Bubbles

Bubbles

I'm Bubbles.

Currently on hiatus.

registered at: Aug 13, 2020
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    Participant - MAL x Honeyfeed Writing Contest 2021
    Finalist - MAL x Honeyfeed Writing Contest 2022
    Participant - MAL x Honeyfeed Writing Contest 2023


    Sep 18, 2021

    Aight, Harry Potter's train to Hogwarts had a baby with Steampunk flying apparatuses and we've got this. Neat.

    I'm only going to mention this once because I am certain it'll get boring after a while, especially since I have no expectation of this to change. The style is taking years off my life. Sure, things are nice and well-packaged, ribbon and all. But it feels like the characters have a camera breathing down their neck every. Single. Time. It's as if their every minuscule action is important and it just...isn't. Twice she looks at the door, then back at Blake, three or four times she mentions his eyes being some form of piercing, everything is painstakingly dissected, to the point where it's just fodder to me. I don't need the writer to hold my hand throughout all of this so that I visualise *everything* to the milimeter. Especially when it doesn't do anything novel or unique, it's just drilling it into my head that Elly is a shy, mistreated girl whose anxiety causes her to be extremely awkward. Like, sure, your story and all, but less is more, sometimes and less could definitely be more here. This will be the first and absolutely last you'll hear this, again. I don't like repeating myself.

    Elly is a neat character. She's got that underdog protagonist vibe that announces one of those neat rags-to-riches archetypal storylines. Her bashful demeanour and self-deprecating tendencies resonate quite well through the multitude of stutters, actions and the protective barrier around her was a nice touch to show the walls she erects around herself. Blake's cool too. Granted, he's the kid from the prologue, so we already know about him, the magic of discovery is a bit lost, but I enjoy the knight in shining armour dynamic he's got. Plus, his genuine awe at 'capital magic' is quite adorable.

    The others are just fodder to me. Literally Malfoy, Crabbe and Goyle for now. The girls, I don't know, pick a high school movie. I'm sure, though, that these cliched representations are going to be somewhat expanded on later. Especially with the 'bastard son' arc that I'm sure will find its way in somewhere along the chapter titles.

    As for pacing, see above. Let's see where this goes, I guess.

    Bubbles, out. ;3

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    The Heir of the Dragon
    The Heir of the Dragon
    Chapter:1


    Sep 17, 2021

    Aight. Done.

    Disregard the comment I made on Chapter 11, the one with the group. Might've been chapter 12, I don't remember. Either way, I was dumb and tired, I retract what I said.

    My first love for this story is, without a doubt, the characters. I find them to be exquisitely crafted, chicanes and all. I've expressed great admiration towards Karin's persona and the conflicts plaguing her and I'd echo them, were they warranting a repetition. Baise's lines were consistently the most interesting and I could definitely see his analytic spirit and poised behaviour shining through, even in the most dire of circumstances. Rose proved to be more fragile than met the eye, the cool persona he projected being nothing more than the facade his role as leader demanded him. They all brim with humanity, and I like that more than I probably should.

    However, what this novel suffers most from is pacing. Too much had been spent trying to paint a very odd frame of a world that seems to emulate our own but is also extremely far removed from ours. Granted, with mahou shoujo, dark lords and evil monsters existing, that was a given, but I feel like it still tried to be rather true to the source material. Apart from that, we have around 6 chapters in which something that would've made for a much better 'set-up' arc is explored, chapters that don't do them justice. The actions feel momentary and more categorical than they need to be, the whole emotionality is lost when it doesn't have the build-up required for it to actually stick. It's something I can't get behind, but I assume this is a consequence of the time crunch and word crunch you've been subjected to.

    I think it was chapter 14 that suffered the most. The whole series of disjointed flashback was meant to be something BoJack's View From Halfway Down, but it just came across as a very disheveled and disjointed series of panels that did little to push anything forward, past the one where we're revealed what actually happened to Aka. This is but one of the many examples where the execution was well-intended, but just tripped and fell over itself for reasons I can't explain.

    And the ending, oh, the ending. Those last two paragraphs absolutely destroy me. It feels like you're just cutting a steak with the bluntest, most dully serrated blade ever. And it saddens me because this novel had a ton of potential, which could've easily been achieved through a bit more careful organisation of everything.

    The elements resonated quite well with me, the monotony and repetition of the quotidian, the contrast between who she is, was, wants to be and actually manages to be, the dilemma cast upon the entire cast's actions... They were neatly introduced in the opening chapters, but by the halfway point, they just *poof*-ed. After the contest is done, I'd like to see if this novel could exist in a better form. Something a bit more chiseled and refined with the ideas more accurately and poignantly fleshed out.

    I'd love to see more of the conflicts plaguing the other Magical Girls, too. The last interactions they have feel like talk no jutsu and the only one torn apart by them having to kill their friend is Roxy, but that was her shtick from the get-go, so she doesn't count. I'd love to see a more streamlined explanation of the entire situation and a bit more introspection into Aka's troubled character done by herself, not by others. If anything, she feels like she's the least aware of her own condition.

