Hype

Hype

Asuma Toki’s Sensei. Yoroshiku~

registered at: Nov 22, 2024
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    Feb 10, 2025

    To:Pope Evaristus

    Thank you so much for sharing your thoughts!

    Re: In media res - Yes, it was partly due to length constraints.. but I’d be lying if I used that as an excuse. Truth is, I just couldn’t make anything leading up to the command room interesting. I feel like anything I came up with was just done a million times before in other stories so it’s like… meh, let’s just skip to the good part. However you imagine we got there is probably a lot more interesting. To me, I think the most difficult part of writing in (insert current year here) is the fact that you’re dealing with audience expectations and audience sophistication. Like, if you’re writing a murder mystery, you also have to contend with the fact that not only has the butler already done it in previous works, but also it’s that works have built on top of that. So now we’ve seen that the butler has done it, but also the butlers clone. And the butlers clone’s twin sister. And the butler’s clone from a different multiverse where, I dunno… humans evolved with telepathic powers. Or whatever. So you can’t just write a plain old “butler did it” story anymore.

    Ivy and Violet being interchangeable is definitely one of the weakest points of the story in my own opinion. I wish I could say it was because of length or time constraints but to be perfectly honest it comes down to my own weakness that I couldn’t really couldn’t come up with anything interesting to do.. so they’re kind of just relegated to color commentary and comedy.

    Yeah the style is a big thing that I wrestled with internally. Not sure how evident this was but I toned it down massively after some of the initial backlash … the dialogue wasn’t a decision I made lightly or an a whim, or just to be different for the sake of being weird. And it’s not a style I would write in by default for anything else I write; it’s definitely something I feel is just reeeeally specific to the type of story Days is. Very barebones, hardly any narration or introspection save for one or two emotional instances. I am happy to hear that it worked for you. I totally accept and understand how it wouldn’t work for a lot of people. (At the same time, I can’t deny that my hope is for people to try and stick with it… because I feel like the dialogue tags for one, really do fade into the background after you get used to it.. but that kind of thing is out of my control. The reader is totally in the right if the style is a dealbreaker for them.)

    Re: Room 3 - the room housed the other luck modules kept in stasis, like a big vat of Rei clones. It was mentioned in section 20.6, but it was glossed over pretty quickly and that chapter was just one big expo dump so it was easily missable.

    BTW - I know you made a comment about And I Feel Fine being a sort of “final entry” in your contest trilogy. I don’t think anyone expected another contest so soon, but if you DO happen to participate in this one I would be definitely looking forward to reading it.

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    1
    Usagi Days (Space Orcs Destroyed the Earth So Let's Deliver Packages in a Pink Kei-Car)
    Chapter:50




    Jan 26, 2025

    This was a genuine joy to read through. It's hard to put into words just how much I enjoyed the writing style here. The narration is dynamic and fluid, taking on the voices of the characters, but it has its own voice at times. The cadence and rhythm is brilliant. You understand how to carry a sentence forward--no hard stops unless it's necessary. This is not only efficient, but keeps the momentum going. (The less experienced writer might take 3 sentences to convey what could be condensed into a single sentence with dependent clauses and participial phrases.) The writing is very engaging. And to me, this is what true literature should be. Where the reader is not simply a passive listener, being read to .. they're along for the ride with the narrator, sitting in the passenger seat. The humor really shines through in the way especially, and makes every joke feel a lot more personal. It's the difference between laughing along beside the narrator, rather than .. I dunno, sitting passively in the audience, you know? And there ARE a lot of jokes here. I'm sure a lot of references flew over my head, but the stuff that I got landed well.

    The story is great. I was surprised at the direction it took, to be honest. I was prepared for it to continue down the road of Zipper and gang (well, mostly Zipper I guess, since Sue and Nat found what they were good at) searching for meaning in a 'perfect' world. I actually had a bit of anxiety when I realized just how many different characters and plot lines you were setting up, but I'm glad that it all really came together very nicely in the end. I wasn't sure it could be done in under 75K words, but everything resolved itself in a satisfying way. I pretty blew through the Paradise section, it was really compelling.

    I mentioned in an earlier comment but obviously the themes about creating--especially in a world where technology is evolving faster and faster every day to make it so that human voices are being drowned out among the sea of new content pumped out every day, by machines or otherwise--really ring true here. And the search for meaning, finding out what you're good at .. finding out that you might NOT be good at anything in the end ... And what do you do when people you know seem to excel much faster at skills you wish you had? All pretty much universal and timeless things.

    Random thought 1: Nat has no 'voiced' lines and I only realized this halfway through her own chapter.
    Random thought 2: Wouldn't it be crazy if Pynchon's next novel comes out and the title is one of the chapter titles hidden among the others in this book?

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    1
    And I Feel Fine
    Chapter:56