Ine Airlcana

Ine Airlcana

Hello, people!
I'm Ine Airlcana, and I strive to write the good stuff for my readers! (And I also illustrate a bit on the side, yeah.)

I'm currently active on DeviantArt, Honeyfeed, Patreon, Twitter, and WattPad.

DeviantArt: Obviously Art.
Honeyfeed: Short Stories (Monthly Writing Challenges!)
Patreon: Mostly my Web Novel, Flawed Connections:
Twitter: Gushing about other OELN authors, for the most part... lol.
WattPad: Fanfiction, at the moment just a Pokémon one.

registered at: Jun 12, 2020
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    Jun 29, 2020

    I decided on the tumbs-up for this chapter. :bee_thumbs:
    I feel like it flows so much better than the first chapter. The paragraphs were less daunting to read, and there was less telling and more showing (though there was still a great lot of telling in here).

    Don't think I didn't notice.
    This chapter clearly mirrors chapter 1, as they happen in tandem, as two parallel sides of the same day.
    From both waking up to starting their day, interacting with the people around them, their backstory since the prologue and finally the incident with the cart at the end of both chapters, they show the two very different lives of two girls who can't quite forget that one childhood friend they miss (and probably fall in love with once they meet again, which is what I'm looking forward to most).

    While we're on that topic of yuri, let's skip ahead and screw with continuity and my typical start-to-finish attitude.
    There was this one scene where Eleanor thought about how she could choose her own husband, and I was just like 'if you still think that's going to be a man, then you're in for a surprise.'
    The author (don't know if Lily or Jay did this one) also placed hints towards that outcome throughout the chapter, like Eleanor thinking positively about Helene, but her not liking guns as they are 'masculine display-pieces of power' or something.
    Sorry for forgetting the exact wording, but I'll not go through that long-ass chapter again and search for it.
    You know what I mean if you read that chapter.

    This is all so peaceful.
    From the moment Eleanor wakes up, there is a very stark contrast to Helene's life. There's no one who's about to die, no rude people around her, she's calm, collected, and at most exasperated with the people around her.
    Helene was outgoing, a rascal, and open about her irritation, while there's no irritation in this chapter at all.
    She just calmly talks (thinks) about all the good people around her, about how her father is nice to servants, about how the servants are nice to her, about how her brother has a good woman to marry, just calm, calmer, the calmest. Everything seems fine, except for that one part... well, there are two.

    The first one is when the second song about the Fox-Valley story is played.
    It's not as happy as the first one and the general tone of this chapter, and it's hinted that Eleanor's father knows something more.
    He's the ruler, after all.
    He probably has some insight on the past and the truth behind this national treasure of a story collection that was distributed all over the place.
    We don't even know and can't even confirm that it's the actual stuff that's written in the original, so that mystery still remains.
    Maybe the OG copy contains the end, or many more stories like this one?
    Maybe it's not just legends and stories, but the actual truth about the past someone wants to conceal?
    Questions and questions...
    By the way, there was something in the first song people in Germany would call 'Flowfehler'.
    Poems and song lyrics are always hard, but I really tried and I couldn't get the rhythm right. Thus I challenge Jay to sing this one in the next Orion podcast so that I know how it should flow.
    Because I think the number of syllables for each row should be 8, but two of those have like 9 and it completely throws me off.
    Your average reader probably won't notice, though.
    Maybe it was intended like that, too, so let's wait for the answer, I guess.
    (I still want you to sing that one, Jay!)

    Another thing that mirrors the first chapter is the part where Eleanor thinks about how Helene probably grew up to be more womanly.
    The exact wording is something akin to 'having acquired more womanly traits.'
    It's cute how she believes in her friend being alive, though she was told otherwise.
    Maybe they have a telepathic connection?
    Star-crossed lovers or something, perhaps?

    Well, it's like we started on one road which separated, then met again sometimes later, only to separate again.
    The one we started on being the prologue, the separation being the days in the lives of Helene and Eleanor, and the interception being the ending scene with the cart.

    Another mirroring event, with how they both just suspected this other person to be there.

