Bubbles

Bubbles

I'm Bubbles.

Currently on hiatus.

registered at: Aug 13, 2020
MyAnimeList iconMyAnimeList icon
Roles
  • Author
  • Moderator
  • Badge

    badge-bronze

    bronze
    Achievement
    Thumbs up Level 5
    Comments Level 6
    Published Novel Level 2
    Published Chapter Level 6
    Novel Cover Upload Level 3
    Time(Daily access) Level 6
    Participant - MAL x Honeyfeed Writing Contest 2021
    Finalist - MAL x Honeyfeed Writing Contest 2022
    Participant - MAL x Honeyfeed Writing Contest 2023
    Finalist - MAL x Honeyfeed Writing Contest 2025




    Jul 25, 2021

    Hiho.

    I'm going to preface this commentary with the following disclaimer: I am not a fan of the style. As such, my enjoyment is rather sucked out with every sentence I'm being presented with. Keeping myself is in hard, but I hope that this doesn't make my opinions any less valid.

    To begin, I feel like this chapter contains a lot of words for actions that, when boiled down to bare essentials, don't really amount to much. It's a lot of pointless opinions, rehashes and the descriptions are simple, yet verbose at the same time. A bit of condensation could lend a generous hand.

    A strong suit of this is the interesting attempt at comedy. Whilst to me everything falls flat, I can see how the absurdist bits, namely someone inadvertently drawing a summoning magic circle on a board that actually works, the Chinese 'racism' and the prank motivation, could create belly-laughs by the dozen. What I'm not very keen on is the tone of the narration doesn't really serve the comedy well. It's lacking a certain build-up near the humour, so it makes it fall a bit flat. It'd be worth it to either keep it a bit more consistently funny (sprinkle more jokes, more comedic descriptions and/or more satire) or just setup the jokes a bit better. That's how you can ensure the punchline is streamlined or more unexpected :3

    Lastly, the main character, ermm...She's interesting, but suffers from the same disease that plagues most of the characters in light novels. I can't really get behind her motivation, her thought process or her actions. They just feel like plot convenience incarnate. And her inner voice is rather stale, it feels very impersonal, with a very small amount of emotion actually expressed. For the most part, she is just going through the motions with minimum opinions... I like the part about her childhood, hopefully that factors into some form of anxiety and isn't listed just like an off-handed attempt at reasoning her behaviour...

    I think that's pretty much all I can say.

    Bubbles, out :3

    icon-reaction-1
    Loading...
    icon-reaction-2
    Loading...
    icon-reaction-3
    Loading...
    icon-reaction-4
    Loading...
    icon-reaction-5
    Loading...
    icon-reaction-6
    Loading...
    0
    Serving the Dark Lord? I Didn’t Sign up for This!
    Chapter:1

    Jul 25, 2021

    Hiho!

    So, first off, I would like to ask if the scene of the infected piling on top of one another is in any way inspired by World War Z (or The Walking Dead, I don't remember whichever did it first :3) That's all. Onto the feedback!

    The style you're using is extremely adept at describing the action scenes. It's gripping, the very short-stroked motions reading precisely like a comic book, still-frames meant to still fluently advance the action. It's very entertaining, easy on the mind and provides the much complementary tension to an already tense scenario.

    Bear in mind, however, that this style doesn't work equally well in other parts. The two halves, the two's dialogue and the action sequence, feature more or less the same type of sentences, the same language and the same focus. And as such, the character building suffers. It reads in a very drumming tone, every bit of information added being beautiful, yet a mechanical beauty. Whether by design or by accident, the impression created isn't a pleasant one for me.

    I absolutely love the interactions between Celeste and Gabriel, the chemistry you've created between them is palpable and easily the most important and interesting hook to your story :3 I'm particularly enamoured with the way they interact through non-verbal cues, how each of them, hollow in their own right, is brought a bit of shine by the other. As for the fanservice, I'll keep quiet. You do you, sweetie :3 (~~But gimme some of those Gabriel abs~~)

    As for the pacing, it was masterful, save for two major hiccups. Namely, the two transitions: between peace and violence and between Gabriel's helplessness and Celeste's appearance. They are sudden. And whilst perhaps it's an intended effect, the escape from both of these episodes feels less impactful without something to either clue us in of something impending or a rug to pull from under me.

    Anyhow, splendid effort :3 Keep at it, friend.

    Bubbles, out :3

    icon-reaction-1
    Loading...
    icon-reaction-2
    Loading...
    icon-reaction-3
    Loading...
    icon-reaction-4
    Loading...
    icon-reaction-5
    Loading...
    icon-reaction-6
    Loading...
    1
    By the Shores of Time
    By the Shores of Time
    Chapter:3

    Jul 23, 2021

    Hiho!

