Bubbles

Bubbles

I'm Bubbles.

Currently on hiatus.

registered at: Aug 13, 2020
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    Published Novel Level 2
    Published Chapter Level 6
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    Participant - MAL x Honeyfeed Writing Contest 2021
    Finalist - MAL x Honeyfeed Writing Contest 2022
    Participant - MAL x Honeyfeed Writing Contest 2023


    Sep 18, 2021

    Aight, Reed is bae. Absolute treasure.

    Putting all the luggage in the cohort's main hallway is such a dick move. Hey, let's just dump all your stuff together, good luck finding it, suckers! People at Rem are assholes, goddamn (much like the peeps at Hogwarts).

    Oh, look, we have prefects now! Sort of. Splendid.

    Veganism. Ew. Anger react.

    Also, for someone who was apparently not used to one-on-one talks with girls, he can be surprisingly cutting, aggressive, composed and debonair. Interesting, interesting. What can't you do, Blake? Besides, magic, of course.

    Also, it's a bit interesting how perceptive these characters are. For a limited perspective narrator who's supposed to view the world together with the character they're following, they're surprisingly knowledgeable. Almost omniscient.

    Anywho, as a general note, as good as the character design is, I can't say this attracts me too much. Feels like a standard magical academy through and through. Granted, the people inhabiting it are different, but none strike me as particularly illustrious, intriguing or captivating to follow them. We have a ton of swirling archetypes and tropes: nerds banding together, the 'survivor' (literal HP), the ditzy, the overpowered sleepy head (weirdly enough, Galactic Football comes to mind), the well-meaning, yet extremely teasing head of class, the cunts (funnily enough, each of them gets their own! What a bargain!). Sure, we have some alterations to the magic system, a half-elf thingy that's probably going to bring in some racism or xenophobia or what not, but all in all, I would say my main caveat is with the way this is being told. For its span, it's surprisingly ordinary and safe. Not that it's bad or anything, but it's just not something eye-catching either. It's good, not great. Let's see where the rabbit hole leads to.

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    The Heir of the Dragon
    The Heir of the Dragon
    Chapter:5

    Sep 18, 2021

    I wonder if likening this library to the Harry Potter stairs scene would be too much. Maybe. I'm still reminded of something with the sudden jerk they received when they called out 'Diagon Alley!', I mean 'Shelf 17-89' (French Anthem plays in the background).

    Girl, Elly, your anxiety is too much, man. That guy might be some fabled hero, but he treated you warmly. Power of example is lost on poor Blake, but apparently not on poor Wendy and Melody. My boy really got the short end of the stick here.

    Why does Elly like Amy again? Did I skip an 'Amy's friendly' somewhere?

    God smite whoever designed the orica in the mess hall. Like, is he just dense or a muppet? Who makes a system that just displays a huge power level to all the students, students who are known to come from high noble families that are probably renowned for snubbing the commoners and sneering at weakness. Absolute bellend, my god.

    If I recall correctly, Blake counted precisely 120 seats in the hall, right? With 4 cohorts and Elly counting 119 people with 1 missing in her cohort, wouldn't there have to be 480 to accommodate for everyone? Did I gloss over something?

    Also, in this chapter in particular the word 'Elly' just seems to pop up an extraneous amount of times. Like sure, perspective character and all, but there are instances where she's in 9/10 sentences in the paragraph with no other girls that could be mistaken as another 'she/her' ever mentioned. Kind of annoying after a bit.

    To note, was it necessary to include '(Blake)' and '(Elly)' in the chapter names? It's quite obvious who's the focus everywhere.

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    The Heir of the Dragon
    The Heir of the Dragon
    Chapter:4



    Sep 18, 2021

    Aight, Harry Potter's train to Hogwarts had a baby with Steampunk flying apparatuses and we've got this. Neat.

