Bubbles

Bubbles

I'm Bubbles.

Currently on hiatus.

registered at: Aug 13, 2020
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    Published Novel Level 2
    Published Chapter Level 6
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    Participant - MAL x Honeyfeed Writing Contest 2021
    Finalist - MAL x Honeyfeed Writing Contest 2022
    Participant - MAL x Honeyfeed Writing Contest 2023





    Mar 13, 2025

    One note I'd have about this story is that the prose feels a little too sanitised and simplistic. With something as zany as this concept, I would've expected a lot more of that to be reflected in the writing, but the brunt of it feels like it's derived from what's actually happening. They're cool and fun events on their own, don't get me wrong, the ex-wife bit, the whole little shit being a lovely menace shenanigans, everyone being surprisingly laissez-faire about the impending apocalypse. But the connective tissue doesn't do too much to complement this. I feel like you could maybe take a page from another author from the website, lolitroy. Her style, as all over the place as it might be, has the humour *embedded* into the writing rather than *presented* by the writing. And I feel like her approach might help elevate your story a lot more.

    Similarly, one note to make about Ryuka is that she feels a little too passive a character. She has dreams, ambitions and some amount of personality, but they rarely come across in ways other than her dialogue. Pairing with the prose comment above, this feels like a bit of a waste of first person, especially when most of her thoughts surround the relating of what's going on around her. She barely introspects and when she does, it feels very summary and matter-of-fact, almost impersonal. And that just doesn't sit well in a story that, as far as the genre and concept announce it to be, feels like a character-driven piece.

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    0
    I Prolonged the World’s Demise by Babysitting a Kaiju
    Chapter:3






    I Prolonged the World’s Demise by Babysitting a Kaiju
    Chapter:1




    Mar 12, 2025

    Okay 'tis my stopping point. One comment I would like to reiterate is the pacing. It's too fast, too brisk, and it makes it difficult for me to stay engaged with the narrative; not too mention the amount of characters that flash in front of our eyes (just this chapter alone has Tina, Jogi, Daddy and Bosen).

    Another thing you might want to address is the dialogue. It's very overtagged, and you're formatting it in such a way that makes me continuously need to double-check who's saying what. I would suggest that you bunch together the line with the movement the character says. If someone says something and another character reacts to that, the reaction should precede (or succeed) their dialogue on the same line. You should also be mindful not to overtag; the scene where Hoshina gets closer to Tina has a lot of unnecessary scenic movements that feel like they belong in the description of animation keyframes rather than the filmic language of a novel.

    As for positives, this chapter offers us an interesting glimpse in Hoshina's life as a bit of an oddball as far as the four great families are concerned. Despite her status, she seems overly concerned with appearances, which is a nice touch to expand on her anxiety; it reasons that someone that doesn't fit in is worried about how others perceive them. As for Jogi, her and Hoshina's dynamic is also interesting, in that you can feel the sororal bond between them, yet also those echoes of sibling nastiness. That's a pretty nice way of capturing it; I should imagine you have siblings yourself.

    Well, that's all I had promised to read, so I shall bow out now. Good luck in the contest, and I'll catch you later.

    Bubbles, out.

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    1
    Cover Final Version
    The waste where silver gods lie
    Chapter:3