Bubbles

Bubbles

I'm Bubbles.

Currently on hiatus.

registered at: Aug 13, 2020
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    Published Novel Level 2
    Published Chapter Level 6
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    Participant - MAL x Honeyfeed Writing Contest 2021
    Finalist - MAL x Honeyfeed Writing Contest 2022
    Participant - MAL x Honeyfeed Writing Contest 2023





    Sep 15, 2021

    Hiho. It's your turn on the chopping block. Rejoice(?)

    I will begin by praising the attention to character that's being put into this piece of fiction here. An unruly lady meant to be taught by a melancholic, yet cheerful former soldier (as divulged by the synopsis), a suite of maids with welcoming gazes and femboy tendencies and a bit of flavour in the passerby, be them creepy, lecherous Undertakers or unflinching, severe Judges. It is truly a chapter ripe with burgeoning developments. Let's see how long I can stay in.

    For the most part, I'm taken out of the immersion by a couple of lapses in explanation. I'm assuming this world is close to the medieval/modern era, so might be my fault here, but still... Quite interesting dressing standards for nobles. Fishnet stockings never struck me as particularly 'fit for nobility'. As for Emyria's surprise, aren't live-in tutors or governesses supposed to have broad skillsets? Aystaria came to Emyria's room to teach her a lesson without the latter's want, but then when the girl got tired, she just shooed her away and she left...? Did they just have leftover dough to cook bread with? Did she just use her power to cook bread in six minutes, something that can take upwards of *six*ty minutes? These bits and bobs aren't really severe, one could say, but they certainly do add up to create a bit of an uncanny experience.

    For the most part, I'm left wondering what tone do people have in their dialogue. It's not very easy to ascertain just from words alone, so I'm left wondering if the manor staff is welcoming Aystaria or everyone, including Reina, has this sort of reluctance to speak to her. It's kind of vague to me, at the very least.

    Also, some of Aystaria's lines really thread the needle of natural thinking. It's fine and introspective for the most part, but after a while she kind of starts just speaking in explanations ('but our duel today helped me understand how she thinks' - might be paraphrased). It feels like she's writing a diary in her mind; a little bit off-putting to me.

    The femboy maid is cute. I like. Heart react.

    Lastly, there's a pervasive issue with commas near 'and'. Every 'and' has a comma before it and for the most part...it's wrong. Style guide and all, you only use a comma before and to separate coordinated clauses. Never coordinated parts of speech or dependent clauses.

    I'm curious to see where this is headed and when the soldier flashbacks shenanigans come to haunt Aystaria from beyond the grave. Also what that nice little dark hand she has is. Praesidium, huh? What a nice term that totally doesn't define a governing body in Communist countries.

    Bubbles, out. :3

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    1
    Six Cover
    Six
    Chapter:1

    Sep 14, 2021

    Hiho.

    It's time. The omegapat.

    I will begin by commending the attention to detail you had put into creating this story. From the symbolism surrounding the flowers and their pervasiveness, to the way hints were dropped throughout the novel to egg us towards the conclusion. It was truly a well-thought out story, so I extend to you the first omegapat, for the total of one.

    Characters truly shine in this novel, in spite of what I will say later on. They each have a certain je ne sais quoi in their dialogue that paints them in a delicious, unique light. From Dolly's uncertain inner monologue to Netty's rambunctious expletives, from Lewis' erratic Rise-simping to Runo's calculated, cold glares, it is impressive how a gallery of characters can sound so different, yet still be nothing but monsters at the end of the day. And for that, your omegapat counter increases.

    Now it's time for the sweating.

    For the most part the fight scenes felt extraneous. Whilst some of them revealed certain details, I feel like most, if not all of them, could've been either shortened, cut or otherwise handled so that they didn't take as much space as they did. I believe their size was what made other aspects of your story feel deafened and muted and I pity that. Especially, since the fights could've been used to do so much more and at the end of the day I look back at them to find them being nothing but padding for the most part.

    As for the reveals, hinted or not, the second the curtain dropped I didn't gasp, I didn't shudder, I didn't wince nor cry nor laugh nor smile. The execution, unfortunately, fell flat in several aspects. The build-ups were lackluster and rushed, as if it felt more important to explain other elements with 'priority' than set a certain atmosphere that would cement the impression. Many actions passed by without any meaning, the world is very much a blur to me, at some point I can say that things happened just for the sake of the plot. Many actions, whilst being called back on, kind of plain didn't make any sense. Runo, in particular, seems like a complete wasted opportunity. He attacked Miranda and Marinette for whatever reason, kept close to Netty for whatever reason, saved Dolly to be 'nice', kept with Lewis for whatever reason, disposed of Netty after fixing her for whatever reason. The flashback only raised more questions than it answered, whereas you'd have expected the 'way things happened' to kind of tie everything together. And whilst everyone was accounted for, it was unfortunately flat.

    The storytelling is, although, the highest detractor on a story I ultimately came to enjoy. It pains me because it could've been much better. A pacing that didn't felt like it sprinted towards the finish line. Emotions that could've been louder, reflection and meditation that could've been superbly cast against the desolate backgrounds, characters whose relationships and tensions remained pervasive through active mentions (blatant mistrust, hesitation, continuous, overwhelming doubts in spite of well-mannered responses), not just several mentions of 'I don't know why I feel this way' from Dolly. If she truly had morsels of her memory swimming through her fractured mind, then whatever happened should've felt at the very least preordained and hopeless.

    Dolly had a goal, right? Halfway through she just seems to forget it. We spend a total of what...7-9 chapters at the hideout in what I can only assume to be less than a week, when everything goes down. As smart as the conclusion is, the steps leading to it are kind of...clumsy. And it might be blunt and mean-spirited to say, but this could've been better.

    But, still, for what it's worth, you receive another magical omegapat for the effort you put in. Given the circumstances it was a tremendous and valiant effort. And I've enjoyed reading how a troubled scientist trapped in the body of an android tries to scour Earth for meaning. And whilst it could've been splendid and resounding, I smile at what it is because it's just right and just enough.

    Good job, Pearlyn. Very good job. Until we meet again...

    Kind regards,

    Bubbles.

    P.S.: If you come crying in my DMs I will give you a hidden pat. And more explanations. :3

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    1
    Realm Assassin
    REALM ASSASSIN
    Chapter:18




    Sep 14, 2021

    I love how weird people sleep in this world. Lewis has Rise to give him caffeinated rubs, Dolly just shuts down when she wants and same for Netty, Runo just survives on spite and powernaps.

    I don't know, after a while this type of story starts losing me. I'm never aware of the surroundings, they're just lines of trees planted on a skybox and apparently there's a flower field near the cave. People can just run in and out, there's some supply train to follow or deliver stuff to? Anyone can wander in this cave with no issue, apparently. Maybe Runo should ask for a padlock for his rock door.

    But I see what you did with Dolly. From the get-go I've realised that her inability to feel or understand emotion was more of a barrier that she put in place. She is, if anything, the most empathetic out of the bunch. My guess is that she just has some failsafes put in place to keep her safe, probably after the master realised the error of his ways with Netty or something. But that's just a theory. A game theory.

    Also, ermm, the style has finally begun irking me enough to make another statement on it. I don't understand what it's aiming at. Is it trying to be cheeky with the remarks that pop up every now and then about how 'sad' or 'lucky' or 'annoying' things are? Is it trying to be melancholic, serious and foreboding? You can't really have them both, it only takes me out of the immersion. That's all.

    The Porl is pat.

    Bubbles, out. :3

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    1
    Realm Assassin
    REALM ASSASSIN
    Chapter:12