Bubbles

Bubbles

I'm Bubbles.

Currently on hiatus.

registered at: Aug 13, 2020
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    Comments Level 6
    Published Novel Level 2
    Published Chapter Level 6
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    Time(Daily access) Level 6
    Participant - MAL x Honeyfeed Writing Contest 2021
    Finalist - MAL x Honeyfeed Writing Contest 2022
    Participant - MAL x Honeyfeed Writing Contest 2023






    Jan 15, 2025

    Some more notes for this chapter.

    When you describe something, you should aim to do so in a way that follows some sort of technique, a way to emulate the eye glossing over the landscape or the impression the view leaves on the viewer. Some of those techniques include panning (left to right, forward to back, etc.), generic to detail and vice-versa, impression to expression, and so on. In your case, you tend to list out the features of the scene in a very monotonous fashion, almost like compiling a grocery list.

    Furthermore, you should also aim to entertain more senses. A lot of the time you focus on visuals only and whilst those are good and all, narration is only complete when all the senses are tickled. I don't think I'm too aware of how anything *sounds*, or how hot, cold, draughty, wet or dry this spaceship is, how anything feels to the touch, how this colony smells. It all feels very muted and silent, which makes it easy to blend together.

    Furthermore, your characters' personalities are very easy to confuse. They all seem like the same clone of rag-tag individuals who perpetually try to one up each other with their wit and banter. Whilst that's entertaining for a while, it also loses its lustre fairly quickly when there's no 'straight man', no baseline.

    Lastly, the amount of bloat in this chapter makes it very easy to forego and forget the little obvious plot breadcrumbs. Because of how abundant the descriptions and assorted 'nothings' (banter that goes nowhere, exposition that doesn't achieve much), the whole chapter reads like a lot of fodder interspersed with two plot moments - the radio conversation and the merchant's appearance - which are all that stick in the mind. It helps if you structure your chapters with a bit of cause and effect in mind. The plot beats of any chapter should be linked with 'therefore' and 'but's more so than 'and then's, which yours seem to be: They reach 039, and then the robots call, and then they dock and a merchant approaches them, etc.

    That's all I have to say. Best of luck in the competition.

    Bubbles~

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    K-92
    K-92
    Chapter:2








    Dec 24, 2024

    Right, three chapter in, time to stop.

    Tbh, I don't vibe with the story at all. I think a lot of it is extremely self-indulgent in all the wrong ways: smart-sounding, yet utterly hollow phrases; plot twists and turns that are cool to imagine, but hard to execute, and harder still to be identified by a reader; characters that spout one-liner banters, whilst they're one note thus far.

    Zooming in on that last point, I have to ask about Arufa. We are around 5k in and honestly, most of what she's done is kind of reactionary or simply there. She's literally introduced as a rule of cool character in an action sequence that basically exists. Then she gets the shimmer hallucinations twice and that's it? What are her goals? What are her underlying personality traits other than smart-mouthed and quick-witted? Why is the first stake we get from her a very confusing plot-first 'dude, where's my car?' bit.

    Speaking of the plot - I can appreciate first act and three chapters and what-not, but the only thing that 'would' (not will) keep me going is the mystery. The issue is that it's just not very well crafted. It's sudden, jarring, incongruous with the world at large - out of place. Assuming intent, but it feels like in some abstract pursuit of being a smart mystery story, you're pursuing some axioms: don't reveal too much, be abstract and vague, create tension out of nowhere - but they simply don't work. They pull at the plot in different directions and you can argue they filter out the less erudite readers, but they also filter out the readers who can see through the shtick.

    And when you pair this with the prose... is a VN the inspiration for this? This is how it reads - short, blunt sentences, relying on the artificial flow engendered by mouse clicks or button taps; one-line paragraphs with the longer ones often lapsing outside their logical units. Feels like a medium mismatch, but I could be wrong.

    Anyway, don't let my 'hater comment' dissuade you. I am not your story's judge :) And really, with the amount of support you got, I should be (and encourage you to treat me as) a drop in a bucket.

    Best of luck,
    Bubbles.

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    Parallel in Two [Saga Cover]
    Parallel in Two
    Chapter:3