GoneSoSoon

GoneSoSoon

I'm scared of staircases.

registered at: May 25, 2023
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    Published Chapter Level 6
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    Participant - MAL x Honeyfeed Writing Contest 2023




    Apr 22, 2024

    To:Mo

    There are two questions I wanted to inevitably lead someone towards.

    > How is a dragon killed via their name?

    However, the dragon didn't mention anything about his name when he asked Aelem to kill him, despite that supposed 'name' being right in front of him. Then, how will a dragon be killed?

    The other question is a little more of an indepth topic that's been built up to this whole time.

    > If 'naming' something, if that general 'understanding' of a wide public is what gives a name power- i.e fear, anxiety surrounding that subject, then it makes sense that the Paragons are able to stand as the most powerful non-governmental entity. However, there's another aspect to think about here. If Nephilim can be artificially created (Lace, Howl) and Leviathans can also be artificially created (Aelem), then doesn't one side stand to gain so much by creating both? Why, after so many years of such a great war having been won, and with so many years of peace, does a calamity that kills thousands finally happen? Why, in the eyes of the humans, has it been led this way? For a war that lasted so long, for the prime forces that could have stood against Gods, to be reduced to having to parasitise humans in order to survive, only to become fuel for an idea, a feared and respected name, was their fate.

    Was it that they couldn't accept such an outcome that they chose to fight, or was the idea that they would fight back known to the orchestrators?😉

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    1
    The Butterfly Knight and the Leviathan.
    Faded Scales of a Hyacinth
    Chapter:21


    Apr 14, 2024

    To:Mo

    the ruling class is the hero to spectating eyes that cannot see. long has this war between the loser and the victor reigned, and now in the era of humankind, these godlike entities only exist in remnant form. For humankind, this is the few nephilim who remain alive, whether artificial (The Paragons) or natural (Harbinger, the last of his kind). This story was primarily to explore a human perspective, but also the perspectives of other people very indirectly. This was the reason that I chose the plotpoint of a person shunned by society. Through Aelem's perspective, you learn of society's worldview which has been molded by the ruling faction- the Nephilim. Of course, since they won the war, the perspective of the commonpeople is that the Leviathans, the last remnants of the Dragons clinging to life like they're all but memories, are the evil of the world. An offense against the majority (A leviathan becoming calamity, majority being the affected humans) will always be the evil to the eyes of the spectators who believe the victor to be good. This leaves the Paragons, who also do awful things, in the right. Of course, this is just a political backdrop that probably doesn't matter to the theme of the story as a whole, but I thought it was fun to think through. Good is the larger moral acceptance, and the minority is the evil- as many people always see a black and white perspective, this is just normality. Normality, being a big theme in the story, can somewhat tie in here I suppose. In a way, Aelem being discriminated against by society is about as normal as it can get.

    The way that Harbinger and the long line of Paragons that 'protect' an emerging human society have presented the story of the Leviathans over such a long period of time has become acceptance. I hope you'll keep this in mind as you keep reading.

    After all, who can be a monster until you qualify them as such? Can the Leviathans really be monsters until they're given that name, until they're given a story, until the whole world associates their name with the feelings of fear and hatred?

    Can the creator of the narrative be trusted when they themselves have a history of doing the same, of hating the very people they tell the story of?

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    1
    The Butterfly Knight and the Leviathan.
    Faded Scales of a Hyacinth
    Chapter:19




    Apr 01, 2024

    To:Mo

    I'll reply to this more in-depth later, as there are some good new points I would love to provide insight on. For now, I would just like to thank you for your kind words.

    Recently, I lost a close family member. Your comments always brighten up my day, but this time it was really important to me. I'm very thankful that you were able to uplift me this time, it was so much more consequential to me.

    To touch on how the struggles of the character seem 'realistic', it may just be because I often create a character and choose to work through their worldview of their problem in my free time. This most often leads me to a conclusion of that train of thought, which makes its way into my writing. For yhhm, this started with the idea of 'hesitance' to love. Gradually, as I thought it through, pertaining to the character, it eventually ended up becoming a worldview that I hold to this day. It is the idea that something that happens between two people starts not with their trust, but with your own.

    This is all to say that I spend a lot of my free time thinking about my writing in-depth to a certain degree.

