GoneSoSoon

GoneSoSoon

I'm scared of staircases.

registered at: May 25, 2023
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    Published Novel Level 1
    Published Chapter Level 6
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    Participant - MAL x Honeyfeed Writing Contest 2023

    May 02, 2024

    To:Mo

    The first fifteen chapters are currently being rewritten. This was because of many reasons, including the slow-buildup being a little too slow. The scattered thoughts of the character wasn't really a feature, i just hadn't decided how I wanted to portray him until after the first Act. I'm trying to re-edit it to be a little more cohesive to how I ended up wanting him to act like. What you're reading now might be gone in the future, although I hope to keep the essence of it. I guess you'll be one of the very few to read him like this.

    For the most part I also hadn't decided on the truth behind some of the 'mystery' in the beginning until now. Some thing will become a little clearer after I'm done editing it.

    As far as 'Madness' goes in this story, it's more equivalent to a bare consequence of a certain domain of 'power'. While every person is prone to grow mad, to a person who borrows this certain type of power, it's guaranteed. I wanted to use the idea of LotM's 'Personas' to carry different genres of story throughout the grand plot- a 'police story' in volume 1, into a 'detective novel' in volume 2, a 'pirate story' in volume 3, and so on. As a consequence, I had to develop some idea to make using personas feasible, and as a result, I tied it into this 'madness'. To avoid accumulating madness to one's 'base persona', (i.e, Lumière Croft), he would be forced to create alternate personas in which he would convince himself he himself is, in order to accumulate that madness to that 'active persona' and be able to force it back into the depths of his mind, almost like one would bottle up their emotions and choose to forget about them, except in this case using a vessel to accumulate and ignore one's own insanity.

    In the case of this story's 'madness', it would turn one crazy and unpredictable. For most, it would leave one as merely a lunatic. For someone like the main character, who is forced to wield more power than most, madness would be equivalent to unleashing it all, and ending the world. This is the main interest in the novel, at least as I meant it.

    So the stages would be > Strange happenings (murmurs, ravings, illusions) > (madness) as the base end state for most who grow mad > (turning into calamity) as the end state of Lumière's madness.

    I was really excited when you basically guessed the majour plotpoint of 'plunging' or lying to himself in order to avoid madness.

    I tried to include a lot of symbolism pertaining to 'light' in darkness, but this might also be reworked to be a little more clear in the future. What the intention was, was to have the people around Lumière talk about 'the sun' being some hope amidst cruelty, and have Lumière's confusion around that matter conceal the idea that they were always talking about him. He's someone who, despite not knowing why people accept their fate's instead of choosing to struggle, chooses to help them out despite that. He often chides the Father of the monastery for working so hard to support the people that choose not to fight against their own fates, but supplies the money for the Father to do so by working at a job he himself has lost all his passion for.

    There's a scene in the next few chapters where Lumière is talking with a child who acts so much like an adult. Of course, this may just be for a greater reason, but the base intention is to show that even children have to grow up fast in harsh conditions in order to survive. Still, despite that, the child says 'he couldn't wish for anything more'. Lumière can't understand that mindset in the slightest, and doesn't really ever stop to realise he himself is the same- he is someone who chooses of his own volition to stay in his unhappy situation, and blame greater powers for his situation. Whether his perspective is right or wrong, he does the same thing as the people he chooses to demean for failing to act. I want to try and make this point clearer in the rewrite.

    As for the rewrite itself, it won't matter if you keep reading it as it is for now. Maybe in the future, it would be nice to go back and skim through it to see what changes, but I don't think it will affect the experience for continuing. I think it is a harsh experience to read through the beginning now, but I would appreciate your critique in future comments as to how I can improve the experience. I'm looking to make symbolism and ideals clearer, as well as speed up the plot for the first fifteen chapters. That's probably what will be rewritten.

    I hope you continue to enjoy, however. I appreciate your comments as always. ^^

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    1
    Sinner of the Spades
    Sinner of the Spades
    Chapter:2


    Apr 22, 2024

    To:Mo

    There are two questions I wanted to inevitably lead someone towards.

    > How is a dragon killed via their name?

    However, the dragon didn't mention anything about his name when he asked Aelem to kill him, despite that supposed 'name' being right in front of him. Then, how will a dragon be killed?

    The other question is a little more of an indepth topic that's been built up to this whole time.

    > If 'naming' something, if that general 'understanding' of a wide public is what gives a name power- i.e fear, anxiety surrounding that subject, then it makes sense that the Paragons are able to stand as the most powerful non-governmental entity. However, there's another aspect to think about here. If Nephilim can be artificially created (Lace, Howl) and Leviathans can also be artificially created (Aelem), then doesn't one side stand to gain so much by creating both? Why, after so many years of such a great war having been won, and with so many years of peace, does a calamity that kills thousands finally happen? Why, in the eyes of the humans, has it been led this way? For a war that lasted so long, for the prime forces that could have stood against Gods, to be reduced to having to parasitise humans in order to survive, only to become fuel for an idea, a feared and respected name, was their fate.

    Was it that they couldn't accept such an outcome that they chose to fight, or was the idea that they would fight back known to the orchestrators?😉

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    1
    The Butterfly Knight and the Leviathan.
    Faded Scales of a Hyacinth
    Chapter:21









    Apr 14, 2024

    To:Mo

    the ruling class is the hero to spectating eyes that cannot see. long has this war between the loser and the victor reigned, and now in the era of humankind, these godlike entities only exist in remnant form. For humankind, this is the few nephilim who remain alive, whether artificial (The Paragons) or natural (Harbinger, the last of his kind). This story was primarily to explore a human perspective, but also the perspectives of other people very indirectly. This was the reason that I chose the plotpoint of a person shunned by society. Through Aelem's perspective, you learn of society's worldview which has been molded by the ruling faction- the Nephilim. Of course, since they won the war, the perspective of the commonpeople is that the Leviathans, the last remnants of the Dragons clinging to life like they're all but memories, are the evil of the world. An offense against the majority (A leviathan becoming calamity, majority being the affected humans) will always be the evil to the eyes of the spectators who believe the victor to be good. This leaves the Paragons, who also do awful things, in the right. Of course, this is just a political backdrop that probably doesn't matter to the theme of the story as a whole, but I thought it was fun to think through. Good is the larger moral acceptance, and the minority is the evil- as many people always see a black and white perspective, this is just normality. Normality, being a big theme in the story, can somewhat tie in here I suppose. In a way, Aelem being discriminated against by society is about as normal as it can get.

    The way that Harbinger and the long line of Paragons that 'protect' an emerging human society have presented the story of the Leviathans over such a long period of time has become acceptance. I hope you'll keep this in mind as you keep reading.

    After all, who can be a monster until you qualify them as such? Can the Leviathans really be monsters until they're given that name, until they're given a story, until the whole world associates their name with the feelings of fear and hatred?

    Can the creator of the narrative be trusted when they themselves have a history of doing the same, of hating the very people they tell the story of?

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    1
    The Butterfly Knight and the Leviathan.
    Faded Scales of a Hyacinth
    Chapter:19