Bubbles

Bubbles

I'm Bubbles.

Currently on hiatus.

registered at: Aug 13, 2020
MyAnimeList iconMyAnimeList icon
Roles
  • Author
  • Moderator
  • Badge

    badge-silver

    silver
    Achievement
    Thumbs up Level 5
    Comments Level 6
    Published Novel Level 2
    Published Chapter Level 6
    Novel Cover Upload Level 3
    Time(Daily access) Level 6
    Participant - MAL x Honeyfeed Writing Contest 2021
    Finalist - MAL x Honeyfeed Writing Contest 2022
    Participant - MAL x Honeyfeed Writing Contest 2023

    May 27, 2024

    Hi Kim! Mwack.

    That out of the way, let's proceed. I do enjoy the concept quite a bit; I think it's a very clever interpretation of the prompt, but unfortunately that's where my enjoyment of it ends.

    To begin with, I feel like, ironically, you've jumbled the chronology of your story a fair bit. For example, I'm not entirely sure why we get Richard's raison d'etre in the middle of the story, in such a way that it feels like an appositional afterthought more than an organic segue. I can appreciate that this is a very experimental entry on your behalf (the present tense being evidence to that - go tenses!), but I do have to wonder if a more conventional approach (i.e. frontloading the exposition a little more) wouldn't have helped.

    On the note of frontloading, I'm not sure how I feel about the timeloop gimmick being explained so front and centre. I get that with a title such as that it was kind of inevitable, but I think that really takes a lot of the punch out of the opener. Why not let the reader wonder how could one drink tens of thousands of litres of beer?

    Now to get into more presumptuous territory, I wonder if the whole gimmick wouldn't be better of as a kind of rugpull. The humdrum of a salary man's life could, essentially, be viewed as a timeloop – the commute, the 9 to 5, the perfunctorily mandatory afterhours izakaya visit – all of which Richard, as a newly minted Japanite, could feel very alien towards. As such, he would try (and fail) to find ways around the monotony. Punch someone's lights out for the fun of it; romance then bed a woman just for a spark of life; fall down a couple flights of stairs just to feel something, anything. And, at the end, Reina could come to 'rescue' him from the monotony just as she did here - the details of which I will leave up to you. Obviously this is me editorialising (read, severely rewriting) your story based on all the assumptions I'd made earlier. But unfortunately, as it stands, I'm sorry, Kim – close but no cigar.

    Best of luck in the competition.
    Bubbles~

    icon-reaction-1
    Loading...
    icon-reaction-2
    Loading...
    icon-reaction-3
    Loading...
    icon-reaction-4
    Loading...
    icon-reaction-5
    Loading...
    icon-reaction-6
    Loading...
    0
    Time Loop Uncle Cover
    Timeloop Uncle
    Chapter:1




    May 22, 2024

    Whilst I appreciate the candour of this piece, it feeling very much like personal experience (or self-insertion), I think there's a lot that your storytelling still leaves to be desired. For one, I think the style is all over the place, though it is an improvement over your past works – which is very good! More like this! The more poetic bits feel dangling, like pencil sketches, and I think that's in no small part due to the pacing. We go through the story at a very hurried pace, which makes it all feel like a summary of experience; nevertheless, we dedicate a good chunk to the preamble and grounding of the character, frontloading which really dulls the beginning. It is hard for the imagery to live like that – it's the literary equivalent of a teacher writing with one hand, only to erase the board with the other.

    Secondly, whilst I will reiterate that I understand the memoir quality of this, I would be remiss not to point out this is still meant to be a story (or at least that's what the contest is for) and therefore the characters are expected to obey a certain development. Or if not the characters, the plot. Here, I feel like both character and plot are just simmering. Nothing of note happens – and if/when it does, it is written with no specific attention to tone or detail, to the point where it feels like just another beat in the song. At the very least I was hoping to see some accent or significance attributed to *something*. But as it stands, not one line is different from the rest – and a monotonous composition isn't something I particularly enjoy. Perhaps you could consider adding some dialogue? Some sprinkled-in lines could be a good way to break rank a little bit. Or otherwise, structuring your paragraphs in a more compact manner (as opposed to the 4 line maximum you choose here, an interesting decision in and of itself given the nature of this story) could allow you to deliver a bit of punch with one-liners.