    For now, I wonder if you could provide me with some insight on a certain aspect of my writing. For the longest time, I've had this worry that my characters are too 'inconsistent' in both their thinking and their motivation.

    Someone once reassured me that this constant 'reframing' of one's mindset, motivations, and thought processes is a normal thing for people, but I wonder if it doesn't translate well to a good reading experience.

    If you could provide your insight on how my characters hold up to this 'consistency' that makes a good reading experience, or if inconsistency is interesting to a reader, I would appreciate it.

    As always, thank you so much for reading. I appreciate your comments very much. ^^

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    1
    The Butterfly Knight and the Leviathan.
    Faded Scales of a Hyacinth
    Chapter:17

    Mar 22, 2024

    To:Mo

    yeah this is a pretty good summary of what we've been talking about. Unfortunately I'm not very good at introducing new points so this might just become a harping topic at some point lol

    I think when making Omen's character, his motivations were more based on himself than for Aelem's sake. I love when romance isn't just for the sake of love. I think when writing it, initially he was supposed to be very self-centered in how he approached their relationship, teetering on the edge between wanting to 'cross that fence' but also establishing boundaries so that he didn't. it's some strange mixture of fear, hesitance, confusion on what he truly wants, and some moral guilt that he's using someone to better only his own life. My thoughts on his character right now are really muddled because I've been focusing on another work, but maybe this is a general point that could spice up your thoughts a bit. It seems you like thinking and establishing a clearer line when it comes to these conclusions, so I might as well switch it up for you with some more insight.

    To simplify it: Omen needs purpose > finds a woman who is connected to an underlying guilt (killing so many Leviathans) > starts using her as an excuse to alleviate his own guilt + to find semblance of purpose > starts to experience an internal conflict based on his own motivations surrounding the whole ordeal > starts to work to a greater extent to actually try and help her/ simultaneously tries to punish himself by creating boundaries because of this guilt he feels > leads to more internal conflict

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    1
    The Butterfly Knight and the Leviathan.
    Faded Scales of a Hyacinth
    Chapter:15

    Mar 12, 2024

    To:Mo

    one of my favourite plot points was the reveal of his father's blindness being a checkpoint for his slowly-dwindling state of health, not being sickness, but rather the effect of his child's power. Harbinger is one of my favourite character, being both a motive for his son, but also the upbringer of one of the darker points of Omen's character. The reason Omen is a butterfly is because he helps flowers bloom. However, the pollination that helps a flower bloom is the unintended outcome of the butterfly's true process- to explore. This butterfly's true intention is to derive safety and purpose from his exploration, for himself, while inadvertently causing a flower to bloom.

    Often, revenge as a motivator for characters was a driving force. However, this time, I wanted to explore revenge as inevitability. How does a character drive himself forward if the revenge he wants is something he knows will happen, given time? Often, grief is put off until there is conclusion. But how does someone put off grief if that conclusion is certain? Do they tuck it away perhaps? Become a doll who pretends to feel nothing? Try to adopt different purposes- shouldering death for others to distract themselves from inevitability?

    The butterfly who knows not why he flies to the flowers brings them to bloom, but he still has no true purpose, because his motivation is inevitable. This has always been the point of his character, I think. At least to me, this is how I wanted him to be, not that I know if it really shows that off well.

    Omen as a butterfly is inadvertence but also inevitability, which is why he is a doll but also a protector. This is all he can think to do until something greater comes along.

    also side note: My favourite aspect of Harbinger which makes him really cool to me as a pseudo-antagonist is that the ability which kills off most humans in an instant, fails to do much more but weaken and blind him after so many years. The Nephilim were once a race that rivaled the greatest dragons, and as a half-Nephilim, this is all Omen can accomplish against his father who stands mightier than all. To many people, their fathers are the pinnacle. To those who love their fathers, this is a blessing. To those who hate their fathers, this is a torment.

    Thank you for reading as always! I enjoy your insights into my work from a reader's point of view! I hope you continue to enjoy as always ^^

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    1
    The Butterfly Knight and the Leviathan.
    Faded Scales of a Hyacinth
    Chapter:14

    Feb 29, 2024

    To:Mo

    ultimately, the names are just a showcase of their different ideals. I think there is a lot of nuance to what commitment can be, and how going into something so fast can be harmful- but I also thought that was a good showcase of how much 'desiring' something can lead someone to act in different ways. At the heart of their characters and how they have lived up to this point, Aelem has always moved along as a vagrant, while Omen has stayed static in his bubble. This can directly correlate to how they approach the idea of 'the fence'. Because she is so used to moving, the idea of 'crossing' that fence is easier. However, to someone who has always remained static, they would of course be more inclined to stay where they are and gaze blankly from afar.

