Mo

Mo

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Aug 12, 2023

"Everything we take for granted is up for review. You quickly get used to something" ( Virginie Efira ) . Agreste is a perfect illustration of this. Stars, the sky, the fruit, all these things so "simple" in his eyes are in reality pure utopias here in Crell. So how do we transmit the beauty of what you know to others? We can make it : Agreste succeeded in "making stars"... But we can't manufacture the feelings and symbolism we've experienced in the face of these things. Quite simply, we can't rewrite beauty as we see it. Why can't we? Well, for one thing, isn't beauty in the eye of the beholder? So a thing that may seem marvellous to some will be pure ugliness to others.  On the other hand, we'll never be able to reproduce it identically, because we're simply limited in the ways to do so. In this way, those glittering stones in the dark will never match the glittering mantle of the night and thus the beauty our mc wants to show it. Furthermore, I think that even if he and Theresia aren't "looking"at the same thing, they can still feel similar emotions for a short moment or more: Theresia can feel the same emotions as our MC did when he saw the stars for the first time in his life, the same wonder.
In addition to this "raw" analysis, it's important to underline the enormous symbolism of the question behind Agreste's realization: does he want to show her beauty as he perceives it? Showing beauty as we perceive it is an enormous proof of the interest we take in someone : it's a bit like showing them a part of our universe, our tastes, opening up to them, letting them discover things in a certain way. But be careful not to impose our vision of beauty on the other person. Sure, the blue sky is wonderful, the moon is wonderful, the stars are wonderful, but as Agreste has realized, these things belong to another world, one that Crell doesn't know. But the fact that Crell doesn't know about these wonders doesn't mean that undines don't know about beauty - they do, but in their own way.
By taking things for granted in this way, our MC looks at the world he finds himself in from the referential of the world he knew (which Theresia underlines in a way by saying that it's as if he's contemplating a sky he doesn't know), so a veil of grief is drawn over his eyes as he contemplates this reddish sky, the fog, this night that isn't a night. Deep down, even if he realizes that the world is not granted for him , he doesn't necessarily realize that beauty isnt too.
On the other hand, beauty is ephemeral: it changes inexorably.  In a way, this is clearly seen in the story of the ondines, living in a land so vivified and now so stale and somehow "emptied" of all its beauty. But, didn't Agreste "marvel" (the word is perhaps a little too much) / somehow find beauty in things that undines take for granted and don't find especially beautiful, like buildings, transport, the market? (I put this marvelling, however, also down to the fact that Agreste was new to this country, generally we marvel more at things we don't know than at those we do know). By this I mean that you can see and create beauty in Crell too, even if there are no clouds or blades of grass or even a moon.
With the moon quote, two things come into opposition: showing material beauty and symbolic beauty. When Agreste tells Theresia "that the moon is beautiful", he doesn't mean to tell her that she's "beautiful", he means the symbolism behind it (telling her that he loves her... : btw I don't know if you did it on purpose, but in a way, by answering "no" it's as if she's telling him she doesn't love him - even if the purpose of Agreste's question wasn't to ask that), but Theresia understands the other "beautiful" in the sense of beauty, linking it to material beauty and saying she can understand him. This raises another question: how can we convey the symbolic beauty of an object that someone who doesn't know ? And will this person understand it clearly ?
Finally, let's talk about something very important: Agreste has entered Theresia's world, her home. But while where you live says a lot about who you are, this home says nothing about her. It's a smooth environment, perhaps a little too smooth, where a few knick-knacks are neatly arranged, late and tidy, as if she were wearing a mask, even at home: a mask to hide her solitude. (It's as if these few objects were there to bring a little presence between these walls. Agreste was right when he said she'd probably only come in a few times, as the silence here must be unbearable for her - a point she would later make it clear before offering to let him sleep by  her side-  It's the first time he's understood her so well, and to return to the bookshop metaphor, it's also the first time he's had a chance to read one of her books, forbidden to the public: the book of her solitude.

