Momentie

Momentie

Hi there,
This is the former home of my fiction - Unfortunately from drama, to a lack of innovation - To bugs that made the site unusable to me - My books are no longer being hosted here on here.

This in mind I'm leaving this note here to let people with an interest know you can find all my works in updated versions over on RoyalRoad & ScribbleHub - With plans for other releases yet to come.

For more info you can check out the final chapters of either 'UnderCurrent' or 'The Girl He Used to Know' - Which both depict my odd journey with this website๐Ÿ˜….
HoneyFeed had its merits, it got me some feedback & I made some good friends here - But it is in effect the training wheels of web-noveling sites - If you are even slightly serious about your art or simply want a website that will teach you proper formatting & has an actual userbase - Then do yourself a favour, take off the training wheels & seek out the website that is right for you๐Ÿ˜Š.

Best Regards,
-Momentie

registered at: Oct 14, 2021
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    Jun 25, 2022

    [Review Part #1];
    K I've a bit to say, you'll forgive me if I ramble somewhat, Review Ahoy;

    I frequently like to critic bits of media, only in an amateur capacity obviously but I do know the basics - That includes the different forms of critical analysis and the likes of Death of the Author theory.
    I bring this up as there are two distinct ways I can look at this volume - One is my own subjective experience reading it which obviously includes comments left on it or conversing with you - As well as my base level enjoyment of each element.

    The other is my preferred mode of review, which would be to detach myself from it entirely as best as I can - I've chosen to break my usual form and to do a bit of both for this review for the sake of highlighting what seems important to me on this occasion;

    Subjectively this volume is something of a let-down - The vague hints in arc1, Eryn's monologues in the first few chapters and your comments suggesting that volume one is just the beginning, while 2 takes a darker, or atleast more in-depth turn - All factors that lead me to expect something different from this.
    Put simply I ended up expecting a 'Madoka Magica Ep3' moment - That never came.

    Although I loved him dearly, Roland was little more then a minor character with a handful of lines, his death in this type of story was expected to occur at some point, it isn't surprising - That said it did surprise me.
    I think in large part that's because the volume seems to be setting up to something more ambitions, I expected Claude to get assainated, barely surviving and having to go into hiding - That kinda thing.

    Now obviously a surprise is a surprise - In some regards Roland's death should serve to shatter the more light-hearted plot, which it does to a degree, so kudos there.
    However it ain't Madoka Ep3 - And to be clear, I don't mean I expected a main character to die just as we start getting to know them - Rather everything seemed to be alluding and building up to a tone & form shift.

    Madoka's ancestor 'Lyrical Girl Nanoha' does this in its episode 4 with the introduction of Fate Testoroso, a 'rival' magical girl with blond hair to contrast Nanoha's brown (Inspiring images of classic anime rivalries life Char & Amuro for mecha fans like me).
    Nanoha Ep4 has the almost exact same effect as ep 3 of Madoka, just in a less traumatic fashion - Fate changes the show from just a weird rip-off of Card-captor Sakura, to something more macabre - Questions of child abusers, the responsibility of superhuman power and the morality of good and evil when you're like 12, all come into question, fundamentally changing everything - Without need for a death scene.

    Volume 2 gives off signs of heading this direction but it never happens - I find the comments the most fascinating part here as many imply Volume 2 is somehow fundamentally evolved from 1 - But I would posit it isn't, like not even a little bit.
    There is no Madoka Ep3 or Nanoha Ep 4 - Roland's death could of been that moment if Eryn had reacted in such away that the audience become dislocated - Had Eryn tried to rationalise it, tried to convince herself to marry the Duke for power, as a twisted way to honour her uncle's (and by proxy parents) death(s) - Now that would do it.

    The audience would be confused, expecting her to want revenge - While a tone shift would be guarantied by having Eryn's mental state displayed in this darker fashion.

    Instead Eryn does exactly what anyone would expect - She's upset, wants revenge but short-term capitulates to protect Claude.
    Quite bluntly its borderline generic.
    When I rose this in an early comment, you mentioned how she was willing to commit suicide - Now perhaps this came through for other readers - But it did not for me, at all - The idea the distraught in the moment character says they would die for revenge, is again very normal.
    In the heat of the moment a character thinking that is no different to saying 'I'd give anything for revenge' - Its the normal response we expect, its understandable, it doesn't allude to deeper, darker depth or change in Eryn's character.

    In order for it to hold the meaning the early chapters and your comments alluded to, it would need to be compounded upon - We would need to see Eryn in her room considering actually dark option.
    Instead she is fully confident Cornelius will come for her, elated to meet Claude again and steadfast in her revenge scheming - She's completely normal.

    And there's kinda the issue with this being a darker (apologies if I'm using that word wrong, I don't think its really the word I'm looking for but it will have to do);
    This volume is the same as 1, its clean.

