Bubbles

Bubbles

I'm Bubbles.

Currently on hiatus.

registered at: Aug 13, 2020
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    Published Novel Level 2
    Published Chapter Level 6
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    Participant - MAL x Honeyfeed Writing Contest 2021
    Finalist - MAL x Honeyfeed Writing Contest 2022
    Participant - MAL x Honeyfeed Writing Contest 2023

    Jul 21, 2021

    Hiho!

    A truly tantalising read that I couldn't help but savour. The pacing was exquisite, a break-neck that I could probably get used to save for the whiplash it gives off, initially. The dialogue was splendid, a back and forth that I couldn't take my eyes off, spoken by characters that were as bright as the neon-lit highways I imagine they crossed.

    What I particularly enjoyed was the manner in which the action jumped from one place to another without it feeling jarring at any point. However, I must say, some of the jumpcuts have left me with a need to reread. There are plenty of times I've needed some clarification to be able to reimagine the scene because of an element that has been thrown in as a surprise. And whilst it is obviously a personal qualm, I hope you can see how it might affect some reading experience.

    What I believe is an absolute must in your story is to capitalise on the visual expression surrounding your dialogue. There is a lot of silent gesturing that is apparent only through reading the words without any tags necessary and it's superb :3 What I could potentially recommend is setting a bit of a 'face' before or a 'voice.' Add a small descriptor before important bits of dialogue – so as to not break flow – pertaining to the way the scene is acted, intonation or expression. Whilst a simple suggestion, I'd like to see it tried :3

    Very nice work and I'm looking forward to reading this again, when its time comes in my list.

    Cheers,

    Bubbles :3

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    1
    UnCrowned New Cover
    UnCrowned
    Chapter:1



    Jul 14, 2021

    Hiho!

    I can tell that clear effort has been put into this story and I would like to preface by saying that it's very nice! It might be out of line to assume this, but I believe that English might not be your native language, so kudos for trying to get out of your comfort zone and write this :3

    I would advise you, as you're starting, to use software like grammarly to help with your grammar. There are many instances where there are errors and they add up enough to amount for a reading experience that might put off plenty of people. That should be a priority for you :3

    As for the style, I would like to point out that you don't need to explain everything that's going on. For the most part, everything that we come to learn is being *told* to us. Hardly anything is being shown. Sometimes sadness comes across better from just looking at things. It's important to exercise a little bit of visual (or sensory) storytelling, otherwise your composition becomes very bland.

    To also deter blandness, try to vary your sentence structure a little bit. A lot of them are very straightforward 'This thing is like that', and after a while it is rather repetitive. You can toy around with your words a little, do a bit of wordplay, some similes, some metaphors. It's only through trial that you can learn how to do them and even if they aren't spectacular, a little bit of trial and error goes a long way.

    In the same vein, try to abstain from explanatory writing. Treat your readers like intellectuals who can put two and two together. For example, when you write a thought, you don't need to say 'right after thinking that', because that's implied. However, writing 'as he thought that' is different, since it *adds* more information. You'll get the hang of it, don't worry, I believe in you ;3

    As for the characters, I like them a lot. I feel like your imagination really flourishes here and they are rather nice individuals, all of them. Especially Ain, he feels very genuine and a sad cutie pie. The scene construction is also very well-thought and I can see some very nice ideas put in, particularly with the scene where he scrapes off their tombstones and then prays.

    But when you create a scene, please use a little bit more description. Sometimes, it really makes a difference. Just a woman statue doesn't give me much information. I want to see what the character feels when they see the statue. Or what kind of atmosphere that statue commands. Or even how light dances under its chin making it seem like its taking breath. Descriptions always help adding vividness to a scenery that would otherwise remain rather devoid of it :3

    I'm sorry if anything came across as condescending and I hope my feedback helped :3 Keep thinking of cute characters and scenes, that's where you excel at and try working on the points I mentioned if you find them agreeable.

    That's it.

    Bubbles, out :3

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    0
    Heroic Goddess Quartet ~ I Was Summoned By A Farmer Boy Together With Three Other Goddesses ~
    Chapter:0

    Jul 14, 2021

    Hiho!

    I'mma preface my feedback with a remark. I am very averse to parodies in general, but this in no way means that what I'm about to say is irrelevant because this is a parody. Naturally, comedy is one of the most subjective facet of an already subjective environment, so please, I urge you to take what I say with a huge grain of salt.

    Parodies rely on humour and exaggeration, but this happens with should happen with moderation so that the humour can actually land. It is important to understand that balance is paramount to any good comedy and having almost no bits that are serious can hurt the quality of the writing tremendously. As such, I would advise that if you want to successfully write a parody, to do it as an exaggerated satire, not as an overblown pastiche. Not everything must be a joke, much like not everything needs to be serious.