Side note 1 : the fact of taking the world around us for granted reminds me of tourism and the way tourists marvel at monuments or landscapes that don't inspire anything special for the locals.
Side note 2 : more generally, I find this metaphor of taking the world for granted and "wanting to show our vision of beauty" very interesting, because it really highlights the MC's struggles.
Side note 3: the names given to objects are just labels we stick on them, as theresia did by labelling those glittering stones as "stars".
Side note 4: I couldn't help but smile when I saw that "the moon is beautiful" quote, because it was one of the first quotes that came to mind when Agreste first spoke to Theresia about the stars.
Side note 5: I think Agreste is a bit homesick too
Side note 6: the rainy weather could also symbolize his gloomy state of mind when he realized he was taking everything for granted.

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Your Heart has Meaning
Your Heart has Meaning.
Chapter:12

Aug 11, 2023

To:GoneSoSoon

I think too, regarding of Agreste past with Nagahiro, it is difficult for him to move forward and accept his self with flaws because he might be scared to hurt others hence his Baron of lilac mask ? At some points because of his flaw he think he cant be loved so he creates a idealised version that most person might appreciate.
Indeed putting terms in a perspective he felt deeply is a good " starting point" at his journey, its such a wonderful metaphor
Using sens is really a plus when it come to write. In addition to stimulate the reader with differents perspective, it really dive him into the story,like feeling it at some point . It is such a good tool too when it comes to the " show dont tell" method so I truly appreciate you  using it. Overall I think it just makes me appreciate your prose even more haha
Oh you know what ? With your explanation with the noble and fruts you putted words on thoughts I couldn't achieve to explain. Like, at first I thought the fruit was a strawberry so I made some research to see if some were known in the meji period and actually accessible for nobles : it was indeed. But then I wondered how couldnt he didnt know what fruit was if he actually tasted it before. Anyway I conclued that seeing and taste this fruit, even tho it wasnt a strawberry, was normal for him in a certain way BUT I didnt linked it with the taking everything for granted !!! Thank you for highlighting it !  Also at the previous chapter I think he said that now he wasnt a noble anymore : he was on the other side of the fence so he wasnt really used to it. So at some point he do realize he is not a noble anymore in Crell but didnt really take fully  consequences of it ! It do make sens !!

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Your Heart has Meaning
Your Heart has Meaning.
Chapter:11

