Bubbles

Bubbles

I'm Bubbles.

Currently on hiatus.

registered at: Aug 13, 2020
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    Participant - MAL x Honeyfeed Writing Contest 2021
    Finalist - MAL x Honeyfeed Writing Contest 2022
    Participant - MAL x Honeyfeed Writing Contest 2023

    Sep 07, 2021

    Oh ho, now this. This I love.

    This was a perfect chapter in my book. Past the return of Gabriel, we're faced with a very cold and bitter bit of humanity. The raison du vivre which is simultaneously battling to exist between hopelessness and existentialism and all quite neatly summarised in this little morsel of tension. A truly outstanding moment.

    In contrast to what I said earlier, I did like the 'Father Nathanial' bit. Subtle, but effective. This is the kind of thing I'm enjoying in this story.

    As for the point we've reached, for that, I have mixed feelings. At this point, there seems to be tension building, then relieving, then building then relieving, it's like a broken boiler. But whenever something seems to erupt it just dies down like a debate in the Senate. That wouldn't be a bad thing, were the *consequences* made apparent. Through this all, I don't really have anything to go on. I would like to see more than just the exponential characters' thoughts reflecting the overall situation. I am not sure what the morale is in this doomsday resort. What are the allegiances? The grievances? The support? It's all rather muddled. A bit of broadness in the perspective might aid in creating a more effective picture of dismay that would, in turn, accentuate the looming threat posed by Alex, Nathanial, Greg and Gabriel alike.

    Speaking of, I'm excited to see which ones of these 4 and Victoria will eventually come on top in this 5-way battle royale for control over the precinct. :3

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    1
    By the Shores of Time
    By the Shores of Time
    Chapter:10






    Sep 07, 2021

    And finished. Whew.

    I will begin by restating that, by all means, I am as far removed from your target audience as I can be. I don't like isekai, I don't care for ecchi, I am not a fan of absurdist comedy, I don't care much for anime in general so references are lost on me. Disclaimed out of the way, I'll just leave my honest, unfiltered thoughts and leave.

    The story is a mixed bag for me.

    Snazzy is truly a character. Exaggerated, booming, exuberant and seemingly a non-exhaustive treasure trove of otaku culture and memes. And funnily enough, as much as I should hate him, he is the thing I like the most here. For one, he seems to be the only one with some form of motivation, plan and personality and, obnoxious as it is, at some point he either grew on me or wore me down enough for me to rally behind his antics. So, kudos on that front, you've pierced through my mantle of seriousness. I curtsy.

    Overall, I've come to see this as two parts that might as well be two separate stories. I mean this not as a detractor on cohesiveness and connectedness, but more of a general comment. The first bits show a generally laid-back slice of life attitude which I suppose acts as a lure. We're being shown all sorts of wacky shenanigans with a loose thread tying them all up in the hopes that we pick up on one and stick till the end. Quite masterful, dare I say. And whilst I'm not the person to fall for such things, I can't help but appreciate their merit.

    As for the rest, unfortunately here's where it breaks.

    The rest of the characters feel rather hollow, especially when put next to someone who is, well, slightly less hollow. For the most part everything seems to happen as a response to a plot-related concern. There is very little proactivity to speak of in Maribell, a central character, so the few instances where she acts (the White Witch, the caravan, the final battle) feel unwarranted. Her personality is unsteady to me, it seems like she just moulds herself around the people around her more than having a clear set of rules she needs to follow. And if that was the intention, then I suppose this whole paragraph can be disregarded. But if not, then I don't know what to say. The character of Maribell simply didn't do it for me and she was supposed to be the plot-pusher.

    As for Seraphina, I've enjoyed her. She felt genuine in her actions, properly built on and motivated and whilst her intentions were comically twisted, she carried a righteous purpose, one that I stand behind. It was a noble perversion, the way I see it, a machiavellian 'the ends justify the means' way of reaching a freedom that seemed to be otherwise intangible. She would've been a perfect resonance to me, were it not for some bits that were shoehorned in that I've previously commented on.

    But my main gripe is with this last arc, particularly the last 5 chapters. Aside from Bernardo coming in to just be some fabricated conflict. Aside from Bella just being some one-note opposite to Snazzy with a weird lust for the priest and a quick getaway mentality. Aside from the 'No, I am your father moment', the reveal of which I've somehow expected, but even so felt rather forced. Aside from the whole shounen power-up and friendship jutsu that popped up to literally Deus-Ex Machina our protagonists away. Aside from all of that, what irks me the most isn't the message, but rather that as much as I would want, I can't get behind it.

    The execution, for one, is something that just feels breakneck. We're going from 0 to 100 to 0 to 100 again with every chapter, so much back and forward that it just loses any semblance of stake for me. It feels like every time a bind comes up there is some form of trick Snazzy can pull out of his feelers to save them. Then, when he gets evaporated after his luck runs dry, he gets the whole reflective speech about his reincarnated purpose and how he is just mirroring what he was in the real world. And that, I love, it's great, a callback, a connection and something that only serves to complement the whole of Snazzy's rambunctious personality. But, still, it leaves a sour taste in my mouth because, to *me*, it feels cheap. It feels like, I don't know, all that I've heard about anime being condensed into one scene: friends are all that matters, connections make you strong, you are the sum of the people you touch. And I loathe myself for probably being too cynical to digest these, but at the end of the day I am who I am. I can't pretend to be something I'm not.