    I'm only going to mention this once because I am certain it'll get boring after a while, especially since I have no expectation of this to change. The style is taking years off my life. Sure, things are nice and well-packaged, ribbon and all. But it feels like the characters have a camera breathing down their neck every. Single. Time. It's as if their every minuscule action is important and it just...isn't. Twice she looks at the door, then back at Blake, three or four times she mentions his eyes being some form of piercing, everything is painstakingly dissected, to the point where it's just fodder to me. I don't need the writer to hold my hand throughout all of this so that I visualise *everything* to the milimeter. Especially when it doesn't do anything novel or unique, it's just drilling it into my head that Elly is a shy, mistreated girl whose anxiety causes her to be extremely awkward. Like, sure, your story and all, but less is more, sometimes and less could definitely be more here. This will be the first and absolutely last you'll hear this, again. I don't like repeating myself.

    Elly is a neat character. She's got that underdog protagonist vibe that announces one of those neat rags-to-riches archetypal storylines. Her bashful demeanour and self-deprecating tendencies resonate quite well through the multitude of stutters, actions and the protective barrier around her was a nice touch to show the walls she erects around herself. Blake's cool too. Granted, he's the kid from the prologue, so we already know about him, the magic of discovery is a bit lost, but I enjoy the knight in shining armour dynamic he's got. Plus, his genuine awe at 'capital magic' is quite adorable.

    The others are just fodder to me. Literally Malfoy, Crabbe and Goyle for now. The girls, I don't know, pick a high school movie. I'm sure, though, that these cliched representations are going to be somewhat expanded on later. Especially with the 'bastard son' arc that I'm sure will find its way in somewhere along the chapter titles.

    As for pacing, see above. Let's see where this goes, I guess.

    Bubbles, out. ;3

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    The Heir of the Dragon
    The Heir of the Dragon
    Chapter:1


    Sep 17, 2021

    Aight. Done.

    Disregard the comment I made on Chapter 11, the one with the group. Might've been chapter 12, I don't remember. Either way, I was dumb and tired, I retract what I said.

    My first love for this story is, without a doubt, the characters. I find them to be exquisitely crafted, chicanes and all. I've expressed great admiration towards Karin's persona and the conflicts plaguing her and I'd echo them, were they warranting a repetition. Baise's lines were consistently the most interesting and I could definitely see his analytic spirit and poised behaviour shining through, even in the most dire of circumstances. Rose proved to be more fragile than met the eye, the cool persona he projected being nothing more than the facade his role as leader demanded him. They all brim with humanity, and I like that more than I probably should.

    However, what this novel suffers most from is pacing. Too much had been spent trying to paint a very odd frame of a world that seems to emulate our own but is also extremely far removed from ours. Granted, with mahou shoujo, dark lords and evil monsters existing, that was a given, but I feel like it still tried to be rather true to the source material. Apart from that, we have around 6 chapters in which something that would've made for a much better 'set-up' arc is explored, chapters that don't do them justice. The actions feel momentary and more categorical than they need to be, the whole emotionality is lost when it doesn't have the build-up required for it to actually stick. It's something I can't get behind, but I assume this is a consequence of the time crunch and word crunch you've been subjected to.

    I think it was chapter 14 that suffered the most. The whole series of disjointed flashback was meant to be something BoJack's View From Halfway Down, but it just came across as a very disheveled and disjointed series of panels that did little to push anything forward, past the one where we're revealed what actually happened to Aka. This is but one of the many examples where the execution was well-intended, but just tripped and fell over itself for reasons I can't explain.

    And the ending, oh, the ending. Those last two paragraphs absolutely destroy me. It feels like you're just cutting a steak with the bluntest, most dully serrated blade ever. And it saddens me because this novel had a ton of potential, which could've easily been achieved through a bit more careful organisation of everything.

    The elements resonated quite well with me, the monotony and repetition of the quotidian, the contrast between who she is, was, wants to be and actually manages to be, the dilemma cast upon the entire cast's actions... They were neatly introduced in the opening chapters, but by the halfway point, they just *poof*-ed. After the contest is done, I'd like to see if this novel could exist in a better form. Something a bit more chiseled and refined with the ideas more accurately and poignantly fleshed out.

