice for herself. The story unfolds with indicators of her personality, such as her resilience in neglecting bruises and smiling through abuse, her strong grip on the guitar, her motivation to make the other character more "loud" and driven, meticulous planning, joy in mundane activities like putting down her school bag, playing in sunflower fields, and etching their band name onto the guitar.

    Throughout the story, I incorporated various indicators of the female character's personality, such as neglecting bruises, eagerly planning, happily playing in sunflower fields, and carving their band name into the guitar. To convey this, I incorporated the detail of her placing a sunflower in a jar, christening their band as "Sunflower Seeds." The jar, along with her act of placing a sunflower in front of their house, serves as a powerful symbol reflecting her vibrant personality that continues to shine even in the face of the self-imposed silence within her mind. The choice of the sunflower serves as a symbol of her positive struggle against negativity. The inclusion of a bird as a metaphor mirrors the delicate existence aligning with the female character.

    Recognizing the true fear she faced, she crafted her own sense of peace through her inner "voice," countering the prevailing silence. This resilience is evident in her interactions with family, her endeavors with the main character, and her external appearance and challenges.

    The pivotal scenes underline the evolving dynamics between the characters, revealing how their efforts and understanding of "voice" shift as they face harsh realities. The male character's struggle to comprehend the female character's silent turmoil creates a poignant exploration of miscommunication.

    I added some revisions to enhance clarity and flow in your sentences:

    I incorporated the bird detail specifically to illustrate how a small living being can thrive with minimal effort, symbolizing a connection with the female character. Eventually, she releases the bird, proclaiming, "We don't need to be confined anymore. We can be free, can't we?" The bird gradually succumbs to her metaphorical "efforts" as she sinks into her own "silence," resisting the noise of the bird.

    In a similar scene:

    "She would hurl words she didn't truly mean.

    "What are you so afraid of!?"

    "You! I am afraid of you! Everything you might become....""

    This scene unfolds as she begins to perceive the silence more distinctly from the only loud person she had faced and invested her hopes in—the other main character. I aimed to establish a poetic cycle here, marking the breaking point of the story. It illustrates how they gradually start to unravel, and their efforts subtly shift towards something different. The outcomes of these actions reveal how a small change alters their reality and understanding of "voice," leading them to swap roles in their efforts. Now, the male character must dispel the silence within her, as opposed to her attempting to infuse life into him. This shift is prompted by the encroaching dark reality, compelling the main male character to experience what she feels, making him feel as if he is "chasing after her" or "not being heard," reminiscent of her past experiences.

    The conclusion aims to maintain a proper style of explanation, with the main male character breaking down emotional barriers to comprehend the female character's perspective. The final scene, titled "The Loudest Silence," encapsulates the profound realization that the female character was the one who truly understood him.

    In naming the episode "The Loudest Silence," I aimed to encapsulate the intricate layers woven throughout the story, leaving the male main character to grapple with the complexities left behind by the female character. Ultimately, the narrative strives to convey the importance of hearing and understanding the silent nuances of one's true voice.

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    Sunflower Seeds
    Chapter:1