    Another thing that is important in parodies is to keep the tone consistent. Writing a comedy is hard because of the qualm listed above, mostly because jokes feel like a big break in the flow of the narrative. They just are, add nothing to the plot, nor the characters, they're meant to entice. As such, successful parodies make use of a narrative voice that remains rather consistent with its remarks. And I must say that you succeeded here :3 It was quite accurate from start to finish, so kudos for that!

    Whilst the humour fell flat for me, I can recognise how people might get behind it, if for nothing else the sheer edgy and carefree manner of writing. It is a nicely constructed piece that does an apt job at poking fun at what most people loathe and love in these here parts, isekai. And for deciding to poke the bear, I salute you.

    However, whilst the audience isn't mature, it doesn't necessarily mean that the humour should be immature. For the most part, the jokes tended to be rather one-note, repetitive after a while. The same 'hehe he said fuck' and 'oh look at this ass and ass thing' become stale after a bit, so it might be worth dropping some of them. As for the writing style, if the rather jagged style of writing is only building on the parody aspect, then kudos, you got me. If not, I'd advise that you look them over a bit. The bluntness of the actions and the very broad tone made it a bit hard to get invested into it.

    Overall, it does what it should do. Make the reader laugh :3 And whilst I wasn't amused because I'm a sad girl, I can clearly see thought put into this attempt at satire. Carry on, good sir!

    That's it.

    Bubbles, out :3

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    0
    That Time I Died
    That Time I Died
    Chapter:1


    Jul 13, 2021

    Hiho!

    Let me begin with what I liked :3 I find the way your characters interact to be your strongest suit. This chapter felt like a very well-crafted long shot of Celeste and Alex, allowing us to catch a very natural glimpse into everything surrounding them: their personalities, their past and their current relationship, complete with the longings and the friction. The dialogue is very organic and it feels perfectly human as if they weren't actors in your play, but genuine people in this setting, with all the atmosphere they need. Kudos :3

    Another thing that goes well is the nice pacing of the action, the movements brisk enough to give it the dynamic feel, but also descriptive enough (see below) to show a certain authorial uniqueness. The whole...fight? Chase? Awakening? was very well-choreographed, the movements allowing for a clear picture as well as a finesse that obviously came through experience. Very well done, again :3

    What I would've loved however, was a little bit more of that atmospheric feeling from the past chapter. The scene with the lights problem, for example, speaks a lot with the sentences, but not with the words. It's a picture painted in broad strokes, and I believe more powerful terms could've been used to accentuate the grittiness and urgency of the situation. It's not a major issue, by any means, but it's something worth exploring at a reread and edit.

    Furthermore, after a while, the action-style becomes a little tried and true. Whilst it's good to keep consistent, for certain episodes abandoning the norm for a slower or faster pace is indicated. The Johnny chase could've featured some extremely jagged motions to convey a feeling of panic or surprised dread, whereas the calmer beginning could've made use of a slower, descriptive style to set a scene.

    It was a very nice continuation from the first chapter and I thoroughly enjoyed it :3 Keep at it.

    That's it.

    Bubbles, out :3

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    2
    By the Shores of Time
    By the Shores of Time
    Chapter:2



    Jul 11, 2021

    Hiho.

    I really dug this chapter. It was a severe improvement from the other novel I've read from you, which bodes very well for this particular bit of feedback.

    I enjoyed the atmosphere of this prologue, however I can't say it was fully explored. The rather mundane inner monologue of the protagonist left more to be desired, his terror and helplessness not coming across as strongly as it should've. For a man that's broken in front of the army of the Demon Lord he seems oddly calm, able to reminisce about his mistakes and such. His thoughts are also surprisingly coherent.

    There is a lack of scenery in this dark room. In a tense situation like this, even the darkness must speak, however. It should come across as gnawing, biting, clawing at you. Instead we get nothing but eyes staring at us. The lack of detail and stylistic language leaves imagination to do a lot of the work. But with no glaring examples of strength in the setting, I can only say that this darkness is rather dull.

    It is important to attract all the senses in a scenario that yells grit, and I can safely say that all my senses were left in check. Apart from a high pitch ringing, I couldn't hear any moans, any sorry crawling on the ground, anything diegetic. There was no smell, be it of blood or defeat. I couldn't feel the sensation of the rough stone on his skin. Nor the taste of ichor and bile bubbling in a wounded man's mouth.

