Bubbles

Bubbles

I'm Bubbles.

Currently on hiatus.

registered at: Aug 13, 2020
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    Thumbs up Level 5
    Comments Level 6
    Published Novel Level 2
    Published Chapter Level 6
    Novel Cover Upload Level 3
    Time(Daily access) Level 6
    Participant - MAL x Honeyfeed Writing Contest 2021
    Finalist - MAL x Honeyfeed Writing Contest 2022
    Participant - MAL x Honeyfeed Writing Contest 2023



    Jun 07, 2024

    Hello! Your entry was very interesting. Perusing your profile, it seems like you've got a pretty interesting universe set up for yourself, seemingly inspired by Kaiju no. 8? Either way, very cool :)

    That being said, I do have some gripes with your story. The writing style, in particular, is a little off. There are some pervasive grammar mistakes (misplaced commas, 'complement' instead of 'compliment', etc.), which make the writing harder to engage with. Furthermore, a lot of the time it feels like you're *explaining* the story to the reader. There are many structures in the lines of, "I'm confident," X said confidently, and your filmic language feels like you're not really trying to guide the reader through the story, as much as you're trying to describe the action in as much detail as possible. Sometimes less is more, and sometimes the reader can read between the lines without much handholding. Additionally, whenever you break into the character's thoughts it feels very brusque and direct. You state what they're thinking without a buffer between the character and the reader, making the narration feel almost juvenile at times. Even in more 'close-to-it' perspectives such as first person, you should try to be a little more roundabout with your character's inner monologue. It should feel less like a summary, and more like a speech.

    Not to mention that, if I'm honest, I'm not sure if a military unit's impromptu assignment was what the contest organisers had in mind for this prompt. But either way.

    Best of luck in the competition~
    Bubbles.

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    0
    CHRONOL∅G - 3XCHANGE (Cover)
    CHRONOL∅G - 3XCHANGE
    Chapter:1

    Jun 06, 2024

    Awww... how bittersweet. I imagine that the woman had cancer or leukemia or something similar and that melancholy in her voice, as well as her choosing to stop hiding her hair loss, is a sign of resignation. She won't make it through to next spring, will she now?

    Whilst I do appreciate the storyline and its breathiness, as if it's told with hushed tones, I can't help feeling you've leaned into the kishotenketsu of it all a bit too much. There's very little conflict to speak of and the progression is very fast-tracked from the 2nd scene to the 3rd. It feels like we could've maybe had another scene after that with what is now the ending acting as the climax. That way, the reader could have a denouement to taper the downward slope of the story. As it stands, it feels like as soon as the story climbs, it plummets back down - speaking from a progression standpoint, that is.

    Another point to make is that the language, whilst clever in parts (I did genuinely enjoy the line 'her aloneness felt deliberate and without gloom'), is very ornate, pompous and mellifluous, to the point where it gets distracting. There's a lot of thesaurus grabs as well, which fall extremely flat and make the writing unnecessarily dense and difficult to get through and the effect of overspecific verbiage is really lost. It genuinely feels like an ashepost, though mostly the bad sides of one. If you tone it down a little, I imagine this could be quite an interesting story :)

    Best of luck in the competition,
    Bubbles~

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    1
    That Spring, When She Appeared In Thulian
    Chapter:1







    May 27, 2024

    Hi Kim! Mwack.

    That out of the way, let's proceed. I do enjoy the concept quite a bit; I think it's a very clever interpretation of the prompt, but unfortunately that's where my enjoyment of it ends.

    To begin with, I feel like, ironically, you've jumbled the chronology of your story a fair bit. For example, I'm not entirely sure why we get Richard's raison d'etre in the middle of the story, in such a way that it feels like an appositional afterthought more than an organic segue. I can appreciate that this is a very experimental entry on your behalf (the present tense being evidence to that - go tenses!), but I do have to wonder if a more conventional approach (i.e. frontloading the exposition a little more) wouldn't have helped.

    On the note of frontloading, I'm not sure how I feel about the timeloop gimmick being explained so front and centre. I get that with a title such as that it was kind of inevitable, but I think that really takes a lot of the punch out of the opener. Why not let the reader wonder how could one drink tens of thousands of litres of beer?

