IceDonut

IceDonut

25 | him/his | European

Writing since 2016 to find the fine line between the bittersweet beauty of sorrow and the feeling of deep human connection, creating worlds that provide shelter from reality, but also embrace its way of being.
I occasionally write comments/critiques that could be short stories on their own, so sorry for all the flooded comment sections ๐Ÿ˜…
Read into my current novel "Celluloid", if you are interested!

registered at: Sep 08, 2021
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    Participant - MAL x Honeyfeed Writing Contest 2022
    Participant - MAL x Honeyfeed Writing Contest 2023












    Sep 25, 2022

    To:YoruWrites๐Ÿ”ฎ

    That cringe is completely normal ... as I said. But on the other side it will always stay a good memory of writing the first story ๐Ÿ˜‰
    I didn't mean that the novel dragged anywhere, though. I was writing it about 2/3 or so in - when it is completely told in your head but you still have to bring it to the paper.
    I know it is easier said than done, but don't let your creativity be held back by your anxiety! It will only go upwards from here and even if the criticism might get more elaborate, it won't get any worse. But I don't want to pressure you into doing anything. Just do what you really want/need to do, NOT what you feel most comfortable with ๐Ÿ˜Š Nonetheless, it is okay to get some mileage with writing a trilogy in the same world ... after all there is no one-size-fits-all strategy.
    I think what you more so need is to "balance" is the plot and not the emotions (sad balanced with happy, etc.). I've also been there, already planning about what emotions which scene should convey to provide for the emotional rollercoaster, but it ultimately makes us stray away from the real important things. The plot should be the plot and not just a device to make the reader feel sad or happy or whatever. The characters and the plot should fall naturally and remain the driving force - the emotions evoked by their interplay just a side reaction. So rather think about characters and plot and try to arrange them in a way to evoke emotion, than to think about emotions and move your plot into the way that they get conveyed. The scene with Sakura for example had a very strong focus to make the reader feel sad and felt a bit "overly tear-jerky" due to that focus. It is a rather subtle thing though, your "handwriting" shining through so to say. It is more work and a lot trial and error to arrange plot and characters in a way they evoke the rollercoaster you envision, but if the plot and characters come at the first step, they float more naturally and the emotions do as well! ๐Ÿ˜Š
    Therefore the cute emotions don't necessarily need to be so plentiful but more natural and meaningful. So plan and write stories rather than emotional rollercoasters - would be my advice with this. But as everything (maybe should have said that with the last comment as well ๐Ÿ˜…) is my opinion and my approach and tinted with the opinions of the authors and critics I've worked together with through the years.
    And knowing you are not writing for fun (wow ... that sounds a bit depressing, but I think you get what I mean ๐Ÿ˜…) is a good thing to note. It's a different form of criticism after all, so I will keep that in mind ๐Ÿ˜Š

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    1
    His Unknown Spawn
    Chapter:25



    Sep 23, 2022

    Well ... it seems like this really was it. You've done it and completed your first novel. And even though this seems trivial this is the most important part of it - to finish the novel. It gets hard and sometimes even a drag about two thirds in, but you made it anyways ๐Ÿ˜Š๐Ÿ‘
    The way you wrote about borrowing from other fictional works sounded a bit like you wanted to excuse yourself for it, but I really don't think there is a need. A lot of the (from my personal experience mostly female) authors start out with writing fan fictions. It's a good starting point because you can use existing things and start expanding on them to get acquainted with plotting and writing fiction in general. You surely learned a lot during the process. Nonetheless, if you keep going forward, in a few years you will look back on this novel and see a sheer infinite amount of flaws - I'm talking out of experience there. But this here was a first step, and a really enjoyable one in that.
    I still want to give you some advice and the main one would be to keep pushing forward. Scrutinize your own storytelling, try out all sorts of writing styles, find out if you are more of a gardener or an architect. With this you will get better and always try to be our harshest critic. With a trained eye you will see the possible weak points and be able to experiment to fix them.
    For my part, I really enjoyed your story! Still, the cuteness was a bit too much for me at times. A bit like the feeling after eating too much candy at once - suddenly you feel numb to the sweetness. But I'm guilty of making my very first novel a pure wish-fulfillment orgy, so no offenses there ๐Ÿ˜‚๐Ÿ™ˆ
    I also felt like after the gang was taken out, the whole urgency of the previous chapters was suddenly gone and it felt like that was the end already. For a really great plot structure that applies to essentially all stories I can recommend you Joseph Campbells "The Hero's Journey". There are dozens of YouTube Videos touching on this, so maybe take a look into that.
    And everything else boils down to writing more. You already have a really great foundation and it lies in your hands to build upon that. Don't get too attached to this one work though (since this story is "to be continued"). if you are writing just to have fun, this is definitely the easier road, but if you want to really improve, learn plotting and learn characterization and learn world building in different stories and environments ๐Ÿ˜Š๐Ÿ‘

    Thanks for the mention and I am always happy to be of service ๐Ÿ˜‰๐Ÿ˜‚

    Hope to read you soon! ๐Ÿ˜‹โค๏ธโค๏ธโค๏ธโค๏ธ

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    2
    His Unknown Spawn
    Chapter:25