    I can't wait to see how their journey continues...

    Ine Airlcana

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    1
    The Fox of the Valley - [Collab - Jay & Lily]
    Chapter:2

    Jun 26, 2020

    Let me start off by saying that this really feels like a shorter version of Jay's 'New Folder' short story.
    Judging by the straight-up overdose of sweetness that made me get diabetes from reading his amazing story, that's to be seen as a very positive compliment.
    Heads up!

    I'll go paragraph by paragraph now and analyze/rant/ramble on about stuff I think of and like and whatnot.

    What sets this apart from others of its kind is that it's not really about the main character, but about the love interest.
    Hence the title 'You.'
    We don't get to see that very often in literature, but it works here. It's written less like a campfire story (which was Jay's entry) but like a letter that finally explains everything she wanted to tell the boy for years.
    I like that.
    This shift of focus alone can be seen as a characterization because it contrasts with the thing she says in the first part: 'After all, I was a teenager who believed the world revolved around them.'
    The lingering feeling of inferiority which goes on throughout the whole narrative also strikes my heart, cause it's oftentimes the end of a relationship.
    This had me worried for the happy forever after ending I was hoping for. I'm rooting for you, girl!

    While in the first part they were merely looking at each other, coincidences and life happened, and the main character had an asthma attack in front of the guy.
    Damn.
    I've seen how bad those can be, and... damn.
    Good to see that she has her pride, though. At this point, she wasn't in love with him, after all, so that's fine. She's not just mindlessly jumping into his arms and I appreciate that.
    The conflict comes from within, not from some stupid reason I often see in romance type stories.
    It was nice seeing them get along, though.
    That may have been unlucky-lucky.
    Since our main character only had one friend and cherishes friends, the guy was friend-zoned from the start.
    When he confessed and she turned him down...
    We all know how that would end.
    'That was when I started losing you,' she says.
    Even though she didn't want to. That's so sad, like damn. The best kinds of losses in fiction come from the unwillingness to lose something but losing it anyway because one chose wrong.
    This reminds me of something Hikigaya Hachiman said in SNAFU.
    It went along the lines of:
    'Fearing the change after a confession is just stupid. If your friendship falls apart just because of that, how much was it worth, anyway?'
    Though he was talking about a group, I think it suits this situation.

    Sometimes when you leave a loved one, they never really leave you.
    They just move into a special place in your heart...
    (That's from Tim Burton's Frankenweenie.)
    And they didn't forget.
    You could've ended the story after their dance and it would've been a tragic end to a wonderful relationship.
    But you didn't.

    This meeting-sometime-later no-coincidence falling-in-love thing is a trope quite commonly seen in these stories.
    Something similar happened in Your name.
    It's nice, and there's a reason to the popularity of this trope.

    The ending is also sweet, and I like that they ended up together.
    It's good to see our main character finally moving on from her insecurities and accepting that she's worth if her loved one thinks she is.

    The final verdict is this:
    You wrote two stories. One was the happy end, and one was the tragic end to an unfulfilled relationship. To get that second one, you just have to delete the last two paragraphs and make some slight alterations to the third-to-last.

    All in all, you wrote the better tragedy to a charming love story.

    Ine Airlcana

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    2
    You.
    Chapter:1

    Jun 26, 2020

    Based on the cover, I'm guessing it's a three-chapter type short story?
    Like, damn, it's full of this childish innocence of a first relationship, and I got really invested in these characters after a while.
    If I had to point something out that wasn't the best, it would be the lack of a catchy introduction. It took me like a quarter to really get into it, but let's analyze this real 'quick':

    :honey_blushing:
    I chose that emoji here because it's so sweet. It makes even honey blush, that's how sweet it is.

    'People showed me Google Docs before, but I didn't like it.'
    Just warning you, but be prepared for Google to strike thine soul straight down to hell!
    Just kidding.
    The protag is a best-man kind-of-guy because he's actually writing in a notepad. Respect to him for that.
    (And I love me some personal stories!)