    I must say that, after the masterfully crafted powerhouse of the first chapter, I jumped into the second chapter with a certain level of expectation. And it's with a heavy heart I say that these expectations have been left hanging, desperately wanting more.

    I should note that, as you did with me, there are personal tastes involved, so take whatever I say with a grain of salt.

    For one, the characters are astounding. The way they act is extremely natural, the dialogue exquisitely believable and passionate, which is where I feel like most of the effort went...disproportionately so. And in spite of this tremendous effort and the absolutely undoubted perfect amount of personality seeping through every line, there is something that doesn't click. Intentional or not, lack of tags makes certain parts confusing. The 'fake fight' I needed some time to process, for one. And another unwanted consequence is the rather monotonous tone of everything. It's one to leave the words dictate the intonation, but when it's without any scenic movement and vocal cue, it makes it rather stale. Certainly, the aftermaths are splendid, the 'suppressed squeal' among other much welcome explanations were extraordinary. But the rest, wasn't. A few gems don't make a crown shine.

    As for the narration, lacking, unfortunately. There is a certain tempo to everything, and this feels slightly off beat by a half note. Everything feels rushed, not in a good way, mind you. A scanning gaze that lingers too little and tells a story in pictures, not in motions. Iceberg theory aside, it feels like everything is matte, even the details meant to pop simply not being there. We are in a bar like any other, seeing people like any other, there is no personality. This chapter lacks the gripping tone of the first one, a matte afterimage, alas. I wish I could at least get anything that would've put me next to Kai's stool. It might be worth sprinkling in some detail, even if it goes against your aesthetic (which I know nothing of, so I won't even attempt.) Maybe a telltale squeak of the chair, or a lingering scent on the counter.

    As for the style, the last of my points, all I can ask is 'ubi sunt.' There is a jaggedness in what was usually a smooth flow. It started when she sat down and looked around, then continued when she started looking around again. There was a crack in it, as if the camera jumped. And the inner monologue lacks the 'je ne sais quoi' I expected from Kai. The charisma, the quick wit of her descriptions feels washed away, sundried and it was the first thing I loved about the story. For potential fixes, I suppose that a way I can envision it is to up the biting satire in her nihilism. From the get-go, it felt like her view of the world was stained by a deep-seated loathing of people, misanthropy really. And I see it here being played down, when I hoped I'd see it higher up.

    That is not to say the chapter is bad, au contraire. I do believe in it having a quaint charm, adding a pedestrian episode to an otherwise grim, dimly lit fantasy plot. But with the details squeaking at the hinges, it's rather hard to believe that the same door opened for me when I started this novel.

    That's all.

    Bubbles, out ;3

    icon-reaction-1
    Loading...
    icon-reaction-2
    Loading...
    icon-reaction-3
    Loading...
    icon-reaction-4
    Loading...
    icon-reaction-5
    Loading...
    icon-reaction-6
    Loading...
    2
    The Sequence of Kai cover
    The Sequence of Kai
    Chapter:2

    Jul 21, 2021

    Hiho!

    A truly tantalising read that I couldn't help but savour. The pacing was exquisite, a break-neck that I could probably get used to save for the whiplash it gives off, initially. The dialogue was splendid, a back and forth that I couldn't take my eyes off, spoken by characters that were as bright as the neon-lit highways I imagine they crossed.

    What I particularly enjoyed was the manner in which the action jumped from one place to another without it feeling jarring at any point. However, I must say, some of the jumpcuts have left me with a need to reread. There are plenty of times I've needed some clarification to be able to reimagine the scene because of an element that has been thrown in as a surprise. And whilst it is obviously a personal qualm, I hope you can see how it might affect some reading experience.

    What I believe is an absolute must in your story is to capitalise on the visual expression surrounding your dialogue. There is a lot of silent gesturing that is apparent only through reading the words without any tags necessary and it's superb :3 What I could potentially recommend is setting a bit of a 'face' before or a 'voice.' Add a small descriptor before important bits of dialogue – so as to not break flow – pertaining to the way the scene is acted, intonation or expression. Whilst a simple suggestion, I'd like to see it tried :3

    Very nice work and I'm looking forward to reading this again, when its time comes in my list.

    Cheers,

    Bubbles :3

    icon-reaction-1
    Loading...
    icon-reaction-2
    Loading...
    icon-reaction-3
    Loading...
    icon-reaction-4
    Loading...
    icon-reaction-5
    Loading...
    icon-reaction-6
    Loading...
    1
    UnCrowned New Cover
    UnCrowned
    Chapter:1



    Jul 14, 2021

    Hiho!

    So, let me preface this by saying that you, dear sir/madam, and I thoroughly enjoyed it. It is one of the better written things I've been graced with reading throughout my tenure around these parts. As for feedback, let me preface it with a rather ominous remark: whilst I enjoyed it, I can't shrug off and I would ask you to be patient with me whilst I try to put it into words.

