Bubbles

Bubbles

I'm Bubbles.

Currently on hiatus.

registered at: Aug 13, 2020
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    Participant - MAL x Honeyfeed Writing Contest 2021
    Finalist - MAL x Honeyfeed Writing Contest 2022
    Participant - MAL x Honeyfeed Writing Contest 2023
    Finalist - MAL x Honeyfeed Writing Contest 2025


    Jun 13, 2024

    Finally. A Taylor story. *point emoji*.

    First thing first, fauna is a collection of animals. I think you mean flora. Okay, that's the nitpick out of the way, now I can focus.

    This is very cute :) I like the idea a lot, an elderly butler going to Japan because his 'grandchild' is just a massive weeaboo. The wholesomeness of the presentation is very welcome, and it makes this a pleasure to read.

    Now, unfortunately, come the demerits. For one, with this story grazing the upper limit by such a slim margin, it feels very fast. It's less of a short story, and more a condensed novella, where a lot of the connective tissue was scrapped to make room for the essentials. In that regard, I suppose it feels bare in a way. Like there's no meat on the bones. There's very little description (if any), and the narration is very succinct and to the point; it makes it difficult for any event to leave an impression, because we need to move to the next one right away. I suppose this makes it difficult to engage with this story on a deeper level, though I am not sure if that was on purpose or not.

    That aside, I feel like this story lacks a bit in the structure department. Notably, I feel like there's no 'oomph' towards the end, no twist and no hurdles. Whilst that works reasonably well with visual media, I feel like stories for the sake of chaining together events in a logical way aren't equally as appealing (though not unheard of). In short, I feel like this story could benefit from something going wrong, if only to make it tip a little to the funny side. We could have a simmering conflict where William's fervent desire to get Danielle a tree at all costs is juxtaposed with Danielle changing her mind at the last second, as children often do. At that point, we could learn that Danielle wasn't really invested in the tree, as much as she cared for the feeling behind it. And really, seeing William go to all this effort to make her smile, all the while broadcasting his journey, was enough to unseat that bit of childishness from her.

    Hope this wasn't too harsh. I actually had one more point to make, but I half forgot it, half figured it might be saved for later.

    Best of luck in the competition,
    Bubbles~

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    1
    Cover Art for Vicarious Visit
    Vicarious Visit
    Chapter:1

    Jun 10, 2024

    Lei.

    I can appreciate that this piece has something in it that you appreciate, and tried to replicate. While I cannot quite put my finger on it, there's a strange, almost wistful energy to your prose. It's soft and translucent, like a wisp of fog on a cold, dewy morning. Perhaps that's the reason why this story feels so thin, like a dream – or maybe just a memory. Who knows?

    I find this story a little awkward, if I'm honest. There are some paragraphs with dubious flow, and bits of experiments that, whose intent I can gauge, yet whose execution fails to impress me (the one with the many em-dashes coming to mind). But what I do believe this piece lacks the most is, unfortunately, a little bit of everything.

    The main character is small and unassuming, follows no goals, changes no facet of their personality, pursues but a buddhist whim and, all in all, seems to carry the reader on a journey that, whilst narrated in first person, feels distant and external. The plot simmers, but never boils and certainly never boils over. Perhaps this is some experimental structure you have tried too – bringing up kishotenketsu feels like a leitmotif; though the East Asian dream record might be more fitting. There is very little for the reader to sink their teeth in, other than the aforementioned prose. Though even then, there's lacunas. At times, the pace of paragraphs is very rapid, and action fails to ground the description. At times, it's the opposite and the wealth of descriptions wash away the action. The first paragraphs of arriving at Sakamoto could be an example of both these points, in order.

    There are little tidbits missing, not big chunks by any means, but enough to compound and add to an overall lacking impression. But that doesn't mean this cannot be improved. One suggestion I could make is for a bit more zest of life at the end. I wonder if the reunion couldn't have had more of an emotion to it? The whole piece felt very subdued and withdrawn, so a bit of contrast could help. Another suggestion might be to make some small alterations to the episode with the mute monk on Mt Hiei. It feels like a strange and esoteric experience, yet the way it is written makes it blend in with the rest of the story. I wonder if it wouldn't be a more impactful scene if it were written in a more deer-in-the-headlights, or psychoactive, or fearful, or euphoric way.

    That is all I have to say.
    As always, ahem, Lei.