    Now to get into more presumptuous territory, I wonder if the whole gimmick wouldn't be better of as a kind of rugpull. The humdrum of a salary man's life could, essentially, be viewed as a timeloop – the commute, the 9 to 5, the perfunctorily mandatory afterhours izakaya visit – all of which Richard, as a newly minted Japanite, could feel very alien towards. As such, he would try (and fail) to find ways around the monotony. Punch someone's lights out for the fun of it; romance then bed a woman just for a spark of life; fall down a couple flights of stairs just to feel something, anything. And, at the end, Reina could come to 'rescue' him from the monotony just as she did here - the details of which I will leave up to you. Obviously this is me editorialising (read, severely rewriting) your story based on all the assumptions I'd made earlier. But unfortunately, as it stands, I'm sorry, Kim – close but no cigar.

    Best of luck in the competition.
    Bubbles~

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    0
    Time Loop Uncle Cover
    Timeloop Uncle
    Chapter:1




    May 22, 2024

    Whilst I appreciate the candour of this piece, it feeling very much like personal experience (or self-insertion), I think there's a lot that your storytelling still leaves to be desired. For one, I think the style is all over the place, though it is an improvement over your past works – which is very good! More like this! The more poetic bits feel dangling, like pencil sketches, and I think that's in no small part due to the pacing. We go through the story at a very hurried pace, which makes it all feel like a summary of experience; nevertheless, we dedicate a good chunk to the preamble and grounding of the character, frontloading which really dulls the beginning. It is hard for the imagery to live like that – it's the literary equivalent of a teacher writing with one hand, only to erase the board with the other.

    Secondly, whilst I will reiterate that I understand the memoir quality of this, I would be remiss not to point out this is still meant to be a story (or at least that's what the contest is for) and therefore the characters are expected to obey a certain development. Or if not the characters, the plot. Here, I feel like both character and plot are just simmering. Nothing of note happens – and if/when it does, it is written with no specific attention to tone or detail, to the point where it feels like just another beat in the song. At the very least I was hoping to see some accent or significance attributed to *something*. But as it stands, not one line is different from the rest – and a monotonous composition isn't something I particularly enjoy. Perhaps you could consider adding some dialogue? Some sprinkled-in lines could be a good way to break rank a little bit. Or otherwise, structuring your paragraphs in a more compact manner (as opposed to the 4 line maximum you choose here, an interesting decision in and of itself given the nature of this story) could allow you to deliver a bit of punch with one-liners.

    Thirdly and finally, I wonder if the main character couldn't have had more personality. I've noticed this as a kind of throughline of your work, where the protagonist is mostly blank, an observer, or the few qualities they have are very muted or constrained. Even when he said he got very drunk to talk to his crush, he felt aloof in a way that is less thematically congruent and more clumsy and unintentional. I can appreciate this might've been the intent, but as with most feedback I give, me being able to glean the underlying reasoning of a choice doesn't mean I agree, support or enjoy its portrayal and execution. In other words, I'd advise that you let your characters off the leash a little more. There's plenty of potential to them (and to your writing), which I imagine and hope can be achieved without lapsing into shitposting.

    That all out of the way, I do think the story beats here are very cool. I like the idea of borrowed time romance (so much so that I tried centring a novel around it), but I wonder if, based on the vibes I get here, if you wouldn't have benefitted from a more melancholic approach. I'm not sure what happened in reality, but I think it would've made for a more compelling narrative if your character didn't confess. Trimming the beginning, you could start on the 'meet-cute', and then present a couple vignettes where he started falling for the girl, thought about confessing several times but overthought his decision, got drunk to help but that didn't work, and then he went back to the US, regretting his cowardice - and blaming some sort of doomsaying, that it wouldn't have worked out anyway because long distance, impermanence, something something cope. Spring is the season of new beginnings, and that much happens here. But every beginning eventually ends, and with your character leaving Japan just as summer rolls around (headcanon), I think that would make for an interesting parallel. You can also keep the leitmotif of the bus stop, though perhaps doing it for every vignette could get droning (you could inject it in different ways, though). Happy to expand on this off-line, i.e. on Discord.

    Best of luck in the competition,
    Bubbles~

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    2
    Six Months in Aichi cover
    Six Months in Aichi
    Chapter:1