    There is implied gore here and there, every now and then we get what I'd call slightly left field moments of detail even - But generally its clean.
    The Viscount Madsilie & his family's demise are loosely described and then left to our imagination - And that's the right move, the tone wouldn't support some hyper gory horror detail.
    But because you don't wax lyrical about details, they have little weight once the scene moves on.

    Like my prior example I didn't even pick up on the possible kamikaze mindset of Eryn - She mentions it only while angered in two moments to my knowledge, never when thinking clearly, never when on her own - It comes across as a heat of the moment thing to say - Sure I believe she would give her life for revenge, but importantly, I don't think she actually wants to do so - And that's a massive distinction - She would prefer revenge minus the suicide bit, that I'm pretty sure of.

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    Eryn and Claude
    Atk 0 Crit All ~My attack stat is negligible, so I can't help but rely on critical hits to succeed!~
    Chapter:62

    Jun 25, 2022

    [Review Part #2];
    __
    However and its a big however - All that is purely my subjective feelings on the matter - Critically speaking, I think volume two is a natural, well crafted and excellently executed continuation of Volume one with only some minor cavoites here & there.

    (I'm trying to keep this concise, forgive me if I lack full elaboration, I'm not a huge fan of Honeyfeed for reviews, the 2k word limit and lack of formatting makes it awkward๐Ÿ˜…).

    I think perhaps what I'm trying to get at, is that this book(thus far atleast) is 'Zero no Tsukaima' Not 'Re;Zero'.

    It is a light-hearted, often wholesome even, fantasy adventure story with likeable characters and somewhat predictable but always fun plotting.
    Like Zero no Tsukima, the characters may appear one note on the surface but beneath it, all have motives and depth that they show in increments through-out the tale.
    This is a good thing, Zero's Familiar is a brilliant and criminally underrated classic - Its also fun, a fun story is seldom a bad thing.

    I think my issue with Volume two was almost entirely based on your and others comments claiming Eryn and the plot have exciting unpredictable twists - They don't๐Ÿ˜….
    You're first comment to me on chapter 31(?) is maybe the most telling - You say that many were surprised that Eryn was more then a generic waifu - That is correct and I love it.
    Eryn does have motives in life, she has pent up feelings, a drive for her goals and a shy reserved side.

    But she ain't dark - What's actually here in the story, depicts a girl who is sometimes rash in her thoughts but always composed - Even when she first claims she might die to kill the Duke, she then puts that down in order to protect Claude - She further supresses her urges after finding her mother's sword - Never giving up hope her friends will come.

    And all that is fine, good even - Well written, engaging to read.

    I think what all this is to say is perhaps be careful what you say.
    I love conversing with people like you, you're always polite and amiable - It's fun and sometimes insightful๐Ÿ˜Š๐Ÿ˜Ž - However weirdly enough for this volume, in my opinion you shot yourself in the foot - With small comments, you put the idea in my head of a tone shift that never came.

    This volume follows the first to a tee, more group bonding followed by a classic wedding plot as popularised by the aforementioned Zero no Tsukaima, highschool DXD and of course the modern masterpiece that is 2001's Shrek.

    Again I see no issue in this being trope-y, tropes are only bad when handled poorly - You handle them well. My favourite genre's are 'heartfelt-harems', 'Deeper then they First Look' pieces and the ultimate combination of those two, the mighty 'Visual Novel Adaption' genre.

    I love Zero's Familiar and I love School Days - Volume two's fault in my opinion is it sets up for the School days/Madoka side of the spectrum but firmly lands deep into/on the Zero no Tsukima side - And honestly I don't see a problem with that, only with how it was framed.

    __
    Keeping with my Tsukima comparison we have the character of Queen Henriette - She is a side character whom we get alot from, quite a bit of it is complex.
    We see her struggle to take over the crown at a young age, to accept the burden of leading her tiny country into a hopeless war.
    We learn of her secret affair with a cousin no less - Of the anguish she feels upon his death, after rejecting him for political gain - We see her make open sexual advances on the protagonist simply in the pursuit to be a tiny bit less lonely.
    But cut forward five minutes and the show will be back to comedy hijinks, or harem fanservice.

    I guess what I'm getting at (And honestly I'm not even sure whom this review is aimed at, at this point๐Ÿ˜…) - Any story can have depth, even goffy isekais - Maybe what I'm saying is take pride in that, while being careful not to allude to other modes.
    Eryn being a person rather then a waifu, is not a twist - It's what should be expected.

    I appreciate much of anime and the community surrounding it would see that as revolutionary but I think you as the writer you should be able to take pride in being an iseakai - A generic one in premise and plot but well written, fun, witty and passionate - Volume two has no true 'Twist's' in a genre sense, this is the route many have taken and many more will - It is your writing that elevates it - Volume two is not different from 1, it simply shows the colours that were already there, a bit more brightly๐Ÿ˜Š๐Ÿ˜„.