    I guess that be it. Hopefully you got something from it. If not, I'm happy to explain further on Discord. With that, I'mma bid you a good day and...

    Kind regards,

    Bubbles. :3

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    Otomaho: Who Said an Adult Can No Longer Be a Magical Girl?!
    Chapter:15

    Sep 17, 2021

    Aight, things went from 0 to 100 in an instant. I'm just going to speedrun through the rest and give some preliminary feedback with 3 chapters left to go, then the final bit at the very end.

    So, what we have here is a rather interesting case study in a troubled character. Karin is stuck in a very human spot. Between her lack of understanding of how anything goes on and her desire to do good in spite of that. Between her unmistakably high potential, but her inability to see her as anything but a burden, a drag and someone unworthy to wear the mantle of 'Magical Aka'. Someone who means no harm, but does more than she can imagine. It's something very relatable and it's an excruciatingly hard thing to pull off in writing. And for the most part, you've managed to do it rather seamlessly.

    The issue I have is that the more I dive in, the more the logic and believability of this whole novel seems to crack. Karin seems to be more of an alien, rather than someone with a solid grasp of anything human. She seems befuddled at something that seven years of living as a retiree mahou shoujo and an adult would've unequivocally drilled into her. Like, yes, prisons exist, people go there quite unwarranted, but... does she not have the news? Does she not read stuff online? How is she so crestfallen at any of this?

    The whole magical girl team's approach just feels...wrong. I won't go into details, my previous comments already went in depth a lot. And around last chapter, it all came to a halt for me. I thought this story was somewhat grounded. Undercover magical girl making vigilante rounds without knowing the damage she wrought behind her. There was some ominous stuff that took 10 chapters to materialise and around 2 bits of foreshadowing, that was cool. But now, we just have a magical girl press conference? They live in some Justice League mansion? They've got admirer and super gizmos? It feels like such a jarring tonal shift that I'm left to wonder what the heck happened midway through? Did I miss anything? Feels like I've been calibrated to the wrong frequency all my life.

    This is all. My final review should hopefully be a lot less critical.

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    Otomaho: Who Said an Adult Can No Longer Be a Magical Girl?!
    Chapter:12

    Sep 17, 2021

    Yeah, so I'm probably one chapter away from dropping this.

    Don't get me wrong, what you're putting down is nice, I'm just not picking this up. The entire mentality is that they 'need to stop evil as it occurs, not after it's happened', yeah? What does this achieve, exactly? You stop a gun as it's being fired, not after, but it's still bought and triggered. You stop a fire as it's roaring, not after it's burnt, but it has still been ignited. They try to make it so foresight-y and immaculate, but their logic is absolutely flawed from the get-go? Like, stop the thing **before** it happens. Not during, not after. They're not even following their own advice. God damn.

    The SoL aspects were nice, though, I liked them. Br'uce here seems to be quite adept at being a detective, hint, hint, and his matter of fact personality beautifully contrasts that of Roxy, who's apparently an Amazon. I liked Baise a lot because he's just an absolute delight. He doesn't emote a lot, but the muted sighs he leaves out carry a lot more than meets the eye: frustration, disbelief, thoughtfulness. It's just a well-executed ploy.

    Roxy is just a doll. Her dialogue is extremely trite, she repeats her 'don't think lowly' bit too much and she seems like a simple picker-upper. No idea what her friendship with Karin is, nor how it came to be. Being told that it is strong just because we must believe it doesn't really do it for me. If anything the only invocation of meaning behind their relationship, Roxy telling Karin to put her suit on, is already banking on the a priori fact that their friendship was well established as strong. I must see it to believe it and I didn't see it.

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    Otomaho: Who Said an Adult Can No Longer Be a Magical Girl?!
    Chapter:10






    Sep 17, 2021

    So, couple of things.

    I'm not sure why we need her to exposit her entire morning routine like she's doing a YouTube video. This amount of detail doesn't really bring anything to the table, it's just words strung together. In a similar note, overdescribing certain things (when the tree fell, the hand clenching her 'aorta'? - I know what it is before you try explaining it) can certainly take the value of what's happening. Less is more in many regards, and here is one of those.

    Some of the elements are really becoming hit or miss with me and I'm hoping they don't bunch up too hard. Primarily, they boil down to very minute slip-ups in style. In the past chapter the narrator suddenly started using subjectivity marks, even though it was clearly an omniscient objective one so far. Grammar slips up into ESL territory and same for vocabulary usage. Tiny things like these sort of add up.

    The dream sequence was nice, I realised it was one before the whole shebang with the dark hand and corruption and what-not. For one, I believe it to be very interesting that she falls asleep in an instant and goes full nightmare. Must be quite a terrifying event for her to be crowned as the 'best villain' of the bunch. I'm curious where this will lead.

    Is Rose a she or a he? Swear to God the pronouns changed partway through, then restored so I'm not sure.

    As for her leaving, erm... Questionable. I have absolutely no clue why she did that, but let's just give you the benefit of the doubt for now.

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    Otomaho: Who Said an Adult Can No Longer Be a Magical Girl?!
    Chapter:4

    Sep 17, 2021

    Aaaaand I'm lost.