Aug 11, 2023

The only obstacle to the realization of the human being and to his liberation is not events and it is not others, but himself" illustrates the perpetual conflict of our mc. We can understand "the realization of the human being and his liberation" as the idealized version of Agreste: the baron of lilac - a person spreading joy around him, not selfish or egocentric, the "perfect" man, a "smooth" man without flaws. But there's an obstacle to this ideal version, Agreste himself: the Agreste who has flaws, doubts, regrets, who wants to be seen, who wants to be loved => the human Agreste, if I may say so. Once again, isn't this a wonderful way of making Agreste human? To tell the truth, we all have an ideal version of ourselves, whether physical, psychological or behavioral, a flawless version that we keep in a corner of our minds and try to achieve. Then comes the moment when we slowly realize that, for one reason or another, we'll never be able to be this version of ourselves, simply because it's not us, because we have inherent flaws in our lives: we have a personality. Of course there will be flaws that we can correct, but sometimes we see things as flaws when they're not necessarily so. And I think that's the case with Agreste: he wants so much to do right that he does everything wrong, and outright tries to erase his personality in favor of a smooth mask, making him somehow insensitive.
But Man's (and fairies') faults are not what make him bad. We see this here with Theresia. Above all, she's someone Agreste cares deeply about. A person he sees above all as "perfect". However, her "imperfections" are the first thing he sees, like the little scar at the corner of her eye. Which is just incredible, because for the first time, he's seen her physically without her mask, so to speak.  And wasn't it by seeing the other person's faults that we learned to love them? Don't we love someone for their qualities and imperfections ? Even if he sees "an imperfection", he doesn't forget her "qualities" (on a physical level), her light citrus scent,  red cheeks,  little freckles. Her starry eyes where stars are shining. It's often said that the eyes are the reflection of the soul, so in describing his eyes as a haven of peace full of hope, he puts into words his calm, gentle personality.
Next, let's talk about that wonderful metaphor of the library and personality. When we introduce ourselves to someone and establish human relations, we present to them with a display of books, each book representing a facet of ourselves that we want to show. Our tastes, our passions, the things we don't like: more generally, not our imperfections. But this doesn't reflect reality: it's just a facade, a mask we've created, and few people will have the privilege of accessing books that are "forbidden to the public" => our secrets, our weaknesses, our imperfections, our doubts, our fears. In other words, the most valuable books, because these are the books that make us who we are, the books that make us unique, the real us. Here, fate has granted Agreste the opportunity to discover some of her "physical" books, so he can contemplate all the little details of Theresia. Theresia stands before him, stripped of the few pages she made him read, her mask: it's simply Theresia the human. What's more, it's important to emphasize that in this interaction, all our mc's 5 senses are mobilized, a way of saying that his whole being, at this moment, is hers.
Speaking of the 5 senses, it was hard to overlook the gustatory aspect. First of all, we learn that Agreste loves spices and flavors, and this is the first trait of his personality that we discover. But the food of the undines is bland, with no stars to brighten his palate. On the other hand, to say that eating the bland food of undines is like standing under a blanket of dark grey clouds, would reflect his current state of mind in a way. Anyway, what we also know is that food is a way to the heart, a way that our mc has chosen to ignore. In a way, this makes sense, since he's always prevented himself from being happy. But now, as he bites into the fruit, a wave of emotions washes over him: euphoria, a feeling of sweet summer. More generally, positive feelings that his heart hadn't known for a long time. And this fruit he shares with theresia will taste the same for her.Given the symbolism of sharing fruit in Crell, giving her a piece is like giving her a piece of his heart in a way. But this symbolism Agreste didn't grasp; he thought it was a simple gesture. Here, too, something seems "off": Something he considered inconsequential actually has enormous consequences. After all, wouldn't the same thing have happened with Nagahiro?

Side note 1: I've just realized two things (unless I'm mistaken)
- Agreste' is first and foremost a nickname, a nickname given to him by Nagahiro in relation to his 'baron of lilac' mask (the person he was trying to become) and not himself (his real person). In a way, she was denouncing his insensitivity and the fact that he couldn't understand hearts simply because he didn't have any, seeing as it's only a mask.
- We still don't know our MC's real first name (again, knowing your sens of detail, I doubt it's a simple oversight :) ) it goes back to the idea that part of the story would be a quest for his true identity, at which point at the end of the story (depending on his choices + if it's a happy ending) he'd learn to love himself, to be himself, and we'd know his real first name. Why not Hoshiko? Star in Japanese. It would be a good parallel with all this star symbolism, in a way our mc was a star from the start, he just had to realize it to shine.
Side note 2 :  When Agreste mention the stuff with the sun he will put down in order to make Theresia shine even more. Maybe later, the Sun might be himself with the baron notoriety ... so at some point he will be force to make a choice ?
Side note 3 : good morning ^^

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Your Heart has Meaning
Your Heart has Meaning.
Chapter:11