    'It all began around a year ago...'
    I'm just like, 'Oh, this is that kind of story. Let's see how it goes.'
    This short story is written as a story told around a fire, not the horror-kind, mind you. It's like A (that's his 'name' or something) is conversing with us through his words, which feels nice.
    Writing tends to be better when it's show-heavy, though, and this writing style tends to have a LOT more telling in it.
    That's why my immediate thought was 'Let's see how this goes...'

    A's private life is not the normal kind.
    I mean, what's normal, but still, not normal.
    Lesbian moms, he's an awkward kid (though I guess there's some of that in all of us), and then he goes on to explain to us why he picked the classes he chose and all that jazz.
    That's also what I mean when I say not a catchy entrance, but A kinda tells us that it'll become important and that we should bear with him, so I guess I'll forgive him.

    His introduction of his friends is not boring, however, and this is where the story starts to pick up from lifeless introduction to a lively school setting.
    While it's not on the level the chapter ended off with, it's getting stronger. The build-up is tangible, and I appreciate it.
    This is also around the time when A gets his creative name of A.
    My favorite nickname is CuddleBunny, though.
    That's a good one.

    I believe the dynamic between A and CuddleBunny is simply great.
    This is a Romance Short Story, so I guess that's essential, and Jay definitely managed to do that.
    From the moment they first slept together (the cuddling part of her bunny-nickname plays a part) the story grows into a smile-producing spectacle.
    As I mentioned at the beginning, sweet enough to make honey blush.

    Well, they do a lot of stuff together from then on, and just in case somebody reads this comment before the story, I'll shut up right there.
    That whole part is almost flawless, aside from some strangely positioned jokes that feel very out of place and awkward. Then again, A said he was awkward, so maybe that's part of the deal.
    It's not like they diminished my enjoyment in any way, so I won't mention them again.

    I said it before, but their journey is so sweet.
    I love how A always questions the mysterious workings of his girlfriend's mind, though he never finds out because GIRLS ARE JUST TOO AWESOME TO HAVE THEIR THOUGHTS READ!
    (Sadly, this also holds true for other girls and the girl in question, so don't think it's easy to live with that anti-thought-reading measure.)
    A's friends and family also feel so natural in all of it that I can only take my hat off... wait, I don't wear a hat...
    Uhm...
    I'll nod to you in appreciation.
    Yeah, that'll do.

    Now for the mystery, *u*.
    The nickname CuddleBunny was changed to Sweetiepom.
    Changing the nickname could mean nothing more than that... but it could also hint at a potential change in character or the discovery of a new side to her, or maybe it's a metaphor for the next stage of their relationship, or...., or..., or...

    Imma wait for chapter 2.
    Peace.

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    1
    New Folder
    Chapter:1

    Book Cover(Version 2.2)
    Another Story [Hiatus]
    Chapter:30


    Jun 21, 2020

    Uff...
    That was something.

    I felt quite like Helene at the end of that chapter. You just don't expect that length when thinking of a web novel chapter, though I kinda understand why it's as long as it is while not understanding, either.
    Lemme explain.

    There are a lot of themes in this chapter that encourage the word count. For one, there's the sense of a whole day passing with all kinds of customers coming to her stall, then there's the 'waiting for Eleanor' thing, which actually works because the reader feels like he waited for a long time, even though the reader was - obviously - reading.

    My problems with this are mainly formatting-oriented.
    Instead of putting out huge blocks of scary text, how about splitting it up after moving on from one topic?
    There was one paragraph that took up my whole laptop screen and went on beyond that.
    It consisted of Helene's thoughts, worldbuilding, explanations, necessary info-dumps, and much more... why not start a new paragraph for each of that?
    I would even go so far as to start a new paragraph for each thought Helene pursues, and then pack the punchline in an extra line to emphasize its importance.
    Then I feel like this could have been split into two chapters... though I can't exactly explain that one.
    It just feels like getting to know the adolescent Helen and her problems, her workplace, the world, the city, its people, and the past all at once overloads my brain, though I can only speak for myself here.
    Reading it as I did, my suggestion would be splitting the much-needed info up. There's a limit to information-processing in the brain, after all.
    All this technicality aside, though, there's an analysis to make.