    Thirdly and finally, I wonder if the main character couldn't have had more personality. I've noticed this as a kind of throughline of your work, where the protagonist is mostly blank, an observer, or the few qualities they have are very muted or constrained. Even when he said he got very drunk to talk to his crush, he felt aloof in a way that is less thematically congruent and more clumsy and unintentional. I can appreciate this might've been the intent, but as with most feedback I give, me being able to glean the underlying reasoning of a choice doesn't mean I agree, support or enjoy its portrayal and execution. In other words, I'd advise that you let your characters off the leash a little more. There's plenty of potential to them (and to your writing), which I imagine and hope can be achieved without lapsing into shitposting.

    That all out of the way, I do think the story beats here are very cool. I like the idea of borrowed time romance (so much so that I tried centring a novel around it), but I wonder if, based on the vibes I get here, if you wouldn't have benefitted from a more melancholic approach. I'm not sure what happened in reality, but I think it would've made for a more compelling narrative if your character didn't confess. Trimming the beginning, you could start on the 'meet-cute', and then present a couple vignettes where he started falling for the girl, thought about confessing several times but overthought his decision, got drunk to help but that didn't work, and then he went back to the US, regretting his cowardice - and blaming some sort of doomsaying, that it wouldn't have worked out anyway because long distance, impermanence, something something cope. Spring is the season of new beginnings, and that much happens here. But every beginning eventually ends, and with your character leaving Japan just as summer rolls around (headcanon), I think that would make for an interesting parallel. You can also keep the leitmotif of the bus stop, though perhaps doing it for every vignette could get droning (you could inject it in different ways, though). Happy to expand on this off-line, i.e. on Discord.

    Best of luck in the competition,
    Bubbles~

    icon-reaction-1
    Loading...
    icon-reaction-2
    Loading...
    icon-reaction-3
    Loading...
    icon-reaction-4
    Loading...
    icon-reaction-5
    Loading...
    icon-reaction-6
    Loading...
    2
    Six Months in Aichi cover
    Six Months in Aichi
    Chapter:1


    May 20, 2024

    "In some ways, I guess I'm more Japanese than some Japanese people."

    This line struck a chord with me, and I will now spend an inordinate amount of time dissecting it an its implications.

    Before starting, I should admit that, growing up, I was also fascinated with a foreign culture – the British one to be precise. There was something to the stoicism and scepticism, to the good natured dry wit and the pompous, elegant, almost prissy mannerisms they exuded. But, now that I've come to live here for going on half a decade now, I can obviously say I was wrong. And see, I think my experiences are far more commonplace within a country which does a lot more cultural exports than the UK.

    Japan, to your average weeb – a term which I use both loosely and all-encompassingly at the same time – is not so much a country, as it is a sum of perceived customs. Its villages and cities are just pretty backdrops, its people actors, and its culture nothing more than a series of TV specials. It's a stage play many want to spectate and, deep down, feature in. And to that end, they end up performing the cultural motions they had learnt not by assimilation, but rather through some perverse osmosis which left them with a mutant definition of what it is to be Japanese. What they think, say and do is a facsimile of an ersatz and it's acted out so ostentatiously that it circles around from being cringeworth to being arrogant. That, I believe is being more Japanese than the Japanese themselves.

    My main issue with this story is that I believe its message is brilliant, whilst its execution is not. There is an element of style which, I'll admit, I didn't gel with from the get-go. The ironic tinge wore thin very quickly, so when the more serious moments came through I found myself barely able to engage with them. Obviously, I'm not saying that you should've played it straight from the start – that would be presumptuous. Though I do wonder if a culture shock would be better off presented as... lost in translation. One idea I had whilst reading this was, 'what if we saw someone who was so entrenched in the tradition and pageantry of being Japanese that he alienated himself from what Japan was really supposed to be.' And, really, I don't think we got to see this. I don't think we could.

    Very good concept, Stew. I really liked it.