Aug 10, 2023

That's it: Agreste has put words to its two objectives: wanting the world to be selfish and wanting people to be happy. Here we already have two opposing words: selfish and happy. The question that remains is "Are they compatible?" Our mc is actually questionning himself about it. He soon realizes that they aren't, hence the bitterness in his heart. But why not? Simply because I don't think the way to achieve it are the same. In the case of the baron mask: wanting the world to beam with happiness is "simple" enough : writing inspirational poems on the city walls , and wanting the world to be happy would simply be to be content with letters of thanks. But that's not enough, Agreste is hungry for more: as mentioned in his discussion with december, he wants to be seen, he wants answers to his words, he doesn't want to be in the shadows but in the light: he selfishly wants the world.. And here it's not a question of seeing the world happy or unhappy; he simply wants the world, and  ways to achieve this are limitless. A paradox to note, however, is that Agreste is never satisfied: as Baron, knowing that he's making people happy doesn't satisfy him; as Agreste, he could have been content with helping people in the city to conquer the world, but no, again, that's not enough. More generally, all this leads to perpetual conflict in his actions, which he describes as "disingenuous". In the end, we're torn between two opposing personalities: The Baron, who wants to remain in the shadows but is in the light, and Agreste, who is in the shadows but wants to be in the light (and to achieve this, he has to use the Baron's identity, which has completely opposite objectives).
The contrast between Decembre and its attire is also well done. The name Decembre sounds cold and distant, while its real personality, Cassea, is warmer, like summer. In terms of symbolism, summer evokes joy and intense life, and perhaps this is the case with Cassea. In any case, he looks radiant in this dress.
This ball has enormous symbolism for Agreste, or rather the Baron of Lilac. This is immediately apparent in the architecture of the surroundings, where the most ambitious towers reach for the sky. This is a place where opportunities are high, where reaching your goal is more likely. This also underlines the weight of Kitsch Yulier, dressed in white and gold, noble colors, the only who match with this grandiose setting => the one capable of made the impossible possible.
In this encounter, we see that Agreste is torn between his masks, even though Decembre has made it clear that it's up to him to choose who he wants to be. Finally, at the outset he introduces himself as Baron of Lilac, so we're staying on the business side of things: he wants to be there to seize the opportunity to beam the world in hapiness.The discussion stays on this level for quite a while: we see that Kitsch uses Decembre to refer to Cassea, even though Agreste uses his "real name". Then it shifts when Kitsch somehow asks Agreste "to drop the masks" and call him Kitsch. A closeness is created. Agreste also drops his mask and introduces himself under his "real" name, changing his objective. From now on, he wants the world selfishly: he wants to be seen and to feel loved. So he makes this selfish proposal to Kitsch and introduces himself to the crowd at the ball. An important paradox: he wants to feel loved (Agreste), but he presents himself as the Baron, so in a way people will come to love the Baron, not him.
Next, let's talk about Theresia, whose spike in her heart just won't go away. What is this feeling? Probably one the heart of someone about to meet for the first time the one she love (a bit like a first date).  A heart where apprehension and passion are intertwined. Unfortunately, she'll have to live with this heartache for a while yet, as she was unable to meet the Baron who brings her so much.

Little side note because my brain is too sleepy to write in proper english anymore
Side note 0: Note also the difference in Kitsch's characterization : she compares it to ash falling from the sky, while Agreste, who knows all about snowfall, compares it to it ( once again a well thought detail )
Side note 1 : Agreste accepted to go to the reception following Cassea's proposal ( her friend ) whereas Cassea "invited" him here because of a meeting organized by decembre between Baron of lilac and Kitsch Yulier ( purely professional plan ) yet he did it as a friend.
Side note 2 : the parallel between Kitsch's hair and the unknown snowfall of his ondines => utopia, reinforces the feeling that the latter is someone who can make dreams possible in a way.
Side note 3 : The fact that Agreste says Kitsch is a man of uniformity can means that he has no mask ?
Side note 4 : This is the first time anyone has told him he's callous outside Nagahiro. Indeed, on reading the chapter in more detail, taking body language into account, Agreste has none at all: he feels nothing, no joy, no apprehension, just nausea and calm. Sure, he smiled at Kitsch, but it was a smile beneath his baronial mask, so can we call it a sincere smile ?