    Suspension of disbelief notwithstanding, I'm absolutely flabbergasted at what put this all in motion. Karin being apprehensive about locking up someone for petty theft? I mean, I get it, straying from the norm of the cliche, but come on... I would've understood if it was precisely the thing she was most worried about: material damage to property that left people in debt or something. But not locking someone up, come on. Sure, being forced to commit some trite evil deed shouldn't be punishable by such an extent, but is this really the hill this story will rest on...?

    Some minor things, 'vice' is a noun. I think the adjective you're looking for is 'vicious', a 'vicious grip'. A vice grip makes me think she's struggling with an MDMA addiction. Also, quite a unique way of formatting thoughts. Usually they're italics, 'quotes' are reserved for dialogue. Then again, Ulysses exists, so...

    I'm pretty sure that Rose's transformation just makes everyone around them be extreeeemely lustful. There, I said it. Also, Xi'er is literally batman. If his powers are dark or rely on sadness, I'm just gonna call him Br'uce from then on. Not to say that I like it. Snarkiness is my way of appreciating stuff.

    The most unbelievable thing is that she was working a dead-end job, but could afford a home gym with a leg press and a weight rack. Couldn't splurge a little on the punching bag, it's only 70 bucks. The leg press was more than $1k.

    Bubbles, out. :3

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    Otomaho: Who Said an Adult Can No Longer Be a Magical Girl?!
    Chapter:3

    Sep 17, 2021

    God damn, Karin here trying to save the woman from being isekai'd. You don't do that, Karin. What if she was a NEET ready to hop into a power fantasy trip?

    This chapter kind of lost the oomph of the first one. We see her life as Magical Aka get a bit of exposition (more or less clumsy) about her powers and how much of a goody two-shoes she is. Her anger management is apparently a problem, though I would've chalked it up to being stress not some form of rage bubbling inside of her as Grace put it. We have something at the beginning foreshadowing what I can only assume is the overarching plot here and then a bit of suspense at the end. The problem with this is, if my haphazard comment wasn't indication enough, is that, to me, it feels like these are just elements that are being put together in five different scenes that can be loosely tied into a narrative. But this 'loose' tie is irksome. Actions don't flow very well from one point to another, they lack the fluency and connectedness you'd expect from a story like this. Might be the 'write a story easily adaptable to manga' criterium, but this just doesn't do it for me.

    I like the whole array of magical girl powers. I'm not a connoisseur or anything on the matter, but it feels like a nice change of pace to the typical 'superhero' doctrine the other mahou shoujo seem to follow. Plus she's basically Clark Kent and Flash all in one. Neato.

    That manager is such a caricature, I can't help but love him. He reminds me of every facebook story ever. It's weird how some of those manage to be even more ridiculous than this guy... Anyway, not that it's a detractor, I actually love him. The pastiche is delicious. :3

    Grace is a troublemaker? I had no clue until I was told that. I also had no clue that Karin was such an obvious anger therapy case until I was also told that. See where I'm heading? It's a lot of telling that could've been simply missed or reordered. We could've been introduced to her reaction on her nametag then Grace could've confirmed it was something ongoing, keeping the rhythm flowing. Anyway, that's just how I'd do it, not how it should be done. Two cents added and lost.

    Bubbles, out. :3

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    Otomaho: Who Said an Adult Can No Longer Be a Magical Girl?!
    Chapter:2

    Sep 17, 2021

    Hiho.

    What we seem to be having here is a retiree Mahou Shoujo. Pretty neat concept in practice and the execution doesn't leave too much to be desired either.

    Karin is a very interesting main character, primarily due to her 'secret identity' and her mundane and strangely unassuming real life persona. Quite unbecoming for someone who possesses a tonne of mystical powers that they can't wait to dish out whenever a damsel is in distress. It really speaks to a very subtle Clark Kent vibe. The justice sense in her is always tingling. Apart from that, her inner monologue is very captivating, showing a lot of conflict about whatever she might be revealing to any vigilant onlooker and the dialogue she has, particularly with Calice and the overtly self-confident speed dater are quite amusing, rom-com pastiche and all.

    At the end of the day, if I were to put my finger on something I don't like is how muted everything sounds. Every piece is put into place, but whether by design or by accident, none of them are particularly attractive to me. There's nothing that's 'in your face' gripping, even though some moments come close to it. (The conversation with Calice comes to mind). It's not a hard story to get invested in, given the premise and the fact that this is far from average writing in these here parts, but it lacks that pizzazz anime and webnovels in general are abundant of.

    A smaller gripe would be the fact that I feel like the 'setup' is a little bit too much. Some scenes feel kind of prolonged (the first one for instance, albeit with the meaning of trying to showcase some of the more lackluster aspects of her life), others feel like they're not even warranting a scene break. The skips kind of make it a bit disheveled to me.

    Anywhozzles, I'm just going to wait and see where the wind blows. I've got the exposition jotted down, it's time for the intrigue. Wonder what that is. I hope she's been spotted or something. #YouTube.

    Bubbles, out. :3

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    Otomaho: Who Said an Adult Can No Longer Be a Magical Girl?!
    Chapter:1