    Anyhow, to sum it all up, veni, vidi, legi. As much as I can bemoan, I can't detract merit from a story who truly has it, albeit in forms that aren't palatable for me. For all I can see, it's a favourite of many and I envy them. I wish I could understand and enjoy it for what it is and see past some whatever cloudy ideals I have, but eh. For what it's worth, the part I thought I'd loathe the most is the part I've come to like the most. And if that isn't a win for an author, I don't know what is.

    Hopefully this message finds you well. I might've sounded spiteful, granted, but I'd like to reassure you that it's more of me being an LN philistine, than being a twat. If anything I wish I could enjoy this.

    Kind regards,

    Bubbles. :3

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    1
    Why Kill? When Witches Can Be Tentacled!
    Chapter:30





    Sep 06, 2021

    What an interesting juxtaposition. You told me to stop on Chapter 19, for shame, you wanted to deprive me of this buxom succubus. Tsk.

    Jokes aside, I have mixed feelings about this chapter. For one, I will say that the character of Seraphine, whilst destroying my asexual walls, is an interesting contrast to what we've seen in Maribell. We were made aware of the true wickedness of the Witches, but to see it unfold in such perverse detail is truly an interesting tale. It's jarring, but in a very appropriate way, so I enjoy it a lot. The forced yaoi... we will just pretend none of that came to be as far as I'm concerned.

    However, as hypocritical and out of place this might be from me, I feel like it's around this point where the execution has become rather messy. A lot of repetition, the exposition being much less natural than before, the narrative breaks, the whole tone of it. Feels exhausted, really and pitifully so, because I hoped that this would be the serious undertone I've waited for all this while. Alas, I shall slumber and hope that what I'll finish tomorrow makes it a worthwhile wait.

    As for a general bit of feedback as I've reached this milestone, all holds barred, this is a nice novel. Unfortunately, I can only go as far as to ignoring my subjective views and likes, therefore what I have said and will say should be taken with a truckload of salt. I strongly feel like this is a good contender for the crown, for it ticks all the boxes it needs to tick. Ease to adapt, content, chapter length, pacing, a craft worthy of someone who has held a webnovel crown, I'll say. The comedic bits are ripe with reference I'm too uninitiated in the anime world to get and they are, by far, this story's largest merit; it seems the largest amount of effort was put into them and this is by no means meant to be a detraction. Rather a praise again, since it's clear that you know your audience and played to their wants, whilst still remaining true to the story you wanted to tell. If anything the positive response and countless recommendations are only testaments of this success.

    However, onto the more serious bits... I haven't read many LNs, I haven't delved into YA as a rule and I'm unaware of how briefly represented emotions need to be for them to be properly registered in this medium. But be that as it may, for the most part I found everything negative to be unfortunately superficial. It is meant to be a comedy, for sure, but a little bit of rain makes the sun shine even brighter after it. I felt like the moments where the gags were removed simply didn't live up to the expectations demanded by the mastery with which the jokes were crafted. The reason behind them, I couldn't tell. Whether it's voluntary, inexperience with the subject or something else, I'm not expert enough to say. What I can say, though, is that the brisk pacing at which these moments fly by only cements a belief that they're either unimportant or simply meant to be fodder. Not a good look whichever way it would be. As such, presumptuous as this advice my sounds, I think that if you want to include some more downbeat undertones, proper exploration should be practised. This chapter here is a rather good example. Seraphina's story, whilst still brief, was telling enough for me to empathise with and feel sorry for her. And whilst I would've wanted a bit more emotionality to come from her on this front, within the scope of what this aims to be it was plenty enough to be considered a threshold.

    That should be all I have for today, I'm rather tuckered out. With a curtsy, I bid you a good day and until tomorrow...

    Bubbles, out. :3

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    1
    Why Kill? When Witches Can Be Tentacled!
    Chapter:20



    Sep 06, 2021

    Hmmm...

    As much as I'd like to praise something in this chapter, I'm afraid most of it falls flat to me. I understand it's supposed to be a setup for something wicked this way comes, with the grimoire being unveiled and all, but there are many things lacking.

    For one, the scene break in the middle instantly takes me out of the immersion. Being given a glimpse into Gorshect's plan with it feels like a faux-pas that instantly rips all the value off the surprise attack and tension that I believe it should've had. Not to mention the missed opportunity of having Maribell unveil that plan as she read his mind, rather than the narrator.

    The quick battle feels stakeless, the few blows exchanged being too sparse and too lackluster to spark any gasps out of me. If anything, Maribell unveiling her Grimoire doesn't feel warranted due to the build-up not signalling anything particularly threatening. We are very vaguely made aware of the number of wyverns and how some seem to fall from the sky at the three's attacks, but at the same time, apparently, they seem to deal no damage. I'm assuming this might be a typical way of telling things and I might be out of line, but to me this brevity doesn't really do it.

    And whilst the silly moments with Snazzy never fail to impress me with their delightful absurdity, in this particular instance, they just don't do it for me. I'm hoping that the next chapter mends what I feel about this one.

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    1
    Why Kill? When Witches Can Be Tentacled!
    Chapter:17