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Your Heart has Meaning
Your Heart has Meaning.
Chapter:10



Aug 10, 2023

"Friendship is the flower of a blossoming heart" ( zohra aafanne), but what about Agreste's heart? Sitting in this field of flowers that don't bloom, he contemplates an inky sky where the stars are absent. What a better way to represent his state of mind? He's sitting in a perpetual night ( midnight ) devoid of light ( stars ) where hope and innocence ( daisies ) hid in the blades of his doubts and remorse ( grass ) so how can friendship blossom there?
When Shirakawa arrives, this gloomy setting takes on a whole new dimension: the grass is green (that emerald color again with its symbolism :)) ), the sky sparkles with a thousand and one stars. More generally, we step out of the Agreste frame of reference to observe the landscape as it really is. What's interesting here is that both descriptions of the place come from the same person: Agreste. In a way, this ties in with his state of mind: he refuses to see the stars shining, the beauty of the world as it is (pejorative pov), while others can see it, hence the more colorful, sparkling vocabulary he uses (meliorative pov). Once again, we see this parallel with his discussion with decembre. Here too, friendship is mentioned and Shirakawa sees him as simply his person ( my lord ) and not as "Baron". On Agreste's side, instead of seeing him with his mask (vassal), he simply sees him as "Shirakawa".
"It's like this, once you've experienced grief there's no escaping it" ( Daniel Woodrell ) . Yep, it's not so easy to change Agreste and he realizes it, he's tormented. Tormented because his mind wants to change / has started to change, but his heart remains the same as before. His doubts and fears are still rooted there. And all this makes him human, because isn't it human nature to be torn between remorse for the past, wanting to change at all costs, convincing yourself that you're changing, and then realizing that it's just the beginning of a long day? (Once again, I really appreciate the path you're taking here, pushing character development to its  paroxism . It would have been easy to just  say that he'd totally changed with the events of the previous chapters and make everything okay thereafter, but no, you go further. Managing to make a fictional character human is no easy task, but you succeeded , and for that, bravo).
A parallel with december's discussion is made again, I think, when he manages to read behind Theresia's mask by saying that she's tense, something she doesn't admit to herself, a bit like Agreste with his motivations at december's but also with his feelings. It's so "beautiful" to see him fall in love with her, while once again lying to himself and making excuses. It's also beautiful to see Theresia's reactions. Seeing them so close together reminded me of that quote that said each one of us is little   universe : I think their two universes thus united can only make the stars shine a little brighter ^^.
However, although they're so close and see the same thing, they're not looking at the same thing, which contrasts, among other things, with the flashback at the beginning of the chapter. Why ? Because in that flashback, Agreste implicitly described the place differently depending on who was there, whereas here he describes the room where those artificial stars are twinkling in the same way. Why see the same thing (Agreste's description of the room) and look at different things? For Theresia, this sky is nothing more than a utopia, something she hasn't experienced, something she doesn't know. In something she doesn't understand Agreste. On the other hand, she understands the Baron of lilac in such a way that in a way she falls in love with him, which Agreste realizes with horror at the end. She loves the flawless Agreste, who spreads love instead of the self-doubting Agreste, who fights against his faults, to the simply human.
Side note 1: I love the parallel between building worlds to escape reality and the memory of Alice in Wonderland
Side note 2 : I came across this French weather saying and it reminds me of your plot: "red in the morning, sorrow, red in the evening, hope" . So in this orange haze, where the night is tinged with red, hope remains, even if Agreste doesn't see it at the time.

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Your Heart has Meaning
Your Heart has Meaning.
Chapter:9