    And alas, with no weight to the situation, the switcheroo at the end comes across as a slight turn on a bumpy road, not the tumultuous U-turn you'd want it to be. And the same goes for the phrase at the end. I would suggest a much smoother transition, where the descent into salvation is gradual, not a steep drop. Whilst not necessarily less steep, a fading transition would work better than a simple jumpcut to light.

    Regardless, it was a clear improvement. Your narrative style has greatly enhanced and I could see the tremendous effort you've put into evolving this. And so, my feedback had to evolve to more advanced, if not nitpicky things. Lovely, lovely read.

    That's it.

    Bubbles, out :3

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    1
    The Swordmaster and the New God final cover
    The Swordmaster and the New God
    Chapter:0

    Jul 11, 2021

    Hi muffin :3

    So, I like the very brisk pacing of the narration. It portrays the tense and urgent tone of the events very well, you can very easily get into the character's shoes and follow the route they're running on. Very good :3

    You are alternating a lot between past and present. Bear in mind that you have to stick with one, otherwise the flow is really broken. I would recommend doing past tense, it works much better than present in most cases and it creates a very 'story-like' feeling, since actions are being described *after* not *before* they happened.

    When you're describing actions, it's best to think in very simple motions. You don't have to show and tell everything about wind-ups, because it clutters the writing unnecessarily. For example, when Ophelia jumps over the wall, you can have the two sentences condensed. Dynamism is offered by brisk movements, prolonging them makes them appear much more telegraphed and static frames.

    Also, it's best to understand what your narrative voice can and can't do. A third person omniscient isn't really allowed to comment on the characters as if they weren't exterior. They can peer into their minds and report what they're thinking. For example, when you said 'She must get there in time, or else [...]' you should've said 'she knew she had to get there in time [...]' This makes the narrator an observer to her thought, not an active participant.

    Lastly, try to temper your clauses. It's overwhelming when you have a lot of coordinate clauses (linked by 'and'), i.e.: She did that and then that and then the other thing. Keep them organised and simple. The fewer actions happening at the same time, the better :3

    *pats*

    Bubbles, out :3

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    0
    nya
    Words... And Stuff
    Chapter:1

    Jul 09, 2021

    Hiho!

    This is such a unique and heartwarming story that I couldn't help but smile all the way through reading it :3 The concept is cutesy and adorable and it sounds like such a fun thing to write, let alone how fun it was to read.

    The narrative voice is something that I particularly enjoyed, but I felt it wasn't properly explored. It was quirky, like an old woman telling a tale from days long past by the fireplace. The second-guessing, the overexplaining, they played so well in the beginning and I feel like this is something you should definitely focus on more. It would give this story a more whimsical feeling, especially when goaded by a setting featuring 'wisteria.'

    The beginning was a little too exposition-heavy. I would recommend a bit of tweaking, allowing for this fairy-tale like story to immerse the reader a little more. You could focus on the road a little, descriptive metaphors painting a journey from the mundane city towards the delightful escape of a witch-cafe set at the crossroads. I feel like a more atmospheric beginning with a bit of a quainter wording would do this beauty a bit more justice. Try to abstain from the exposition, unless you can find a way for the narrator to excuse themselves from divulging it (without making this plot device feel repetitive.)

    The two characters have such a nice dynamic, two siamese best friends, never one without the other. I love how their personalities are equal parts complementary and similar, making them each stand out within their own right. Their voices are a bit too close at times, so make sure to define at least a different dominant for each of them. It'd help the reader differentiate a lot better between the two as well as offer a modicum of depth (unneeded, but helpful nonetheless :3)

    Lastly, and take this with a huge grain of salt, this is a witch cafe...I expected the first event to be a little bit more...zany? Lackadaisical? It feels like such a mundane beginning for a premise that is so offering. I would've loved to see the clumsy witch owner inadvertently send them on a dubious adventure, something wacky and exciting to kickstart their interest in joining her franchise. I wanted a brew of bubblegum tea, but I received something a bit too vanilla for my taste. Nevertheless, I would say that it's something I'd definitely like to dive into a bit more :3

    That's it.

    Bubbles, out :3

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    0
    Witch Cafe Wisteria Temporary Cover
    Witch Cafe Wisteria
    Chapter:0

    Jul 09, 2021

    I see that this chapter has been split from the prologue and whilst it benefitted it, I would be remiss not to list additional qualms.

    It is important to realise that a character doesn't only speak, but there is also a certain tone of voice and a movement associated to it. And whilst not entirely lacking, I must say that there are several instances where a speech or action tag would've been beneficial. For the first half of the chapter, it feels like Noah and the android are idling a lot, both of them displaying their personality solely through verbal communication. However, non-verbal (gestures, expressions) and para-verbal (intonation, tone of voice, emotionality) are more often than not left to dust. As such, stereotypical defaults are applied and I believe that detracts from the individuality you love to portray in your characters. Keep this in mind.