    I'd love to see more of the conflicts plaguing the other Magical Girls, too. The last interactions they have feel like talk no jutsu and the only one torn apart by them having to kill their friend is Roxy, but that was her shtick from the get-go, so she doesn't count. I'd love to see a more streamlined explanation of the entire situation and a bit more introspection into Aka's troubled character done by herself, not by others. If anything, she feels like she's the least aware of her own condition.

    I guess that be it. Hopefully you got something from it. If not, I'm happy to explain further on Discord. With that, I'mma bid you a good day and...

    Kind regards,

    Bubbles. :3

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    Otomaho: Who Said an Adult Can No Longer Be a Magical Girl?!
    Chapter:15

    Sep 17, 2021

    Aight, things went from 0 to 100 in an instant. I'm just going to speedrun through the rest and give some preliminary feedback with 3 chapters left to go, then the final bit at the very end.

    So, what we have here is a rather interesting case study in a troubled character. Karin is stuck in a very human spot. Between her lack of understanding of how anything goes on and her desire to do good in spite of that. Between her unmistakably high potential, but her inability to see her as anything but a burden, a drag and someone unworthy to wear the mantle of 'Magical Aka'. Someone who means no harm, but does more than she can imagine. It's something very relatable and it's an excruciatingly hard thing to pull off in writing. And for the most part, you've managed to do it rather seamlessly.

    The issue I have is that the more I dive in, the more the logic and believability of this whole novel seems to crack. Karin seems to be more of an alien, rather than someone with a solid grasp of anything human. She seems befuddled at something that seven years of living as a retiree mahou shoujo and an adult would've unequivocally drilled into her. Like, yes, prisons exist, people go there quite unwarranted, but... does she not have the news? Does she not read stuff online? How is she so crestfallen at any of this?

    The whole magical girl team's approach just feels...wrong. I won't go into details, my previous comments already went in depth a lot. And around last chapter, it all came to a halt for me. I thought this story was somewhat grounded. Undercover magical girl making vigilante rounds without knowing the damage she wrought behind her. There was some ominous stuff that took 10 chapters to materialise and around 2 bits of foreshadowing, that was cool. But now, we just have a magical girl press conference? They live in some Justice League mansion? They've got admirer and super gizmos? It feels like such a jarring tonal shift that I'm left to wonder what the heck happened midway through? Did I miss anything? Feels like I've been calibrated to the wrong frequency all my life.

    This is all. My final review should hopefully be a lot less critical.

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    Otomaho: Who Said an Adult Can No Longer Be a Magical Girl?!
    Chapter:12

    Sep 17, 2021

    Yeah, so I'm probably one chapter away from dropping this.

    Don't get me wrong, what you're putting down is nice, I'm just not picking this up. The entire mentality is that they 'need to stop evil as it occurs, not after it's happened', yeah? What does this achieve, exactly? You stop a gun as it's being fired, not after, but it's still bought and triggered. You stop a fire as it's roaring, not after it's burnt, but it has still been ignited. They try to make it so foresight-y and immaculate, but their logic is absolutely flawed from the get-go? Like, stop the thing **before** it happens. Not during, not after. They're not even following their own advice. God damn.

    The SoL aspects were nice, though, I liked them. Br'uce here seems to be quite adept at being a detective, hint, hint, and his matter of fact personality beautifully contrasts that of Roxy, who's apparently an Amazon. I liked Baise a lot because he's just an absolute delight. He doesn't emote a lot, but the muted sighs he leaves out carry a lot more than meets the eye: frustration, disbelief, thoughtfulness. It's just a well-executed ploy.

    Roxy is just a doll. Her dialogue is extremely trite, she repeats her 'don't think lowly' bit too much and she seems like a simple picker-upper. No idea what her friendship with Karin is, nor how it came to be. Being told that it is strong just because we must believe it doesn't really do it for me. If anything the only invocation of meaning behind their relationship, Roxy telling Karin to put her suit on, is already banking on the a priori fact that their friendship was well established as strong. I must see it to believe it and I didn't see it.

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    Otomaho: Who Said an Adult Can No Longer Be a Magical Girl?!
    Chapter:10