Aug 10, 2023

Like the fog lifting from his glasses, this discussion will lift some of the fog from Agreste's heart.
December is an intriguing character. Honest with himself (on a professional level at least ) he assumes his true motivations: few people would dare confess sculpting reality to make things look better or to make them more acceptable, to "fit the truth of others". Which makes me doubt his honesty with Agreste. Why ? Well, simply because I'm afraid that in the future, for some reason, he'll carve his words to his own advantage and that this will harm our mc, I just have a bad feeling. But this feeling was somewhat alleviated by a deeper reading of the chapter. Indeed, at the very start of their discussion, when Agreste tells him that he prefers "him" and "the Baron" to be two different entities, our dear December only uses the word Baron to address him when the discussion turns to business (his motivations/why he's here/what does he want?) However, and this is the nuance, when Agreste talks about wanting to be beloved, he simply uses Agreste. He no longer sees him as a masked entity, but as a simple person, a simple human, who just wants to be loved. Deep down, perhaps he recognizes himself in our dear mc? Maybe he's failed to pull off the mask he used to protect himself (hence the fact that everyone calls him december = the name of his mask and no one knows his real name = doesn't know him as a person / simply). Finally, his body language is also changing. At first, he put a professional distance between them, sitting in his armchair. But when he employs Agreste at the end, he extends his hand, getting closer, creating contact, a bond. All this makes me believe in his sincerity, or at least part of it, and it really makes me want to know more about this character. In a way, I'm wary of his "December" mask, but as a human being I think he's a good person, someone who will at least help our mc not to make the same mistakes he did.
What about our mc ? Well, this discussion has done him a lot of good, and turned him upside down. He has started to take stock of his situation: he  put into words his true goals and feelings, and for the first time, as he says, he is introspecting his feelings. In this way, he puts into words his true objective: to feel loved. Which is just incredible, given his state of mind at the start of the story: we go from a man hiding in the shadows, refusing to experience happiness, to a man who wants to experience the light he's been trying so hard to avoid. Here, too, his body language spoke volumes, for when he wrote his poems on city walls, he wasn't hiding, he was stepping into the light to be seen. This would also explain why, when he received the letter thanking him for his words, he didn't feel particularly bad - deep down, that's what he wanted. Finally, just as Decembre saw him as a person, he too sees him simply as a human being, as someone he allows himself to appreciate, as perhaps a friend he can count on.  I also have the impression that "people can be great friends" refers to people without masks. More generally, I'm beginning to understand what Agreste means when he says "simply Agreste".
Side note: interesting parallel, at the beginning of the chapter, when Agreste is still confu, december's first gesture you describe is his finger circling the chair, a bit like our mc circling himself. Then at the end, when the two shake hands, the circle is broken, Agreste stops circling and moves forward
Again, a very interesting chapter ~

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Your Heart has Meaning
Your Heart has Meaning.
Chapter:8


Aug 07, 2023

I'm supposed to be in sleeping, but the wonderful idea of reading a chapter before doing so crossed my mind. But  those few minutes of sacrificed sleep were worth it haha
Similar to the wildest dreams or unattainable goals, the sun is enthroned in the sky opposite the most audacious skyscrapers. Our dear mc wonders what it would be like to touch that grey smog in the sky, and here he is in the middle of the train's steam: hasn't he achieved one of his objectives, however naive it may seem? Yes, of course, the objective of touching that smog, but what's the second, the main objective: to contemplate the stars again. He was able to contemplate these stars as soon as he arrived at the market, with the various lights twinkling in its half-light, but also with Elin's stones lighting up in the darkness of the night. These very stones, and the fact that they can light up when they've stored up enough sunlight, remind me a little of the man at the bottom who, in order to shine, needs to build up enough confidence and self-esteem.
Speaking of stones, knowing your attention to detail, I'm guessing that the emerald color of Elin's eyes is no accident, given the symbolism of this stone :) Peace is precisely what this discussion with the old lady will bring him: peace with himself. At the beginning of the chapter, he had already experienced a sense of peace amidst the cacophony of the train, but here it's different: he realizes that he can be happy too, that he can contemplate the stars because fate has put them in his path - Elin's stones, but the most beautiful of them all: Theresia.
So he no longer writes to punish himself or to share his bitterness or regrets (beginning of the story), but to spread good cheer, if I may say so: in a way, he leaves his egocentricity behind with these last pieces of chalk. We could already see this at the beginning, when he wrote his first words in the city, "Your heart has meaning" (focused on others), which contrasted with the words of his first poem (focused on himself). What's more, the chalk now disappearing symbolizes the end of the beginning, as he said and the beginning of what's to come.
Finally, our dear Agreste regains hope, a star that will never disappear from the sky