    Your way with words is truly unique. It's simplistic, really and it does a perfect job at driving the plot forward at a pace that's perfectly appropriate. I thoroughly enjoy Kai's inner monologue, I believe it to be pristine. It conveys a lot about him, his manner of thinking reeking of weariness smoked under a fire of nihilism. I can't help but let myself dance around the words he thinks and the way he talks to himself.

    And the dialogue, oh, the dialogue. It's such a hit or miss and you hit it on the spot with a perfect bull's eye. The priest speaks in a manner that legitimately sounds like he's an old, pious man and that's through words alone, not even speech tags. It's surprising to me that I found someone to whom I can't argue that tagging would improve it. Bravo, dear sir, bravo.

    But even through all of this, through something so meticulously crafted, I feel...sad. And I want to bring words to this sadness that I hope might inspire you to explore this issue, because I like this work and I want it to do even better than it is right now.

    I don't feel anything from it. I see the words on paper and they make sense and they tickle my mind, but they don't resonate with me. I can't see the feelings out there. The world feels barren. And whilst I can imagine the emotions they must be going through, hollow shells of character as they appear to be, I don't see the candle light flickering on Paul's desk, nor hear the scribbles of his quill on the paper he relishes using. It's uncanny, a first for me. I want to be there as much as any other reader, but I can't. There is no avenue for me to descend in the solemn darkness you've painted, because it feels like swatches of faint paint on a sad, lonely canvas.

    There is...no atmosphere, and I would like to point out that it might very well be *me* and *my* fault. But I feel like the lack of detail hurts this in such a unique way that it pains me to not point out. There are noises and smells and attitudes, but they don't grip me. And I want the church to feel like the ominous haven I imagine it to be and I want the priest to be the jolly monster he's painted as, but alas, they're not...

    To improve that, I believe word choice is paramount. Stronger words, words that whip and sear. And not only that, but fear and admiration, metaphors, similes or hyperbolae if you must. But there is a need of vibrato in this composition and I do hope that you find a way to add it.

    Thank you for hearing my incoherent rambling and bearing with it. I would be remiss if you thought my comment to be made in ill will, but please rest assured that my fervor has only the best intentions at heart.

    That's it.

    Bubbles, out :3

    icon-reaction-1
    Loading...
    icon-reaction-2
    Loading...
    icon-reaction-3
    Loading...
    icon-reaction-4
    Loading...
    icon-reaction-5
    Loading...
    icon-reaction-6
    Loading...
    1
    The Sequence of Kai cover
    The Sequence of Kai
    Chapter:1

    Jul 14, 2021

    Hiho!

    I can tell that clear effort has been put into this story and I would like to preface by saying that it's very nice! It might be out of line to assume this, but I believe that English might not be your native language, so kudos for trying to get out of your comfort zone and write this :3

    I would advise you, as you're starting, to use software like grammarly to help with your grammar. There are many instances where there are errors and they add up enough to amount for a reading experience that might put off plenty of people. That should be a priority for you :3

    As for the style, I would like to point out that you don't need to explain everything that's going on. For the most part, everything that we come to learn is being *told* to us. Hardly anything is being shown. Sometimes sadness comes across better from just looking at things. It's important to exercise a little bit of visual (or sensory) storytelling, otherwise your composition becomes very bland.

    To also deter blandness, try to vary your sentence structure a little bit. A lot of them are very straightforward 'This thing is like that', and after a while it is rather repetitive. You can toy around with your words a little, do a bit of wordplay, some similes, some metaphors. It's only through trial that you can learn how to do them and even if they aren't spectacular, a little bit of trial and error goes a long way.

    In the same vein, try to abstain from explanatory writing. Treat your readers like intellectuals who can put two and two together. For example, when you write a thought, you don't need to say 'right after thinking that', because that's implied. However, writing 'as he thought that' is different, since it *adds* more information. You'll get the hang of it, don't worry, I believe in you ;3

    As for the characters, I like them a lot. I feel like your imagination really flourishes here and they are rather nice individuals, all of them. Especially Ain, he feels very genuine and a sad cutie pie. The scene construction is also very well-thought and I can see some very nice ideas put in, particularly with the scene where he scrapes off their tombstones and then prays.

    But when you create a scene, please use a little bit more description. Sometimes, it really makes a difference. Just a woman statue doesn't give me much information. I want to see what the character feels when they see the statue. Or what kind of atmosphere that statue commands. Or even how light dances under its chin making it seem like its taking breath. Descriptions always help adding vividness to a scenery that would otherwise remain rather devoid of it :3

    I'm sorry if anything came across as condescending and I hope my feedback helped :3 Keep thinking of cute characters and scenes, that's where you excel at and try working on the points I mentioned if you find them agreeable.