    Best of luck in the competition.
    Bubbles~

    icon-reaction-1
    Loading...
    icon-reaction-2
    Loading...
    icon-reaction-3
    Loading...
    icon-reaction-4
    Loading...
    icon-reaction-5
    Loading...
    icon-reaction-6
    Loading...
    1
    When the Rose Blooms Among the Cherry Blossoms, The Thorns Aren’t As Dangerous As the Petals in the Breeze
    Chapter:1


    May 20, 2024

    Man, this was a read :honey_lol:

    To get this out of the way because it's been killing me, whilst glizzy does mean hot dog, it's also a well-known euphemism for penis. So that paragraph where the word is used 5 times in just as many sentences broke me. Congrats!

    Onto the story now. I do wonder what, if any, is the narrative thread here. The plot seems to advance at the roll of a die, and our Vinny Chess guy keeps rolling 1-5s in initiative because Sakura just harries him throughout everything. Which is very cool, she has a personality, brash and obnoxious as it might be. Whereas Vinny... doesn't. He's pretty much just a pawn with a dango glizzy, which I suppose is fair enough. Nothing wrong with that.

    The prose, if I may delve into it, is a little dull at the best of times. There's a lot of the same constructions (This happens. However, this thing is a twist) repeated in sequence and quick succession. And a lot of the narration feels like the main character speaking at us with little-to-no-buffer; it feels like Vinny is the narrator before being a character itself, which is quite distracting. Not to mention how the way he comments on everything is very straightforward and simplistic. He seems to say things as they are, wearing his heart and thoughts on his sleeve. All the time. I wonder if it wouldn't have been slightly better if Vinny held back a little. If instead of such an open and unfiltered speech, he would use turns of phrases, metaphors or similes to describe the world around him; if instead of carrying us through the narration at a crazy pace, he would take his time and allow us, the readers, to explore the world and his feelings more leisurely; if instead of explaining to us what Sakura meant by what she said, rehashing every idea with a slightly deadpan twist, he would focus on expanding or bouncing them around.

    That being said, I can appreciate this is a funny story :) Definitely not my cup of tea, but shikata nai.

    Best of luck in the contest,
    Bubbles~

    icon-reaction-1
    Loading...
    icon-reaction-2
    Loading...
    icon-reaction-3
    Loading...
    icon-reaction-4
    Loading...
    icon-reaction-5
    Loading...
    icon-reaction-6
    Loading...
    1
    Sakura Streamer girl cover
    Sakura streamer girl
    Chapter:1





    Apr 11, 2024

    :shierano:

    Anyway, for some feedback. Take everything I say below with a grain of salt, because I can and will admit that my preferences right rather outside of what Tetraprisma is meant to be.

    I can't, for the life of me, get engaged in the storytelling. I think the first chapter starts us off in medias res, but whatever attachment we're meant to have with Seth is nullified by the breakneck pace of the action. He doesn't really get a moment to breathe or reflect, and by that I mean that every single bit of introspection happens in motion. It's exhausting to read after a while, especially when I need to parse through so much lingo.

    Notwithstanding that, I will admit that I sort of fast forward when I get to the dialogue. It feels very teenagery, but not in the written sense, in the sense where it's a 40-year-old trying to channel the wit of adolescence; rather, it's like a transcribed discord exchange. It is plotful, sure, but it also has an intrusive quality. It makes me focus more on the way of delivery than the words itself.

    For some boons, I do think there's a lot of worldbuilding which is nice. I do enjoy the Rainbow Sixesque mission at the beginning, and the whole spiel about Winter Soldier-style experiments gone awry. Plus the whole defector arc is nice; it places a clear target on the bad guy, it gives us readers something to root against. I also do enjoy the bred-for-killing aspect of Seth's character. The innate weapon-wilding skills, the fight-or-flight instincts overriding rational thought. It does open up a nice can of worms on the debate of nature versus nature, and I hope that gets expanded on soon enough.

    That's all I got.

    Regards,
    Bubbles.

    icon-reaction-1
    Loading...
    icon-reaction-2
    Loading...
    icon-reaction-3
    Loading...
    icon-reaction-4
    Loading...
    icon-reaction-5
    Loading...
    icon-reaction-6
    Loading...
    1
    [Twilight-07]
    Tetraprisma: Backtrack
    Chapter:2