    I have found a couple of expressions that feel a little off. Whilst a lot of the writing shines in its brevity, some of it goes the other way. I would give a read to find those such as 'green like leaves falling from the trees of the summer season', that go an extra mile for no good reason.

    The dialogues were greatly enhanced. As described above, the characters personalities are very obvious through what they say and this goes a long way. Indirect characterisation is on point, kudos :3 If I were to subtract anything from the dialogue, however, it would be some things being a little bit unnatural. Whether it be by asking too many questions, volunteering too much information or starting to feel like a moving wikipedia more than a human, at some point a balance must be struck.

    A suggestion would be to have some of the exposition be shown, absorbed through events rather than dialogue. Whilst some should definitely be kept, allowing it to be passively learnt would greatly reduce the load on the spoken bits and air the story a bit.

    For the most part, however, the changes have improved the quality of the chapter. I liked the dynamic between our two protagonists here, their interactions reminding a lot of a certain RWBY duo. If anything is to be taken away is that these are rather minute issues, and nowhere near as serious as I (unintentionally mistakenly) make them out to be.

    Plus, you get a hug react from me :3

    That's it.

    Bubbles, out :3

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    1
    Realm Assassin
    REALM ASSASSIN
    Chapter:1

    Jul 09, 2021

    Hiho!

    I must say it's quite a long time since I've read a suicide scene and this one is truly something...something.

    Your chapter starts strong with a very reflective, mise-en-abyme type of incipit, but afterwards it fails to deliver on that gnawing feeling afterwards.

    Passages of routine are mingled with meditations on life's meaning, all coming from the eyes of a teenager that's supposed to be slightly removed from this sphere. The note comes off so suddenly and with little to no indication. It would've worked if it were the first thing the reader saw, but it isn't, so it's shaky.

    The writing style is all over the place, very brief descriptions put side by side with very verbose bits of inner monologue that describe turmoil and toiling. And at some point, I can't shrug the feeling of the narrator simply explaining things to the reader, whereas they are supposed to tell us the story, to narrate. He also seems to be quite a fine connoisseur of human psychology, able to peer into people's heads and describe them with an accuracy I'm quite envious of.

    I will give credit where credit is due. There is a clear attempt at using elaborate language and meditation, and it works well for the most part. The beginning paints a beautiful picture of self-doubt and there are certain phrases that ring quite deep. The inner monologue of the protagonist has a beautiful cadence to it at times and his words flow well, when he doesn't stop to describe how gravity works.

    It was a very valiant attempt and an emotional tour de force, but I felt like the devastation felt flat. Described only through words like 'traumatised' and 'shocked' doesn't do it justice. It would be so much better to allow the reader a glimpse inside the protagonist's head, his stream of consciousness. Play with perspective, with visual and auditory stimuli to create a harrowing experience that truly encompasses the trauma of suicide. Rely on images that are painted, not simply said by words.

    That is all.

    Bubbles, out :3

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    1
    Along The Way (途中で)
    Chapter:4

    Jul 08, 2021

    A splendid opening chapter, bravo!

    I appreciate the straying away from the simple, rather undescriptive style of LNs with something that has plenty of them. It's a tour de force, a true spectacle of the senses and eyes. I must say, however, at times you get a bit carried away, and the details start to sound echo-y, as if the same things get repeated a lot but annoyingly so. Around the mid-part of the initial 'resolution' you can see that.

    The premise is also nice, an isekai reversal (not a reverse isekai), wherein the hero shows a disconnect from a world he used to inhabit. It's very well-portrayed, particularly by showing the mannerisms he inadvertently inherited from years of doing things a specific way. I think this should be a very important plot point of this story and focusing on it could go a long way.

    One caveat I would list is how the writing becomes rather unclear at times. It's ornate, decorated with frills that one can't help but savour, but it sacrifices a good deal of clarity through reverberations of the environment and the confusing transitions. I would pay particular attention around dialogues, beginning and ending of a speech-heavy scene, because the remarks that make it apparent who is speaking are a bit confusing. (I had thought that both character were speaking when Hope was the only one monologuing)

    Overall, a solid beginning that shows off the beginning of a troubled soul having to relearn old habits. An interesting journey that I await a conflict for. Kudos, dear sir, and I'll see you around :3

    Bubbles, out :3

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    0
    Full Color Cover
    The Hero Who Returned Remains Traumatized in the Modern World
    Chapter:0