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Your Heart has Meaning
Your Heart has Meaning.
Chapter:7


Aug 07, 2023

Words fly away, but the writing remains. It's hard to forget the resentful words written in this posthumous letter. Even though he was ill and his memory was failing, he still remembers those "defining" moments with Nagahiro so vividly, as shown by the many details in the flashbacks (I find this fascinating). Well, it's not explicitly stated, but I'm assuming this letter is from her, isn't it?
So we learn the origin of his name. I can't help but underline here too the wonderful parallel between "to me, you will forever be Agreste" and Theresia's "you simply be Agreste in my eyes, from now and forever": indeed, as you pointed out earlier, I have to pay more attention to how it is using. After some thoughts : for Nagahiro I think it was literally the pejorative consonance she was aiming for, for Theresia it was simply for his "Agreste" identity as he introduced himself to her and finally for our mc... well, what could be better than starting a new life by taking revenge on the past?  He knows the meaning of this name, and in this new life he's set himself the goal of understanding the heart (your heart has meaning) and no longer hurting others with his words. So we'd have  "2 Agreste": the pejorative Agreste he was and the meliorative Agreste he's trying to build.
Then comes this mysterious letter. Outwardly, it differs in every way from the one he remembered. But what about its contents? Well, it too is quite different: here, he is thanked for the first time for his words. An important nuance :  Agreste is thanked explicitly, not the Baron of Lilac. He is thanked for his words, the very words that may have hurt in the past, and it's just extraordinary. Next, let's talk about the lilac in the little envelope. Here, I oscillate between two theories. The first, and simplest, is that someone actually knows he's the baron of lilac. But who? By deduction and regarding the chapter,  it must surely be someone who caught him in the streets and asked to send him something.  What puzzles me, though, is how did someone know he was at the theater? I suppose the town is small enough that word of mouth could have told people where he was. If so, I was thinking of the old lady he helps at the beginning of the story, as she's one of the few people with whom there's been any "apparent dialogue". The second theory would be to focus on the symbolism of the lilac: remembrance and budding love. About remembrance as far as memory is concerned, there's only one person who would know that he's the Baron of lilac and Agreste:
Nagahiro and let's say she was reincarnated in this town, she would have come across his words "your heart has meaning" and thanked him in some way. But mhh... what bothers me about this is that they parted on bad terms and if I assume that the words that hurt her were kind words, then "your heart has meaning" could very well hurt her again. For the budding love, then it could simply be Theresia thanking him for his words earlier and innocently (or not) putting that flower in the letter - it could work in the sense that until now only Theresia's compliments haven't hurt his heart. On the other hand, the fact that he doesn't feel anxious about having been discovered is surely linked to the joy he doesn't admit to but feels at the idea of someone thanking him for his words.
Finally, this discussion with Piers is very interesting. On the one hand, it reveals an old personality trait about our mc: he was sometimes egocentric.  Does this have anything to do with how he may have hurt Nagahiro? If so, it would explain why she told him he didn't understand other people's hearts...  On the other hand, it allows Agestre to return to childhood, marveling at things he wouldn't have tried or refused to do in his previous life, thus broadening the sky he has so long bridled by focusing too much on himself.
Side note : I've always read Agreste with an Italian accent haha now I'll do my best to pronounce it with the french one

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Your Heart has Meaning
Your Heart has Meaning.
Chapter:6