    My mentality towards this novel is a little thin since I've been focusing on two different newer works, but this is sort of the mentality that I had when writing as far as I remember. You may notice a shift in that sort of mood as you read on, as I had to completely rewrite it at some point as I lost most of the novel when transferring computer files to a new model. This is also how I lost the majority of my unpublished works, which sadly included yhhm2 ^_^. It's unfortunate how life works, but this is all I can do to move forward.

    I hope the strange disparity in quality doesn't disappoint too much. I thank you for reading as always. When it comes to this little hobby of mine, you are the person I can appreciate the most. It really means a lot. ^_^

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    1
    The Butterfly Knight and the Leviathan.
    Faded Scales of a Hyacinth
    Chapter:12

    Feb 23, 2024

    To:Mo

    To one who wants to cross the fence, there is the polar opposite of one who fears crossing it. So, when one intrudes on the other side of the fence, the one who fears the unknown catches a taste of it, and slowly that fence begins to break down. However, it is tough to break that fence down completely. This is seen in another common idea in this story- the idea of names.

    In this story, a 'name' is very serious, synonymous with a 'title' in some scenarios. For Aelem, being a 'woman' is very strict in adhering to prerequisites. For Omen, being a 'friend' is very serious, as is later being a 'lover'. To a criminal, being a 'lover' means being 'free'. To a dragon, being 'named' is to be 'dead'. It is much more serious in commitment than the preconceived theme of 'masks'. One can wear a mask and take it off just as easily. In the eyes of others, it is their own perception that the mask warps. However, when one chooses to adhere to something seriously, it is their own perception that is warped. One can wear a wedding ring and will be perceived by others as 'married'. However, if one is not really married, this is a mask. To wear the ring but also call yourself a 'wife' or 'husband' is to live it as a truth. To 'declare' is to 'be' - a cat not declared dead is neither dead nor alive if not observed, and if one does not 'observe' themselves to 'be', then they are not. To a doll, who is nothing, he cannot be anything except for what is observed of him. He does not declare, and so he is only a knight.

    Side note number 1: The reason I use red a lot as a descriptor is because it is my least favourite colour. This is also the reason why I do not use yellow a lot, because it is my favourite.

    Side note 2: Dragon explanation. The Leviathan is very chidey, which is something one would expect from someone trying to wear another down. However, this is also indicative of a personality type- the thrillseeker. Does danger really matter to him in this aspect? A playful type, one who seeks fun- isn't this familiar? Aren't some things more important than others? To look at a mythical creature from a lense of a human is inherently strange. After all, the dragons do not seek control for fear of death- their wills are remnant, and have already died. To be a leviathan is to be a last hurrah, a finality upon death due to the work of cultists. So, for one who has already died, but yet lives, would one seek to live, or seek to live? I know I said the same thing twice, but it inherently means two different things, which I'll let you ponder on. It's a saying I've heard often- 'Is one who is just living, really living at all?'.

    On the point of the dragon, besides being a 'thrillseeker', I wonder too if your lense towards the character has grown jaded as a reader. This is good for me as an author who wants to subvert expectations, but I wonder if you've decided to adhere to a stricter viewpoint inadvertently. After all, is wanting to succeed in taking over Aelem the only outcome? Of course, there hasn't really been any majour points that would say otherwise. However, from the start, the idea of a 'spectator' has been fresh on our minds. Isn't leading fate along the ideal scenario for a 'spectator'? One who can only manipulate and not interact with the material realm is sure to make big things happen. To lead the girl to the city knowing you may die- aren't some things more important than others?

    Anyway, my point is to keep an open mind. This may be very shoddily and very quickly written, but you know that I love to set things up. Extreme planning is my specialty. -uo

    As always, thank you for reading, my dearest reader. I appreciate your breakdowns and love reading them in return. It is the best gift someone could give me to care about something I made to this extent. I truly appreciate you. ^^

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    1
    The Butterfly Knight and the Leviathan.
    Faded Scales of a Hyacinth
    Chapter:10