    We follow Helen from the moment she wakes up.
    While this does give us a clear picture of what changed and - quite frankly - confused the hell out of me, it did its job.
    I was intrigued.
    I just can't help but think about the subtle unease setting in when we jump from those two adorable children reading a book to a busy marketplace, then deal with her thoughts and rude customers, perhaps.
    Her mind and thoughts are very interesting, but mainly because of what happened to her.

    Then comes the dreaded info dump.
    It's some huge paragraphs long and sets us up to date. Unless this story keeps jumping between timelines, this much is unneeded.
    If you keep it, at least make more paragraphs.
    My reasoning is above.

    We also get a detailed description of everything, and I repeat, everything she does that morning.
    This really makes me think that cutting all that out and starting with the marketplace, leaving her mornings and conflicted thoughts to a later chapter might have been the better choice.
    For what its worth, I had trouble keeping up with those walls of text at first.

    That is when it gets interesting, though.

    We have her - very interesting - story with John.
    It sets a solemn tone as it deals with his illness and change.
    While that, too, is part of her morning routine, I see this part of the chapter as a thing in itself.

    We also get introduced to Uncle Ian shortly thereafter, and he's a kind mentor figure after the sensei was brought down by an illness.
    Yes, I just called John a sensei.
    It gives the reader a sense of calm before the storm that is dealing with people...
    Like seriously, props to her for doing that.

    During the three encounters of woman & child, the rude bastard and the nice guy, we get glimpses of the status of a woman in society in that universe, which basically started when she compared her own sales to those of her neighbors, but here it turns dark.
    Or dim.
    It's not that bad aside from the bastard.
    This also reveals more of her thoughts and character, which turns it into one of the most important character moments of this chapter.

    Then comes the bursting hope of seeing Eleanor again, when she runs and overexerts herself, leaving everything behind just to see her childhood friend...
    I also want to see them together again, but while that fox-fairy-tale still hasn't left my mind, I believe that there are many more hindrances in their way before we get any kind of closure on that.

    After this, I know that I need to set an hour aside for each chapter plus review, so expect to see me back when a new chapter drops.
    Keep writing!

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    2
    The Fox of the Valley - [Collab - Jay & Lily]
    Chapter:1

    Jun 21, 2020

    Those kids are right.
    Something's not right with the way that fairy tale ends! I want to know how it continues!

    Normally, I'd go through the thing from start to finish, but I had this thought about the ending part which just needs to be written down...
    When those men were marching on the Fox, who else thought of that scene in the first Shrek movie? No one...? Damn. I was already laughing out loud just from the association. I would've loved it if the fox said something like the famous 'This is the part where you run,' line or something.
    I understand why it ended as it did, though.

    So, now back to the start.
    I guess this will be a story in a story kind of story... way to explain something easy in a confusing way, me!
    In short, there's a 'framework story' which deals with the 'real' characters or those we follow in truth. In this case, Helene and Eleanor. There are many famous examples of this, but most deal with telling someone about their past or reading a story to them. That would be the 'embedded story.'

    I like that those kids are reading, first of all.
    I also like the little comments they give. They go by almost unnoticed but serve wonders in establishing their characters a bit more.
    Good for them that they have their favorite story, too.
    I really felt for them, because one of my favorite book series is in danger of never being continued (Game of Thrones) and that makes me sad, sadder, the saddest.

    I must say, though, that story is cool.
    It's in a fairy tale style, which is always a bit more tell-heavy, but that's the beauty because they write those in layers and unpacking those in incredibly fun!
    As an example, when they accuse the fox of supporting the supposed witches, they didn't spend a second to think about why the fox was angry, or if the other party had a good reason.
    A good story, I must say.

    As the following story is called 'Lily Lilypad,' I suspect Lily wrote the first chapter, then? As this is the prologue, which I presume was done by Jay.