Aug 07, 2023

"Watching your work was like watching the stars once again. In fact, in his previous life, Agreste chose not to contemplate the stars because he had lost his star, the person he loved: his life was now for him an inky, dark night, a long night of despair. On the other hand, he no longer wanted to contemplate them because he forbade himself to be happy in front of this sparkling spectacle! In contrast, here he is, in a land where the sun never set, where the brightness he had so long shunned is everywhere. In a way, he can't contemplate the stars here either, not because he doesn't want to, but simply because he has no choice. And now, looking at Theresia's work, he can contemplate them again, he can be in a night full of stars, he can be happy again!  it's incredible !!!!
I also think his self-imposed starless night resembles the same night when Nagahiro died, a rainy night filled with clouds with no stars.
The roots of Theresia's motivation are similar to Agreste?  making people feel good: one by words, the other by deeds, so to speak. One more thing our two characters have in common. The fact that Agreste wants the world to know about Theresia's work is in line with what he said in the prologue: everyone deserves to know about starfalls. It also ties in simply with the poem he wrote before he died. Here, the endless night would refer to the hearts scarred by war, Theresia's works the things they can contemplate and the twinkling stars would be their smiles or their eyes shining with admiration, and their sake simply a little comfort after the war or in their daily lives
Also at the end, Theresia says that he will only be Agreste in her eyes. In view of her words, I can only think that, firstly, this shows that she appreciates him for what he is and not for his facade (but after all, she doesn't know he's the Baron of Lilac). But on the other hand, something isn't quite right: in chapter 1 he briefly explains that it's a name he's been given that has a rather pejorative meaning. So to say that he'll always be Agreste in her eyes is like saying that he'll always be insensitive, or at least, always less sensitive than the Baron of lilac, the man she "likes in essence". For me, these words, like those spoken by Agreste at the beginning of the chapter, have a much deeper meaning than you might think.
What a beautiful chapter ^^

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Your Heart has Meaning
Your Heart has Meaning.
Chapter:5

Aug 07, 2023

Writing for ourselves? Isn't that the best thing of all? To free ourselves from the judgment of others, from the expectation of their validation of a work we hold dear, so that we can appreciate our work as it is and be proud of ourselves. To achieve this, Theresia must surely have suffered a lot in the past, but I'm delighted to see that the passion still burns in her eyes. Quality is better than quantity, so it's better to have a single spectator who understands the real meaning of the piece than a room full of meaningless people. And then... Isn't Agreste the best possible spectator to admire her work? He himself being the person she loves and inspires her work.
Speaking of this play, there are so many ways to approach the story of this Dietrich fighting for the love he eventually lose, tormented by remorse and regret. First of all, it reminded me of Agreste's situation with his parents having turned their backs on him to preserve his life, unable to watch him suffer with them. Then we understand why they might have done so: because saying goodbye to him was unbearable for them, or because they weren't ready to love him. Secondly, this piece can only put into words his story with Nagahiro.
This discussion may be similar to the last one he had with her, who was desperately trying to save their love, to make him stop finding excuses to run away again and again. It was a cry for help. Both Sable and Nagahiro understood that "my heart has always loved you" was meaningless, that the mc didn't understand the heart meaning. Then comes the moment of realization on that battlefield, against the enemy and against his feelings, under that red light. Red like the anger he may feel deep down for words he couldn't say to sable but also because he realizes that he's lying to himself. Finally comes the moment of regret under this blue light, under the melancholy. Ironically, he fought for a love he destroyed, and now he's alone to contemplate it. Comptemplating and realizing how little he'd understood the meaning of the heart, and how his sweet words like " I love you" could have hurt the person he loves. He thought he was doing the right thing, but he'd only made them suffer, and it took losing them for him to realize it... just like Agreste. Like the mechanical eye, this  new life for him , will be the benchmark by which he will understand these mistakes.
If I remember correctly at the beginning of the story, Nagahiro is his guest, so that means he had to leave at some point. But why? Perhaps because of his illness.
Finding someone capable of putting into words what you're feeling is a rare thing, so working with Theresia is the best way for our mc to face up his demons of the past and soothe that pang deep in his heart that hurts so much. In a way, it can be say he's fallen in love with her words, just as he fell in love with Nagahiro's words the first time he met her. And, this, this  is such a beautiful way to fall in love.

The only negative point now is that I can't go to Aethine to watch Theresia's shows T^T

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1
Your Heart has Meaning
Your Heart has Meaning.
Chapter:4