    __
    Other points of note - Ludmina is a filler. Unlike Saki last volume who we met in passing - Ludmina is directly adjacent to the protags but disappears completely, unmentioned for large portions of the book/novel/volume/whatever the right word is๐Ÿ˜… - A simple line about her using speed to help carry in extra toilet paper for the Knights ambush toilet camp would of sufficiently solved this - Though reading your below comment I can see how this ended the way it did๐Ÿ˜…๐Ÿ˜‚.

    - World Descriptions are still none-present - And that's kinda ok?
    Loping back again to Zero's Familiar, although it has some detailed background arts and distinct architecture from country to country, its by no means high fantasy and the lands the show visits are all fairly generic fantasy places.

    Your book thus far operates on the same principal which I think is fine - Sparse descriptions of locals based primarily on the audiences pre-existing fantasy knowledge to fill in the blanks - I would prefer maybe one or two more detailed setting - Ergo the setting of the school in Zero no Tsukima gives the story a grounding - A better idea of what Eryn's home looks like could serve a similar purpose nicely.

    Worldbuilding wise, damn these nobles have alot of ranks lol - Also is religion a thing or are all churches abandoned like the one in Volume 1?
    So far me likes the worldbuilding, nothing much else to say yet...๐Ÿ˜Š๐Ÿ˜‰.

    -Love the moving on from home stuff, saying bye to her house, the graves etc and comparing that to Claude simply leaving his parents home - Very nice.

    -Similarly still loving the characters - They feel authentic, like we are simply seeing a slice of their lives - Every now and then we learn a little more about Pietro or Cornelius for example, in natural/organic ways - Never the full picture, just a bit of insight - Its nice and realistic to how real life works.
    Overall I really like the character work as a whole.

    -Comedy & references are as smile worthy as ever๐Ÿ˜„๐Ÿ˜‰.

    __
    'Aight let's wrap this up - Been a while since I did a review (last one was for Gosick I think๐Ÿ˜…) so sorry if I'm rusty in places.

    Volume 1 & 2 of Iseikai Chef are one and the same - Were this an anime they would be the first 7 eps and second 6 eps respectively with an Ova to add in the dragon/ludmina mini-arc.

    They are a very well crated fantasy adventure story, with nice themes and enjoyable characters who all show greater depth.
    The ending alludes to a short time-skip in prep for 'Season 2' as it were, the real exiting of the tutorial world perhaps? - And I'm plenty excited.

    I do stand by what I said subjectively, even Eryn's monologues in the early chapters of volume 2, come across with the full picture as simply a girl with ambition - And like Claude said in relation to her summoning him and using him - "Isn't that what a familiar's for?"

    When read this as just the text, this arc is the story of girl desperate to not be swept away by society and to live up to her parents names - But at heart she is a good person, who overthinks and seemingly convinces herself into believing she might actually be a bad person - Yet all her actual actions removed from her thoughts, say otherwise.
    This is an awesome character arc, its relatable, well suited to the story being told and not all that common.

    And so putting aside the unfounded expectations I gained from reading comments and thinking too much about them(๐Ÿ˜‚๐Ÿ˜‚) which obviously is on me as the reader not you - Volume two is delightful continuation and I look forward to reading more - Thanks for the good time๐Ÿ˜Š๐Ÿ‘.

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    Eryn and Claude
    Atk 0 Crit All ~My attack stat is negligible, so I can't help but rely on critical hits to succeed!~
    Chapter:62










    Jun 24, 2022

    Hmmm, interesting chapter, although a bit odd in places.

    Some of the exposition feels heavy handed - Like Riko I doubth any of your target audience needs an explanation of video game dungeons and even on the off chance they do, they could always just look it up.
    Instead that interaction could be used to just show the two having fun and chatting, like in the scene prior - I would prioritise character building over exposition in a chapter like this๐Ÿ˜Š๐Ÿ‘.

    __
    The ending hook was great, funny while also raising the question of what the penalty might be for death in the game๐Ÿ˜„๐Ÿ˜.

    That said, and I use the word sparingly but - Objectively, get rid of that footnote:
    It's long and overly complex, while also being riddled with spoilers for a TV show that thus far is completely unrelated to this work.
    It ruins the ending hook and it's just random - Like you also far more relevantly reference Monogatery in this chapter, yet there's no long footnote for that show ๐Ÿ˜….

    Unless it's relevent to the text in some way, then you should never give that much detail to explain a one off reference - If it is relevant then that strikes me as a little unwise, as expecting your audience to have seen long running Game of Thrones seems like a lot of buy in๐Ÿ˜….

    __
    So ya, good chapter but cut back exposition in favour of dynamic bonding and cut the footnote - Least that's my feelings anyway๐Ÿ˜Š๐Ÿ‘.

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    Being A Mage Is Boring, So I Created A Class For Myself
    Chapter:5