    My thoughts on the direction this thing will take:
    As someone who has read Hoshi no Houseki recently, I suspect that the mystery of the missing part of this story will be what this is about.
    I fell in love all over again with the mystery genre after reading that one, and I see those subtle elements incorporated here, too.
    I could be wrong though, as this is just the prologue and the authors could take it in an entirely different direction, too.

    Overall, I am most hyped for the continuations!

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    1
    The Fox of the Valley - [Collab - Jay & Lily]
    Chapter:0


    Jun 18, 2020

    Imagine having no attack stat at all, but being able to either crit with every attack, possibly ignoring defense stats and dodge abilities and stuff, or crit at 999x the normal damage, which would one-shot everyone.
    Depending on how this works, this premise shows promise.

    Some idle thoughts on the matter shall follow.
    Most importantly, the exact mechanics behind the critical hits must be discovered. I'm sure they will do that in a chapter or two, but I like to think before reading on, so do that I shall.
    If he can crit 999x as often as others, this basically makes him an always-critting maniac who barely does any damage but probably ignored any sort of reduction or defending mechanisms.
    If he does 999x as much crit damage, then he either needs freaking luck of doom, or there's some other mechanic in the game, like striking weak spots. He'd need to become the most accurate fighter if that's the case.
    Maybe he just supports, but he relies on critical hits (as I take it from the title), so I guess he will fight himself.
    Then there's the matter of whether or not magical attacks can crit... just imagine a critting D&D fireball crashing into an army of enemies... damn. Somehow makes me wanna create some custom rules... but well. I hope magic can crit, his magic stat would be useless if it wouldn't!

    Then there's this Electi thing...
    I wonder if humans are known to be generally well-balanced in this universe, too. If so, then he's a very unique exception.

    Well, it's short, funny, and makes me want to see where Claude's story takes me, at least.
    Making me think can only help, too!

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    Eryn and Claude
    Atk 0 Crit All ~My attack stat is negligible, so I can't help but rely on critical hits to succeed!~
    Chapter:1

    Jun 17, 2020

    Nobodies17 already mentioned the word I'd like to attach to this prologue:
    Relatable.

    It doesn't even have to be the problem your main character faced during his childhood.
    'Be like others.'
    'Be yourself.'

    That is a prime example of a typical inconsistency in education, be it from family or outer sources of teachers, etc.
    The pure audacity to think that a mere child could understand what they mean when they both want us to be like the successful folks around us AND become a character for ourselves at the same time.
    It takes years for kids to understand that stuff, and all it takes is one off-hand comment by a parent to send them down the wrong path for years.
    It's damn confusing, this growing-up thing.
    And they don't make it better.
    As I'm on the verge of being a legal adult, I'm still at a position where I can only speculate... but I also think it's unfair to shun them just because they failed to deliver this very difficult problem to us kids.
    Not every parent is a philosopher, who could come up with a reasonable explanation, but then again, no kid would understand a philosopher in the first place.
    Not just any kid, that is.
    Well, the family and close people are the biggest influences for a child, so maybe it has to happen.
    When I realized that I had been chasing after someone I wasn't though, I couldn't help but blame them a bit.

    That traumatic experience aside!

    This prologue shows promise.
    Huge promise, in fact.
    I am very compatible with these critical protagonists who try to see the world as it truly is, or maybe they're just cynical, but then their unique opinions entertain me throughout the novel.
    The title and cover suggest that this won't be everything this web novel deals with, but now I just can't wait to get started on this very long ride!

    See you in Chapter 1!

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    Eryn and Claude
    Atk 0 Crit All ~My attack stat is negligible, so I can't help but rely on critical hits to succeed!~
    Chapter:0


    Jun 16, 2020

    In that web novel by 'big bear' you translate (Burned Out Heroes), most of the reactions were the thumbs-up smiley. Most of the reactions here are the laughing smiley, and for good reason.

    It was a while since I laughed this hard at a piece of literature.
    Well, maybe since Gerry's 'Integrity of the Super Club' or that Isekai Smartphone Novel. This is so hilarious, like... wow!
    Again, WOW!