    That's it.

    Bubbles, out :3

    icon-reaction-1
    Loading...
    icon-reaction-2
    Loading...
    icon-reaction-3
    Loading...
    icon-reaction-4
    Loading...
    icon-reaction-5
    Loading...
    icon-reaction-6
    Loading...
    0
    Heroic Goddess Quartet ~ I Was Summoned By A Farmer Boy Together With Three Other Goddesses ~
    Chapter:0

    Jul 14, 2021

    Hiho!

    I'mma preface my feedback with a remark. I am very averse to parodies in general, but this in no way means that what I'm about to say is irrelevant because this is a parody. Naturally, comedy is one of the most subjective facet of an already subjective environment, so please, I urge you to take what I say with a huge grain of salt.

    Parodies rely on humour and exaggeration, but this happens with should happen with moderation so that the humour can actually land. It is important to understand that balance is paramount to any good comedy and having almost no bits that are serious can hurt the quality of the writing tremendously. As such, I would advise that if you want to successfully write a parody, to do it as an exaggerated satire, not as an overblown pastiche. Not everything must be a joke, much like not everything needs to be serious.

    Another thing that is important in parodies is to keep the tone consistent. Writing a comedy is hard because of the qualm listed above, mostly because jokes feel like a big break in the flow of the narrative. They just are, add nothing to the plot, nor the characters, they're meant to entice. As such, successful parodies make use of a narrative voice that remains rather consistent with its remarks. And I must say that you succeeded here :3 It was quite accurate from start to finish, so kudos for that!

    Whilst the humour fell flat for me, I can recognise how people might get behind it, if for nothing else the sheer edgy and carefree manner of writing. It is a nicely constructed piece that does an apt job at poking fun at what most people loathe and love in these here parts, isekai. And for deciding to poke the bear, I salute you.

    However, whilst the audience isn't mature, it doesn't necessarily mean that the humour should be immature. For the most part, the jokes tended to be rather one-note, repetitive after a while. The same 'hehe he said fuck' and 'oh look at this ass and ass thing' become stale after a bit, so it might be worth dropping some of them. As for the writing style, if the rather jagged style of writing is only building on the parody aspect, then kudos, you got me. If not, I'd advise that you look them over a bit. The bluntness of the actions and the very broad tone made it a bit hard to get invested into it.

    Overall, it does what it should do. Make the reader laugh :3 And whilst I wasn't amused because I'm a sad girl, I can clearly see thought put into this attempt at satire. Carry on, good sir!

    That's it.

    Bubbles, out :3

    icon-reaction-1
    Loading...
    icon-reaction-2
    Loading...
    icon-reaction-3
    Loading...
    icon-reaction-4
    Loading...
    icon-reaction-5
    Loading...
    icon-reaction-6
    Loading...
    0
    That Time I Died
    That Time I Died
    Chapter:1


    Jul 13, 2021

    Hiho!

    Let me begin with what I liked :3 I find the way your characters interact to be your strongest suit. This chapter felt like a very well-crafted long shot of Celeste and Alex, allowing us to catch a very natural glimpse into everything surrounding them: their personalities, their past and their current relationship, complete with the longings and the friction. The dialogue is very organic and it feels perfectly human as if they weren't actors in your play, but genuine people in this setting, with all the atmosphere they need. Kudos :3

    Another thing that goes well is the nice pacing of the action, the movements brisk enough to give it the dynamic feel, but also descriptive enough (see below) to show a certain authorial uniqueness. The whole...fight? Chase? Awakening? was very well-choreographed, the movements allowing for a clear picture as well as a finesse that obviously came through experience. Very well done, again :3

    What I would've loved however, was a little bit more of that atmospheric feeling from the past chapter. The scene with the lights problem, for example, speaks a lot with the sentences, but not with the words. It's a picture painted in broad strokes, and I believe more powerful terms could've been used to accentuate the grittiness and urgency of the situation. It's not a major issue, by any means, but it's something worth exploring at a reread and edit.

    Furthermore, after a while, the action-style becomes a little tried and true. Whilst it's good to keep consistent, for certain episodes abandoning the norm for a slower or faster pace is indicated. The Johnny chase could've featured some extremely jagged motions to convey a feeling of panic or surprised dread, whereas the calmer beginning could've made use of a slower, descriptive style to set a scene.

    It was a very nice continuation from the first chapter and I thoroughly enjoyed it :3 Keep at it.

    That's it.

    Bubbles, out :3

    icon-reaction-1
    Loading...
    icon-reaction-2
    Loading...
    icon-reaction-3
    Loading...
    icon-reaction-4
    Loading...
    icon-reaction-5
    Loading...
    icon-reaction-6
    Loading...
    2
    By the Shores of Time
    By the Shores of Time
    Chapter:2