    Best of luck in the competition~
    Bubbles

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    1
    I'll see you around
    Chapter:1


    Jun 07, 2024

    Hello! Your entry was very interesting. Perusing your profile, it seems like you've got a pretty interesting universe set up for yourself, seemingly inspired by Kaiju no. 8? Either way, very cool :)

    That being said, I do have some gripes with your story. The writing style, in particular, is a little off. There are some pervasive grammar mistakes (misplaced commas, 'complement' instead of 'compliment', etc.), which make the writing harder to engage with. Furthermore, a lot of the time it feels like you're *explaining* the story to the reader. There are many structures in the lines of, "I'm confident," X said confidently, and your filmic language feels like you're not really trying to guide the reader through the story, as much as you're trying to describe the action in as much detail as possible. Sometimes less is more, and sometimes the reader can read between the lines without much handholding. Additionally, whenever you break into the character's thoughts it feels very brusque and direct. You state what they're thinking without a buffer between the character and the reader, making the narration feel almost juvenile at times. Even in more 'close-to-it' perspectives such as first person, you should try to be a little more roundabout with your character's inner monologue. It should feel less like a summary, and more like a speech.

    Not to mention that, if I'm honest, I'm not sure if a military unit's impromptu assignment was what the contest organisers had in mind for this prompt. But either way.

    Best of luck in the competition~
    Bubbles.

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    0
    CHRONOL∅G - 3XCHANGE (Cover)
    CHRONOL∅G - 3XCHANGE
    Chapter:1

    Jun 06, 2024

    Awww... how bittersweet. I imagine that the woman had cancer or leukemia or something similar and that melancholy in her voice, as well as her choosing to stop hiding her hair loss, is a sign of resignation. She won't make it through to next spring, will she now?

    Whilst I do appreciate the storyline and its breathiness, as if it's told with hushed tones, I can't help feeling you've leaned into the kishotenketsu of it all a bit too much. There's very little conflict to speak of and the progression is very fast-tracked from the 2nd scene to the 3rd. It feels like we could've maybe had another scene after that with what is now the ending acting as the climax. That way, the reader could have a denouement to taper the downward slope of the story. As it stands, it feels like as soon as the story climbs, it plummets back down - speaking from a progression standpoint, that is.

    Another point to make is that the language, whilst clever in parts (I did genuinely enjoy the line 'her aloneness felt deliberate and without gloom'), is very ornate, pompous and mellifluous, to the point where it gets distracting. There's a lot of thesaurus grabs as well, which fall extremely flat and make the writing unnecessarily dense and difficult to get through and the effect of overspecific verbiage is really lost. It genuinely feels like an ashepost, though mostly the bad sides of one. If you tone it down a little, I imagine this could be quite an interesting story :)

    Best of luck in the competition,
    Bubbles~

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    1
    That Spring, When She Appeared In Thulian
    Chapter:1







    May 27, 2024

    Hi Kim! Mwack.

    That out of the way, let's proceed. I do enjoy the concept quite a bit; I think it's a very clever interpretation of the prompt, but unfortunately that's where my enjoyment of it ends.

    To begin with, I feel like, ironically, you've jumbled the chronology of your story a fair bit. For example, I'm not entirely sure why we get Richard's raison d'etre in the middle of the story, in such a way that it feels like an appositional afterthought more than an organic segue. I can appreciate that this is a very experimental entry on your behalf (the present tense being evidence to that - go tenses!), but I do have to wonder if a more conventional approach (i.e. frontloading the exposition a little more) wouldn't have helped.

    On the note of frontloading, I'm not sure how I feel about the timeloop gimmick being explained so front and centre. I get that with a title such as that it was kind of inevitable, but I think that really takes a lot of the punch out of the opener. Why not let the reader wonder how could one drink tens of thousands of litres of beer?

    Now to get into more presumptuous territory, I wonder if the whole gimmick wouldn't be better of as a kind of rugpull. The humdrum of a salary man's life could, essentially, be viewed as a timeloop – the commute, the 9 to 5, the perfunctorily mandatory afterhours izakaya visit – all of which Richard, as a newly minted Japanite, could feel very alien towards. As such, he would try (and fail) to find ways around the monotony. Punch someone's lights out for the fun of it; romance then bed a woman just for a spark of life; fall down a couple flights of stairs just to feel something, anything. And, at the end, Reina could come to 'rescue' him from the monotony just as she did here - the details of which I will leave up to you. Obviously this is me editorialising (read, severely rewriting) your story based on all the assumptions I'd made earlier. But unfortunately, as it stands, I'm sorry, Kim – close but no cigar.

    Best of luck in the competition.
    Bubbles~

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    0
    Time Loop Uncle Cover
    Timeloop Uncle
    Chapter:1