    I have to say, this short story format is so good for these kinds of stories. I also see it in the 'Restaurant to Another World' light novel, where every chapter deals with another customer.
    This format just works, and while that example is more calming, from this first chapter alone, I can already say that this will be comedy of the highest level.
    From his refusal to believe that the demon lord is real to the way the main character thinks about him is just great.
    It also makes me wonder if that manager knows about the kinds of visitors his store attracts at night... if that's the case, it's no wonder that he wants to nap instead of dealing with them.
    Maybe there's a prequel around, dealing with the weird anomalies the manager dealt with... well, there's probably no such thing, but a girl may dream, and dream she shall!

    I really want to know what happens when that demon lord returns, now.
    My eyes already feel the 'Ugh!' or similar reaction coming my way, and I know that I'll laugh my ass off!

    Great translation, too, reads smoother than the 'Burned Out Heroes' one, where there appear to be more typos and stuff.

    In conclusion, I love this type of comedy, and the author did a great job with it. Like a previous commenter said, I doubt the author will ever hear of this praise, but he created something truly marvelous!
    And hilarious!

    Thanks for bringing this over, Honeyfeed!

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    1
    I’m Giving My Two-Weeks’ Notice Cover
    It’s My First Time Working Late Nights at a Convenience Store, and If I Keep Getting Demon Lords, Kappa and Other Oddballs as Customers, I’m Giving My Two-Weeks’ Notice
    Chapter:1

    Jun 16, 2020

    Finally, some character development appears at the horizon like a wild horde, soon to trample the stale beginnings of any novel.

    Honestly, after getting to know the world a bit more, I was desperate to find out more about the main characters, Karen and 01. Their kind both are above the human level in terms of strength, and this mission - along with everything Berkov hinted at - could put both of them to the test.

    Alone the terrorist/bomber who rampages around some cities or so, with a hidden identity, poses another plot point of interest to the reader.
    We don't know the main characters well enough to know exactly if he really isn't the bomber, though it seems unlikely to us, at the moment. It could also be Berkov or any one of their kind.
    Maybe the author pulls a Hero-Killer Stain and introduces a new, very striking villain/antihero later on.
    As long as he doesn't pull a Darling in the Franxx and shatters chapters of build-up with a sudden space-battle, I'm all for what big bear is coming up with in the future.

    Anyway, Berkov appears to have a standard annoying but necessary relationship with 01, though I hope he won't end as this plot device to move the pieces (01 and Karen) around the table. I also don't know what he's up to after the way he said good-bye to the protagonists, and his comment on the outcome of the book also seemed suspicious.
    I believe there's more to Berkov than he lets on to.

    Overall, I'm excited to continue this web novel!

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    1
    Burned Out Heroes Cover
    Burned Out Heroes
    Chapter:4


    Jun 14, 2020

    After a spaceship and a desolated apocalyptic city, we have a fighting tournament in an underground/hidden area.
    I feel like this one keeps jumping around.

    The only thing we get a good feel for is the world around our main protagonists. Otherwise, 01 is the stereotypical good guy as of this moment, and his daughter, Karen, supports his opinions but is more reasonable and less likely to do something that would make her stand out.

    I am ok with that, though.
    It was made pretty clear that this Berkov wanted something of them, and on the way to get this assignment, the author decided to introduce us, the readers, to the world.
    A classic, but an effective method.

    What I miss in these first few chapters is obviously the character of our protagonists, something more than the classic stereotype.
    With the way this story is structured, it stands to reason to assume that this development will start with the introduction of Berkov and whatever he has in store for them.
    I guess that will also mean some serious shit is going on in the world, but all of that remains to be seen.

    A short and brutal chapter.

    ...

    Also, I finally found out what this was all about.
    This is an award-winning light novel from Japan, translated by Honeyfeed. I'm sure this information is easy to access, but I didn't take the time to search for it, so I assumed this was written by the Honeyfeed author.
    Which it isn't.

    As such, all I can say is that I want you to keep up the good work in translating and bringing those stories over!

    Thank you, Honeyfeed!

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    Burned Out Heroes Cover
    Burned Out Heroes
    Chapter:3